Rhetorical Analysis Of Let There Be Dark

AIDS, Ebola, Influenza, Cholera, Smallpox, Tuberculosis, The Black Death. What do these have in common? For most of you that is a rhetorical question, for many others not so much. Some of those words are the names of epidemics, some even earned the title of pandemics.

In the persuasive essay “Let There Be Dark” by Paul Bogard, the author addresses the issue of light pollution being a serious problem worldwide and offers some ideas on how people can reverse this epidemic. Bogard uses all three persuasive strategies, logos, pathos and ethos. The use of these strategies within his writing help to strengthen his argument. He uses pathos by evoking several emotions throughout his paper and telling the audience that the Earth’s ecology would collapse if darkness continues to disappear. This makes the audience really think about what our future would be like if we continued to let light pollution happen. Another strategy he uses is logos and the use of facts. He explains that organizations around the world are voicing

Seeing an increase in light pollution and a decrease in natural darkness, Paul Bogard in his essay “Let there be Darkness” uses logic to persuade the reader to preserve darkness. Opening the essay with a personal experience from the past, he convinces the reader of the danger of light pollution. The author uses statistics, pathos, and science to support his thesis.

How can two people be so different, yet so similar? The World’s Columbian Exposition was a major event in the 19th century. The fair was something that’s never been done before in history triumphing the famous Eiffel Tower. As spectacular as the fair was there were murders being committed without any signs of slowing down. The Devil in the White City tells a story between the architect Daniel Burnham and the infamous serial killer H.H. Holmes. Erik Larson uses imagery, diction, and comparisons to characterize and show how similar their traits and goals were during this time.

Tucker Max’s famous words state that “the devil doesn’t come dressed in a red cape and pointy horns. He comes as everything you’ve ever wished for.” H. H. Holmes, a main character in Erik Larson’s 2003 novel titled “The Devil in the White City,” exemplifies Max’s statement. This novel recreates the lives of Daniel Burnham, the architect of the 1893 Chicago World’s Fair, and H. H. Holmes, the mastermind serial killer who takes advantage of the fair to find his victims. Larson demonstrates the contesting forces of good and evil within the World’s Fair among his use of figurative language, allusion, and imagery to emphasize that evil can lurk in the shadows as well as in plain sight.

“McCandless didn’t conform particularly well to the bush casualty stereotype.” Jon Krakauer, in his book Into The Wild, argues that McCandless was a unique personality who yearned for adventure. He supports his claim by the usage of epigraphs, interviews with McCandless’s acquaintances, and various maps that are indicative of where the protagonist travelled. Krakauer's purpose is to use an argumentative structure in order to convince the audience that McCandless was more complex than previously known. He uses a nostalgic and commanding tone in order to emotionally appeal to an audience who may have originally had different opinions on McCandless. In Into The Wild, Krakauer employs techniques of ethos and speaker in order to thoroughly convey

Nonconformity allows people to go against a prevailing rule so that they may do as they please.

Between memoirs and history textbooks, two very different approaches to historical matters are dealt with: one appeals to emotion, while the other to reason and logic. In Elie Wiesel’s memoir Night, he discusses his life during the Holocaust and what life in a prison camp was like on an emotional level. The treatment of the Jews at the hands of the Nazi guards is more appalling through the emotional description of a survivor like Elie Wiesel than through the contextual and fact based evidence found in a textbook. One such example of this is when Wiesel describes how when the Jews were herded onto the cattle carriages to move them from Geiwitz to Buchenwald, and how the Nazi’s distribution of rations led to the Jews eating snow off one another’s backs:

In the novel, Night, written and experienced by Elie Wiesel, rhetorical devices such as logos, ethos and pathos are used to expatiate the events in the story. Elie was just a child when the invasions commenced. This autobiographical novel consists of the story of Elie Wiesel and his family, primarily his father, as they fight through the treacherous nights. The rhetorical devices compare to the poem by Judy (Weissenberg) Cohen. Judy is also a survivor of the holocaust that speaks at the Holocaust Memorial in Toronto, Canada. This poem and the novel compare through their rhetorical strategies.

Elie Wiesel wrote a book called Night and Night is about his life experience during the holocaust and to explain his experience during the holocaust elie wiesel used literary elements like image clusters, pathos, tones, and metaphors for the readers to get into more detail and to feel a certain way about his experience.

An important quote in 1984 is "We shall meet in the place where there is no darkness"(Orwell 25). This quote is said in one of Winston's dreams. Dreaming was the only grounds to escape for the citizens of Oceania unless you are one of those people to mutter things about what you are dreaming when you're sleeping. "He knew what it meant, or thought he knew. The place where there is no darkness is the imagined future"(Orwell 26). A spot with no murkiness was thought about a spot where individuals had opportunity, where individuals could express their feelings. Furthermore , Winston thought it implied that individuals would one day be free of the party. Moreover, it gave Winston trust in a superior future. Truth be told,

Book are magnificent things. Fiction books are created with such details, they only hold small or no real life facts or events. In contrast, nonfiction books do the complete opposite. Nonfiction books contain facts or events from the past that occurred, they are also incorporated with details to make the story more interesting, to give it more imagery, feel, and a better tone. When an author does so, they manage to make the book have a “timeless quality,” which is incredibly important to a nonfiction book. An author is capable of getting this quality in their books by incorporating the facts or events, alongside rhetorical strategies to give life and meaning to their book. Not every author can manage to do this, although, the author by the name of Erik Larson did so, in his book, The Devil in the White City: Murder,

In the book “Night” written Elie Wiesel, Wiesel wants readers to know the pain and struggles he had to face in the holocaust. In 1944, in the village of Sighet, Transylvania, a boy named Elie was taken from his home and was taken to a concentration camp and spends time talking about being invaded by the Nazi. The purpose of the book was the remembrance of the holocaust and how it causes him to lose faith and his identity. Although the concentration camps were a bad place the people were forced to work, the rhetorical devices imagery, symbolism, and diction is used to present loss in faith and identity.

In the 1940s, while many of the people focused on the Second World War, Hitler and many of the Germans under his influence killed numerous groups of people that tainted the German or Aryan superior 4race. These people included Jews, homosexuals, gypsies, people with disabilities, prisoners of war, and communists. The Final Solution, or the Holocaust as it is known now, was a plan made by the top of the Nazi party and was executed primarily by Hitler's followers. Holocaust, the word now brings living fear to those who experienced the tragedy and those reading the survivors' accounts. Night by Elie Wiesel, a memoir using logos and pathos at a high efficiency, and Schindler`s letter by his Jews, excels at providing creditability, are two accounts that have ample amounts of rhetoric.

“The Dark Knight,” a movie directed and produced by Christopher Nolan, depicts the way a system of justice deals with terrorism. If an archetype is defined as a symbol that exists instinctively in the collective consciousness of the human race, the terrorism in Batman The Dark Knight represents an archetype through the violence, murder of the innocent, mayhem and mass destruction. Governments often lay down laws and procedures for a country to function, and to avoid anarchy. The laws promote wellness, equality, and justice, but sometimes even these entities of justice are forced to break the law for a greater good. In contemporary U.S. history, President Barack Obama, the head of one of the most powerful