Rhetorical Analysis Of Sherman Alexie 's ' The Lone Ranger And Tonto Fistfight '

Most of Alexie’s writing reflects life on the reservations today. The poverty, oppression, commodity food, and alcoholism are the main themes in his stories. The title story of his collection The Lone Ranger and Tonto Fist Fight in Heaven, however, deals with the life of an Indian man who has left the reservation to live in Seattle and some of the obstacles he faces in the white world. We never know the main character’s name, probably because he feels like a nameless nobody in this strange world. He is alienated and told that he doesn’t belong even

Throughout “The Lone Ranger and Tonto Fistfight in Heaven” the theme of resilience is deliberately presented. Native Americans past and present continue to face stifling issues such as racism, alcoholism, isolation and suicide. Sherman Alexie makes it his obligation in his stories and poems to show Native American resiliency through humor. By using his characters to show resiliency through humor Alexie presents humor as an integral part of Native American survival.

Throughout the story, The Absolutely True Diary of a Part Time Indian by Sherman Alexie, Junior goes through many ups and downs. This story is about how Junior, an indian from the Spokane reservation, decides to go to Rearden, the school for non-indians because of how run-down his school is and has trouble fitting in. Some of the ways Junior dealt with those downs include his uncanny sense of humor, his love for his friends, and the want to fit in and prove he’s just as good as everyone else at his new school.

“Indians are like the weather.” With his opening words Vine Deloria Jr. sets up the basis for the rest of his witty yet substantial manifesto, Custer Died for Your Sins. The book, which describes the struggles and misrepresentation of the American Indian people in 1960s American culture, is written in a style that changes from ironic and humorous satire to serious notions, then back again. Through energetic dialogue that engages the reader in a clever and articulate presentation, Deloria advocates the dismissal of old stereotypes and shows a viewpoint that allows the general public to gain a deeper understanding of what it is to be an American Indian.

Sherman Alexie recalls his childhood memory of learning to read, and his teaching experience in “The Joy of Reading and Writing: Superman and Me”. He devotes his interest to reading. By this way, he breaks the stereotype that Indian boys are expected to be stupid and dumb, and later on he becomes a successful writer because of his endeavor to read. Alexie vividly narrates his younger life by using metaphor and repetition with a confident tone, in order to strengthen his description of his reading talent, his influence to the other Indian boys and how he struggles in poverty to change his life.

In the story "The Lone Ranger and Tonto Fistfight in Heaven" by Sherman Alexie, points out the hardships of being a Native American back in the 20th century. These hardships were racism, alcoholism, poverty and isolation. The story takes place in the reservation and it is about a young Native American whom struggles in society because of his skin color, family's addictions and fights. The narrator moves to Seattle with his white girlfriend who he seems to have an odd relationship because they are constantly fighting. He becomes an alcoholic and moves back to the reservation after a break up with his girlfriend.

Satire also reinforces the theme of cultural divide in the scenes set in Latisha’s diner, The Dead Dog Café. Even the restaurant’s namesake underscores the humor in the conflict between White and Native American cultures. Part of the selling point of Latisha’s café is the illusion that the patrons are eating dog meat as a way of experiencing authentic Native American culture. In reality, the meat served is beef because consuming dogs as food is in no way part of Blackfoot dietary practices. The white tourists who filter through the cafe (both American and Canadian) are drawn in broad strokes and quickly display their ignorance of Native American culture by their enthrallment with its perceived exoticness.

Authors write for many reasons; most often because they want to tell a story. This is definitely the case with Sherman Alexie, “a poet, fiction writer, and filmmaker known for witty and frank explorations of the lives of contemporary Native Americans.” He grew up on the Spokane and Coeur D’Alene Indian Reservations, and has devoted much of his adult life to telling stories of his life there. Alexie expertly uses language and rhetorical devices to convey the intensity and value of his experiences.

Growing up as a Native American boy on a reservation, Sherman Alexie was not expected to succeed outside of his reservation home. The expectations for Native American children were not very high, but Alexie burst out of the stereotype and expectations put by white men. Young Native Americans were not expected to overcome their stereotypes and were forced to succumb to low levels of reading and writing “he was expected to fail in a non-Indian world” (Alexie 3), but Alexie was born with a passion for reading and writing, so much so that he taught himself to read at age three by simply looking at images in Marvel comics and piecing the words and pictures together. No young Native American had made it out of his reservation to become a successful writer like he did. This fabricates a clear ethos for Alexie, he is a perfect underdog in an imperfect world.

In the scholarly essay, “The Approximate Size of His Favorite Humor: Sherman Alexie’s Comic Connections and Disconnections in The Lone Ranger and Tonto Fistfight in Heaven,” the author Joseph L. Coulombe, writes about the humor used in Sherman Alexie’s short stories. Coulombe argues that in Sherman Alexie’s stories that humor is essential for character development and the creation of bonds between these characters.

Each person has the right to follow their dreams. Sometimes those dreams are fulfilled, but sometimes they are put on hold when life demands individuals to pursue something more practical. If an individual is willing to fight for what they want, anything is possible. As shown in Rocky Balboa, Rocky Balboa's desire is to continue boxing in the ring. The Commission Chair denies his request, due to his age, although he has passed all of the required tests. Rocky Balboa challenges his denial by appealing to the Commission Chair's logic, ethics, and emotion. During this session, Rocky effectively uses logos, ethos, and pathos to lead the Commission Chair to a decision allowing him to obtain his license to box again. This speech is effective in its portrayal that as long as one has done everything in their power to achieve their goals, that no one should have the power to stop them.

     Traditionally, Native American Literature has been an oral genre. Although Native American Literature was the first American literature created, it has been the last to be recognized -and, to some extent, is still waiting for full recognition (www.usc.edu). With the Indian being forced to assimilate, their literature was forced to take on a written form. Although the traditional way of storytelling has changed, Native American Literature has survived. In it's written form, it is being shared with a larger population. Black Elk Speaks (Neihardt 1932) and The Lone Ranger and Tonto FistFight in Heaven (Alexie 1993) are two Native American works of

As he grew up to become a writer, we see pain in the story he tells. “I loved those books, but I also knew that love had only one purpose. I was trying to save my life” (pg.18). Alexie wanted to be someone greater than what others expected him to be. People would put him down constantly, but he fought back just as much. He tried to save himself from the stereotypes of being just another dumb Indian. He had more determination to prove others wrong when it came too exceeding in reading to further excel in his daily life.

Not many writers can pull off a collection of interconnected short stories the way Sherman Alexie does. With his 1993 publication, The Lone Ranger and the Tonto Fistfight in Heaven, Alexie won the PEN/Hemingway Award for Best First Book of Fiction for his rich portrayal of Native American life on the Spokane Indian Reservation (). As a Spokane/Coeur d’Alene Indian himself, Alexie describes the collection as thinly veiled memoir in the tenth anniversary edition, yet by employing a variety of skilled writing techniques, he connects readers of all backgrounds to the events and characters in the stories (). To do this, Alexie plays with narrative perspective, magical imagery, and non-linear storytelling with various tones to

The three stories “A Drug Called Tradition,” “What it Means to Say Phoenix, Arizona, and “The Trial of Thomas Builds-the-Fire” in a book of short story collection called: “The Lone Ranger and Tonto Fistfight in Heaven,” published in 1993 and reissued in 2005, by Sherman Alexie, a Spokane/ Coeur d’Alene Indian. Those three short stories introduce us readers to Thomas Builds-The-Fire, a character who tells too much stories. Through analyzing Thomas Builds-The-Fire’s stories, we will understand why his community treats him like an outcast. The story about three proud Indian boys: It is night time, they aren’t doing drugs. Instead, they drink Diet Pepsi, and strangely, “They are wearing only loincloths and braids” even though they’re sipping on the Pepsis in the twentieth century. Because, as Thomas suggests, they “have decided to be real Indians tonight”, “they all want to have their vision…receive their true name,” and they want to “breath in that sweet smoke” (20) from the fire they built. The word “sweet smoke” gives us readers a sense of release and relief of their suppressed feelings coming from the longing to reconnect to their roots. Later, the boys become non-alcoholic, and in a matter of seconds, “Thomas throws away the beer,” “Junior throws his whiskey through a window,” and “Victor spills his vodka” (21). At the end of this story, “the boys sing. They sing and dance and drum. They steal horses” (21), thus become heroes, proud Indian heroes. Story of Thomas and