Revising The Rules Summary

As society advances and the opinions of the general public change several press outlets work to stay up to date with the changing times. However, in an attempt to stay modernized journalists often times sacrifice their integrity to stay favorable in the public eye. These degrading actions, often times sacrifice the true news for more appealing news. Clare Boothe Luce, American journalist and politician, gives a controversial speech to the Women’s National Press Club condemning her female audience. Moreover, as a female addressing an audience of women she is able to give her true opinion and is able to honestly critique her colleagues. She persuades her audience by preparing them for the criticism by reiterating that she is the guest, by praising journalism, and by logically providing reasoning that the journalistic view must change for the good of the general public.

The extent and degree of information and detail written in this article about each represented author and their contributing works can ultimately be seen as one of the articles main strengths. However, although this article gives a vast amount of information on the women’s opinions and beliefs the article at times seems disassembled and erratic. The flow of the article is somewhat hard to follow, and without an increased measure of concentration, the ability of the reader to comprehend and decipher whom the author is speaking of can be lost. Also, with the extensive amounts of information and detail that each female author contributes to the argument, readers are bombarded with data to interpret and distinguish upon. With the author of the article not decisively choosing the strongest points of argument from each author, the information becomes overwhelming and possibly confusing at times.

Shifting the focus from ideas of racial constructs to fluidity of the human condition. By, doing this Larsen illustrates the husband as the example of societal “norms” by repressing such feeling and uses Clare and Irene as the more “progressive” example of identity fluidity.

In conclusion, the film She’s the Man shows the audience how gender gets represented in films. It shows the traditional femininity as well as the traditional masculinity. This illustrates that gender has impacts on power and gender relations to contribute gender inequality. Gender norms are enforced in films which maintain the power inequality difference between both genders. These issues confine the way modern films represent gender and gives a direct effect to the

As explained in Judith Lorber’s excerpt from “‘Night To His Day’: The Social Construction of Gender”, gender is a socially constructed concept that everyone unconsciously adheres to (Lorber). As a socially constructed concept, representations of gender roles can reinforce or challenge the stereotypical images. In Killing Us Softly 4, Jean Kilbourne analyzed the advertisement industry’s representation of women and argued that the media plays a huge role in shaping gender formations (Kilbourne). Although objectification of women is still a prevalent issue, Kilbourne acknowledged that there are efforts nowadays that challenges the unrealistic representations of women and femininity (Kilbourne). Inspired partly by Killing Us Softly 4, the project is my way to reflect on how the Disney movies I had watched as I grow up represented gender.

What is it that makes a woman a woman, or what makes a man a man? Deborah Tannen, author and Ph.D. of linguistics, investigates this question within the essay, “There Is No Unmarked Woman.” An excerpt from a larger publication, “Talking from 9 to 5,” written in 1994, “There Is No Unmarked Woman” is an effective examination of the social injustice as to why the state of womanhood is “marked” while the state of manhood is “unmarked”, and what this means for each sex. The book itself is a result of real-life research about the conversational

So the guests become witnesses and take part in the story. Mr Ryder tells the story as an exterior character, we can note the use of the pronoun "he" throughout its history.

There are countless factors throughout the book that help to create a critical gendered lens. However, I have found that the four most helpful have been the discussions of intersectionality, gender performance, gendered/sexed language, and the three prominent theories of gender/sex. Learning the term intersectionality and what it means in terms of gender and communication really helped shape the way that I looked at all of the content of this course. The idea that a person’s identity is multiplicative rather than additive gives clearly explains intersectionality. The idea that all of the components of a person’s identity work together to make up who they are and how they view the world and are viewed by others is critical to the study of gender

     I have thought about many different ways to organize this paper and have come to the conclusion that the best way to approach the topic is on a book-by-book basis. My perceptions of the gender biases in these books vary greatly and I did not want to begin altering my views on each so that they would fit into certain contrived connections. What interests me most in these stories is how the authors utilize certain character’s within their given environment. Their instincts and reactions are a wonderful window into how the authors perceive these “people” would interact with their surroundings and often are either rewarded or punished by the author through consequences in the plot for

Christie, C. (2000). Gender and Language: Towards A Feminist Pragmatics . Edinburgh: Edinburgh University Press.

The first research entitled “The representation of gender roles in the media - An analysis of gender discourse in Sex and the City movies ” was constructed by Therese Ottosson and Xin Cheng in 2012.

The biggest challenge while researching and writing this paper was strictly presenting scholastic and objective arguments in order to avoid bias and reduce critics’ opportunity to discredit or delegitimize my work, especially those who oppose feminism. Presenting a rebuttal statement and then counteracting it with more critical arguments of how that specific repudiation is problematic, acknowledges critical audiences’ concerns while remaining adamantly strong in my stance. I was conscious to pay the respected attention to detail when selecting rhetoric language as it conveys the appropriated tone and mood of the paper to the reader as it represents the film. Just as typical research papers require, my primary source, The Little Mermaid, is immediately and easily identifiable within the paper, and unlike most scholarly works, the analyzed topic is the primary source itself. However, the problematic dynamics the film presents based on the sexist theme it poses, may be too broad and largely based without adequately supportive and specified examples from the film. This was another one of the concerns I had when I first began to construct my paper because there were so many different examples of female

“Boys will be boys, and girls will be girls”, says Aaron Devor. Women and men have always been seen as totally different people, but is it right to say that women are different from men. Many research findings support these gender differences. The range of critical response to the topic of the gender is clearly discussed in the reviews written by Aaron Devor “Gender Role Behaviors and Attitudes,” Deborah Blum “The Gender Blur,” and Mariah Burton Nelson in “I Won. I’m Sorry”. Marian Burton Nelson, a former Stanford University and professional basketball player and author of sit book on gender identity. Deborah Blum, a Pulitzer Prize-winning professor of journalism at the University of Wisconsin at Madison. Aaron Derov, a sociology professor at University of Victoria. All three articles have similar and different opinions, but they are all about gender differences. While Devor and Blum talk about the origin of gender differences in men and women, Nelson focuses more on strong women; all three articles focus their discussions on aggressiveness, gender behaviors, and male domination.

Dating back to the 1920’s mass communication mediums of film, television and print have all been means that act as powerful tools of propaganda and thus play an integral role in the lives of individuals. It is for this reason that it is often widely accepted that the media is to be used as a tool, which represents a common public interest. Men and women are represented through forms of media in different ways, which create images depicting stereotypical traits and characteristics. The problem brought fourth by this is concerned with the issue of gender or the ‘discourse’ of gender and how individuals perceive themselves (Gauntlett, 2008) As the media is such a big part of everybody’s lives, there is not doubt that when this powerful function is synthesized with the medium’s capacity to accentuate present day realities on our screens the result tends to elicit a dominant ideology; which in turn presents an argument for major ethical implications in regard to public stigma and subsequent prejudice. This essay shall critically consider gender representation in Sex and the City (HBO, 1998-2004) and the extent to which these characters challenge the patriarchal privilege.

* Watch personal pronouns (gender references) – never use only he (his) or she (her) unless you are referring to a specific gender.