Rhetorical Analysis Of Gary Soto The Pie

From 1954 to 1968, African Americans fought to end segregation in the southern United States through nonviolent protests. As a major leader of the movement, Martin Luther King Jr. encouraged this approach. Ten years after MLK’s assassination, American civil rights activist Cesar Chavez published an article to commemorate the great leader and what he stood for. In his magazine article, Cesar Chavez utilizes logos, pathos, and ethos to convey the importance of nonviolence.

In the short story Mr. Soto exclaims when he was younger he pushed a lawn mower, door to door trying to find someone who would pay him to cut their grass. At the time he did not know that his area was in the lower-class bracket, “It struck me like a ball. They were poor, but I didn’t even recognize them. I left the projects and tried houses with a little luck, and began to wonder if they too housed the poor” (101). This is significant because later he speaks about how he was so oblivious to how he grew up. Later in this childhood story he stated that he wanted to become a hobo since he thought there was no jobs for him in the world since he did not want to work like his father. He exclaimed that his dad would come home with blistery hands, sit down their living room chair and stare at the television for the rest of the night. At the end of this story he starts talking about how he became who he is now, and why he fell into his career. “It’s been twenty years since I went door to door. Now I am living this other life that seems a dream. How did I get here? What line on my palm arched in a small fortune? I sit before students, before grade books, before other professors talking about books they’ve yet to write, so surprised that I’m far from that man on the sidewalk” (101). This quote from “To Be A Man,” is a very smart and somewhat humorous line, because Mr. Soto realizes that he could have easily been a hobo on that

Cesar Chavez, a civil rights leader fighting for improving pay and working conditions of farmers, employs the use of nonviolence resistance in his role as a leader of the United Farm Workers. As a child, Chavez and his family worked as farmers on a field as migrant workers who were most likely treated in an unjust manner and thus, he dedicated his life to improving the conditions for all farmers. To honor Martin Luther King Jr. on the 10th anniversary of his death, Chavez wrote to a religious magazine that helps people in need about the benefits of nonviolent resistance. Throughout his letter, Chavez applies rhetorical devices such as pathos, diction, and juxtaposition to persuade and inform people about how powerful and effective nonviolence techniques can be for civil rights.

This changes with the appearance of Cross-Eyed Johnny, a neighborhood boy who asks for some pie and is denied. Soto continues to eat, but “tears blurred [his] eyes as [he] remembered the grocer’s forehead”. This time, the mention of tears is not “because it was about the best thing [he] had ever tasted” but rather because he felt true guilt. He is reminded of the angelic grocer, and even though he is beginning to feel horrible continues to stuff his face with pie. Cross-Eyed Johnny comments, “your hands are dirty,” before “[climbing] his roof” to watch the other boy eat. This once again brings up the symbolism of dirty hands, as though they are tainted with sin. The symbolism intensifies as Cross-Eyed Johnny “[jumps] off and [hobbles] away because the fall had hurt him”. This represents a fall from grace, for the young Soto has committed perhaps the worst sin of his six-year-long life. He begins to feel paranoid and sees “the pie tin [glaring] at [him]” and feeling his face “sticky with guilt”. The personification of the pie tin shows that the boy feels like he is being watched and judged for his sin, and wet imagery is once again used to describe the stickiness of guilt. The sweetness was too tempting to resist, but now he has to deal with the guilt that clings to him covers his conscience. As he sits on the curb, “A car

Since Soto knows stealing the pie is a sin his guilt is amplified when he ignores his knowledge. Soto’s guilt is emphasized through the tone of the story, “my sweet tooth gleaming and the juice of my guilt wetting my underarms… I nearly wept trying to decide which to steal.” By Soto’s tone towards the pies over exaggerating on which one to steal shows that he is nervous and anxious.

     As mentioned before diction was used along with other elements to help bring out the heart of the matter in Soto’s story. When Soto says he held the pie like a “discus” it makes one think that maybe he was ready to throw it like a Frisbee because at the time he was so nervous. Also, when Soto first steals the pie, he notices that the grocer’s forehead “shone with a window of light.” It seems because Soto is so nervous, he begins to notice every little detail of what is going on in front of him. Another example occurs when Soto is eating the pie and he declares that his teeth were “bathed with the jam-like filling.” This makes him look as if he is relishing every moment of eating the pie.

In "The Jacket" Gary Soto uses symbolism to reflect on the characterization and development of the narrator. Soto seems to focus mainly on a jacket, which has several meanings throughout the story. The jacket is used as a symbol to portray poverty, the narrator's insecurity, and the narrator's form of self-destruction.

Gary Soto’s body language sets the stage for symbolism on his aim on stealing pie from the grocer’s store. “...the juice of guilt wetting my underarms” (Soto 13). The juice of guilt symbolizes his religious knowledge, since he is acknowledged

Soto talks about sacrifice, and we all go through that. What we do to please other people. The boy had to give up his orange because he didn't have enough money. He told his girlfriend that she can chose any kind of candy found in the isle, and she chose a chocolate bar that cost a dime, now the boy only had a nickel and a pair of oranges in his pocket. Instead of feeling embarrassed and cheep in front of his new girl, the boy decided to put up the nickel and an orange on the counter for the saleslady.

In the poem “Behind Grandma’s House”, Gary Soto writes about an experience he had as a young boy. He speaks of himself as being a nerdy Spanish boy who wants attention. He screams out for attention by acting out in negative ways. Most know, to bring attention to one’s self, one can acquire it by acting negatively or positively, but negative attention brings punishment. Soto obtains his grandmothers attention at the end of the poem, but he may have regretted it. Gary Soto’s “Behind Grandma’s House” is a 1952 free verse poem that uses imagery to suggest the speaker’s perspective of the story.

In the short play A Raisin in the sun conflict’s both internal and external occure for in three of the main characters regarding their dreams. When the opportunity came for them to accomplish their dreams through using the insurance money they’ve come across from the loss of a family member, one of the main characters, Walter, wishes to be successful in life; but he needs the insurance money to do so. He wants to use the insurance money to open up a liquor store because he believes this would change his life. A exceptional quote that shows his determination to be successful in life is when he speaks to Ruth “You tired, ain’t you? Tired of everything. Me, the boy. The way we live-this beat up hole-everything”(

The poem begins explaining to the reader the story of a Mexican American as he worked in an industrial factory at some point in his life. “In the factory I worked, in the fleck of rubber, under a press of an oven yellow with flame.” (Lines 1-3) Soto uses visual imagery to describe the color of

Gary Soto, who among many things was a Mexican-American poet, many times wrote about what he knew best: his life. Growing up as a Chicano in America in the 50s and 60s, Soto worked in fields as a laborer from a young age. It is evident that coming from a Hispanic working class family greatly influenced his poem “Ambition”. As he is known for, Soto's poem is filled with imagery of everyday life, while harping on important details and themes of things that he may have seen around him., but in this instance, there was a bit of confusion. To begin with, the poem “Ambition” starts off with the line "For years our ambition was to eat/Chicken"(1-2). Without further analysis, at this point the reader is most likely confused, much like I was. Chicken? How could eating be one's goal, one's aspiration in life? The word ambition is usually associated with lofty goals. It would not seem out of place to say that one's ambition was to become a doctor or to make a better life for oneself. So the speaker in the poem could not truly believe that all that he wanted in life was to eat chicken. The outlandishness of this statement seems to be the speaker pointing huge arrows towards places in the poem that invoke deeper meaning to

“The Book Thief” presented a story filled with various themes that comprised a powerful plot line. Although there were many themes in the story, there was one that stood out to me more than others. In the process of reading the book, the theme of suffering affected me the most. The definition of the word suffer is to experience or be subjected to something bad or unpleasant. Different characters within the story are subjected to dreadful feelings and are therefore suffering. Through my analyzation, I observed the three different types of suffering that the characters experienced: guilt, feelings of emptiness, and anxiety. The characters of “The Book Thief” experience these three types of suffering in different ways.

First of all, imagery is used quite often in this essay, which gives the reader more of a visual when reading. One of the many examples would be “She found the spoon in a clump of coffee grounds mixed with scrambled egg remains and