Essay Review of Shrek

in the chamber they might get a bit scared but then the film eases the

The Wizard of Oz is an early film but editing is used quite a bit. First off, the absence of color in the beginning and the ending of the film. This sets an overall feeling of Dorothy being home. Next the film turns to color once Dorothy dreams of being in a different world, the color, yet again, set an overall mood for Dorothy in this new world “Over the rainbow.” The first steps of Dorothy being in the world of The Wizard of Oz gives off an example of inside and outside editing. The shot begins with a close up of Dorothy’s face and the camera slowly moves out to show everything else around Dorothy, which was the start of the yellow brick road and Munchkin land. After the viewer see all of that, the camera moves back in to Dorothys face when she says that they are not in Kansas anymore. One editing transition used a lot in The Wizard of Oz is the fade-in and dissolve. Another is cross-cut, two events occurring at the same

How To Train Your Dragon is a children’s animation movie created by Dreamworks and directed by Chris Sanders and Dean Deblois. Released in 2010, the film features a young viking who through a course of strange events, end up befriending a dragon, going against everything his viking brethren stood for. Struggling to find acceptance, the young viking Hiccup, and his dragon Toothless end up changing both their worlds. This movie is easily one of my favorite films! Beside this film including a wonderful plot line, great celebrity voice actors, and amazing animation, this film also includes something else I enjoy, Mythology! Norse Mythology, to be more precise.

Shrekis about an ogre who in order to keep his swamp he has to rescue

Scene: This scene in the film comes just after the house has been picked up in the twister. Dorothy's house has been lifted up into the sky and suddenly dropped back down to earth in the middle of the Land of Oz. In the scene itself, Dorothy leaves her home to see that she is "Not in Kansas anymore," and finds the new and amazing world of the munchkin city in front of her. She also meets Gwendela the good witch as her journey in Oz begins.

Looking at the surface of the films The Fox and the Hound and Monsters Inc, we probably would not see any similarities whatsoever. This is hardly the case once looking past the animated animals and monsters. The Fox and the Hound, which was released in 1981 by Disney, portrays a fox named Tod and a hound dog named Copper. Even though they grew up together, they are socially supposed to be enemies. They do overcome this stereotype at first as they become best friends and vow to forever. In the end of the film they stay friends, but end up living separate from each other. Each one living in the world that is socially acceptable to each animal. Similarity, Monster Inc., which was released in 2001 by Disney and

The arrival of African slaves, sold in the plantations of colonial America, definitely triggered a superior-inferior relationship and mentality between “the whites” and “the blacks”. This present-day culture, resulting from a society of masters and slaves, has struggled against central concepts deeply rooted in the nations past .With strong cultural values on racial discrimination, the path towards the concept of racism in America was a vital moment in the course of the nation’s history. Social concepts and attitudes could not be altered overnight, but it can be altered. Indeed, in the quest for social progress, the struggle for equality has gone a long way, with black Americans now holding high-ranking

give of a certain impact that they want. This is shown at a part of

Growing up, most people read fairytales such as “Cinderella” and “Little Red Riding Hood”. These stories set up some sort of expectation for what life will be like. However, fairytales are just as messed up as life. DreamWorks created the movie Shrek to make fun of fairytale’s social prejudge and idealism. Shrek uses reversal and irony to create a satire about the flaws of fairytales.

William Shakespeare's The Taming of the Shrew is an interesting story that demonstrates the patriarchal ideas of how a marriage is suppose to be according to society, what is acceptable of a woman's role in a relationship. It's a story that has many things to show for it's been remade, and remade, even slightly altered to better relate to the teenage audience.

Macbeth the movie and Lion King are very different, but very similar. One is a cartoon animation movie by Disney and the other is a play written by William Shakespeare that was later produced into a movie by Ian McKellan. Both movies have a tradegy, but also have a small heros journey and I will show the comparsion between them both.

Shrek and Reversal of Fairytale Tradition Shrek directed Andrew Andamson and Vicky Jenson by contradicts the traditional view of a fairytale characters and settings. Although your first impressions may lead you to believe that that the story is totally different to a traditional fairytale looking more closely you find that there are a few similarities. This essay will be looking at the characters and the different presentational devises used to show how fairytale traditions are reversed. The presentational devices which are looked at are camera angles, lighting and music. In a traditional fairytale you would expect to find a prince and a princess who fall in love and live happily ever after.

Recently, our class read the book and watched the movie 2001: A Space Odyssey. The book is written by Arthur C. Clarke and the movie was directed by Stanley Kubrick. The book was written as a framework for the movie, so the two are mostly the same. But, while there were similarities, there were also some major differences.

2001: A Space Odyssey is just that: a long wandering voyage of the body and mind. Stanley Kubrick and Arthur C. Clark collaborated brilliantly. In examining both works, the film and the novel, there are certainly differences, yet the theme and overall idea coincide thoroughly. That this was made in the 1960's augments both accomplishments. The visuals, seen in 2004, are still captivating. What they must've seemed like in 1968! I flout those who received this movie poorly in those days. Would I have received it as well without having a preconceived idea of its greatness? I can only hope I would have known what I was watching.

`Shrek' is the ultimate fractured fairy tale, a film that manages to simultaneously honor and lampoon the conventions of its genre without becoming smug or condescending in the process. For while it is sardonic, `Shrek' is never cynical, so confident and assured are its makers in establishing and maintaining just the right tone for a revisionist exercise such as this one. The film certainly conveys a modern sensibility, yet it is a gentle sort of iconoclasm that allows us to enjoy the more conventional aspects of the story (the happily-ever-after ending, for example) even as we are laughing at the obvious absurdities contained within them.