Rhetorical Analysis Of Let There Be Dark

AIDS, Ebola, Influenza, Cholera, Smallpox, Tuberculosis, The Black Death. What do these have in common? For most of you that is a rhetorical question, for many others not so much. Some of those words are the names of epidemics, some even earned the title of pandemics.

He brings up the point about animals and how they are affected by darkness decreasing. Bogard states that the 400 species of birds that migrate at night in North America, the sea turtles that lay their eggs at night and the bats that prey on insects in the dark are all being affected by the increase of artificial light (Bogard). Another aspect that makes this essay strong is the author’s word choice. Throughout the article, the author uses language that is rich and vibrant, but can also be understood by most people. He uses words like awash, sugary spreads and irreplaceable, among many others. The audience is easily entertained by his word choice and the overall flow of his writing. This strengthens his argument and makes the reading enjoyable to whoever reads it. Also, Bogard organizes his paper in a way that is easy to understand and follow. He presents problems of light pollution throughout the article and then follows them up with possible solutions and examples of how the solutions can be achieved or are currently being achieved. He discussed the problem of light pollution increasing every year and explained how Paris turns off their monument lighting at 1 a.m., suggesting that countries and

The dramatic realization of the absence of objects during the brief moments of sunset on a snowy evening comes fast under

Seeing an increase in light pollution and a decrease in natural darkness, Paul Bogard in his essay “Let there be Darkness” uses logic to persuade the reader to preserve darkness. Opening the essay with a personal experience from the past, he convinces the reader of the danger of light pollution. The author uses statistics, pathos, and science to support his thesis.

Throughout the adaption, Bogard appeals to pathos when he discusses his childhood relationship with the darkness. Bogard says that “at my family’s cabin on Minnesota lake, I knew woods so dark that my hands disappeared before my eyes. I knew night skies in which meteors left smoky trails across sugary

In the essay, “Our Vanishing Night”, Verlyn Klinkenborg discusses light pollution. Light pollution is due to human’s use of artificial light during the night. Klinkenborg uses examples of how this type of pollution effects not only humans and their biological clocks, but how it effects other organisms in the wild. In this essay, I will analyze the author argument and aspects of it that includes authority, topic, tone, context, exigence, and audience to determine whether the essay was effective or ineffective in getting Klinkenborg’s argument across to the reader.

Spaulding begins her essay with a detailed personal testimony that describes the deep emotional connection she feels for darkness. In part of the second paragraph she states, “the sky and shore and water were all one inky darkness though stars sparkled on the watery surface,” (83). This description of the

Elie Wiesel wrote a book called Night and Night is about his life experience during the holocaust and to explain his experience during the holocaust elie wiesel used literary elements like image clusters, pathos, tones, and metaphors for the readers to get into more detail and to feel a certain way about his experience.

In their eyes is the truth. The speaker in Dickinson’s poem promotes adaptation as the primary response to the darkness; one must, “fit our Vision to the Dark –” before acting. With courage and conviction can the speaker finally move forward “And meet the Road – erect”. Familiarization to the darkness instills a sense of fortitude with which the speaker suggests may assist until the light returns. While the speaker in Dickinson’s poem chooses to face the darkness, the speaker in Frost’s poem becomes enveloped within it, shying away from the surrounding society. Embarrassed by this nightly wandering, the speaker scarcely responds to meeting the watchman on his beat, saying, “And dropped my eyes, unwilling to explain.” By lowering the eyes, the speaker assumes a passive role, choosing to dwell within the night rather than facing it. This melancholy response may appear cowardly against the courageous action of the other poem, but the speaker knows that one must become acquainted with the night before moving on from this solitary lifestyle. In both poems, the reaction to the darkness is within the eyes. They must change themselves to face the darkness, or let the night change

The Message of the Memoir Night Eliezer Wiesel writes, Eliezer Wiesel is a Jewish Holocaust survivor, an author, and a human rights activist. At the onset of the Holocaust however, Eliezer Wiesel was a thirteen-year-old, small-town-boy of Sighet, Transylvania who by all accounts was “deeply observant” (Wiesel 3). The Holocaust was a dark time in Jewish history in which Anti- Semitics; mainly the German Nazis led by Hitler, tried to exterminate the Jews. As an author, Eliezer uses an array of rhetorical appeals. Rhetorical appeals consist of pathos, logos, and ethos.

Throughout the beginning of the passage, the author uses an array of different rhetorical devices to give us a glimpse about Douglas Spaulding's feelings towards the beginning of summer.Ray Bradbury utilizes personification in sentences 1 through 5. For example "The town covered over with darkness...the wind had the proper touch, the breathing of the world was long and warm and slow." The author drives a clear picture of a mysterious atmosphere by the use of the word "Darkness". By adding "The wind had the proper touch."

Erik Larson shapes a story of suspense and excitement through juxtaposition, foreshadow, fantasy, and direct quotes. Through these different strategies, he is able to hold the reader’s attention while describing true history in a contemporary way. Larson takes Truman Capote’s idea of a nonfiction novel and creates his own story of a murderer in important history.

In the beginning of Bogard's essay, he shares a short anecdote about his cabin at night. This hook lets the audience know that Bogard has been, and seen, the sky and the fact that it is slowly fading away. The anecdote also has a lot of imagery and affects the audience's emotions a little. It makes us feel worried, wanting to read more, hoping for a solution. Bogard’s essay was effective because of the amount of evidence, the reasoning to illustrate that evidence, and the imagery/ word choice.

“The Dark Knight,” a movie directed and produced by Christopher Nolan, depicts the way a system of justice deals with terrorism. If an archetype is defined as a symbol that exists instinctively in the collective consciousness of the human race, the terrorism in Batman The Dark Knight represents an archetype through the violence, murder of the innocent, mayhem and mass destruction. Governments often lay down laws and procedures for a country to function, and to avoid anarchy. The laws promote wellness, equality, and justice, but sometimes even these entities of justice are forced to break the law for a greater good. In contemporary U.S. history, President Barack Obama, the head of one of the most powerful

In the text “Our Vanishing Night”, Verlyn Klinkenborg argues how humans have actively transformed the night to become more like the day, and in doing so have fueled the ongoing problem of light pollution. Klinkenborg immediately establishes a common misconception among humans in that, we continue to change the night even though our species is diurnal creatures. Since humans have engineered artificial light, it has only brought negative consequences to the natural world. He utilizes concreate examples of specific animal’s sufferings such as, nesting sea turtles finding fewer dark beaches to nest on and birds singing at unnatural hours, to demonstrate the extensiveness of light pollution. Klinkenborg contrasts the past and the present indicating how light pollution has become a new problem in the world. In the 1800s, you could walk by the most populous cities and only a few houses where lit with gas, but now most of humanity lives under crossing domes of diverted light. By creating a sense of guilt, he illustrates the beauty of the world above humans that has been lost and masked by the ghastly lit night. He creates this sense of guilt to instigate humans to act in order to protect the environment by diminishing light pollution. Klinkenborg demonstrates that this problem cannot be fixed through one solution. He provides smaller temporary fixes, such as efficiency and conserving, that could go a long way in limiting the effects of light pollution. Due to manipulating the