Rhetorical Analysis Of The Bell Jar

A memoir is our modern version of a fairy-tale, it is a biography written from personal knowledge or special account. In The Glass Castle, Jeannette Walls recalls her childhood memories with her family. From Rex Walls, her father, allowing her into the cheetah den to his last moments with her before she moved to New York. The Glass Castle was truly effective from the beginning to the very end of the book. Jeanette writes The Glass Castle to show to older teens that no matter how bad your childhood is or was, it doesn't mean that your future will be bad also, since you can grow out of it if you can really try.

During The Bell Jar, Sylvia Plath used similes to highlight Esther's characteristic of a wallflower during her trip to New York. After Frankie, one of Lenny's friend abandones Esther, he is forced to take her and Doreen to his apartment. Lenny obviously wanting privacy with Doreen he asks her to go but Doreen defends Esther and says she will only go with the do any of her friend. From there on, Esther feels unwanted and ignored while she spends time at Lenny's place. Plath describes Esther's abandonment while Lenny and Doreen dance, “I felt myself shrinking to a small black dot against all those red and white rugs and that pine paneling. I felt like a hole in the ground” (Plath 16). Esther feels left out while her best friend and a stranger dance. The simile expresses how she felt invisible and ignored. The author tries to relate to the reader who once in their life may have felt outcastes or left out. Esther has a tendency to feel terrible about herself. From the beginning of the story, she explains how she feels different and not in the right place. The author wrote, “The city had faded my tan, though. I looked yellow as a Chinaman. Ordinarily, I would have been nervous a about my dress and my odd color, but being with Doreen made me forget my

The Bell Jar, a coming of age, semi-autobiographical novel, by Sylvia Plath follows the life of a troubled young girl named Esther Greenwood, her slow descent into mental illness and then her subsequent recovery. The second half of the book details Esther's mental breakdown, her incarceration and stumbling recovery whilst the first half uncovers the protagonists, narrators day to day struggles which go on to contribute to her eventual breakdown . Throughout the novel, the reader comes to understand that Esther feels there are few choices; in character a woman must be either the virgin or the whore, both of which are demonstrated by Esther's friends, Betsy and Doreen. This presents one of the key internal conflicts the protagonist, Esther battles.

“McCandless didn’t conform particularly well to the bush casualty stereotype.” Jon Krakauer, in his book Into The Wild, argues that McCandless was a unique personality who yearned for adventure. He supports his claim by the usage of epigraphs, interviews with McCandless’s acquaintances, and various maps that are indicative of where the protagonist travelled. Krakauer's purpose is to use an argumentative structure in order to convince the audience that McCandless was more complex than previously known. He uses a nostalgic and commanding tone in order to emotionally appeal to an audience who may have originally had different opinions on McCandless. In Into The Wild, Krakauer employs techniques of ethos and speaker in order to thoroughly convey

Nonconformity allows people to go against a prevailing rule so that they may do as they please.

In The Bell Jar, Esther finds it extremely difficult to put her thoughts into words. She loses friends as she is unable to communicate with them. She lacks relationships due to her silent behaviour. “The silence depresses me. It isn’t the silence of silence. It’s my own silence,” (Plath 18) she says. Although at first Esther feels upset by the lack of connections she has, she loses motivation to even try and explain herself to others. Unlike Mr. Chance in The Cloud Chamber, and Deborah in I Never Promised You a Rose Garden, Esther’s mental state does not improve, and she is unable to resolve lost connections. Esther’s mother tells her, “the cure for thinking too much about yourself is helping somebody who is worse off than you” (Plath 161). However, in her case, she’s so disconnected from the people who were once a big part of her life, that she doesn’t know who to reach out to. She doesn’t see herself being capable of maintaining stable and happy relationships with others when she can’t even maintain her own happiness.

In the short play A Raisin in the sun conflict’s both internal and external occure for in three of the main characters regarding their dreams. When the opportunity came for them to accomplish their dreams through using the insurance money they’ve come across from the loss of a family member, one of the main characters, Walter, wishes to be successful in life; but he needs the insurance money to do so. He wants to use the insurance money to open up a liquor store because he believes this would change his life. A exceptional quote that shows his determination to be successful in life is when he speaks to Ruth “You tired, ain’t you? Tired of everything. Me, the boy. The way we live-this beat up hole-everything”(

While at home, Esther becomes into a deep depression when thinking about her experience in New York. She doesn’t want to read, write, or sleep and she stops bathing herself. Her mother sends her to see Dr. Gordon who is her first psychiatrist whom she doesn’t like and doesn’t trust. He is the man with a good looking family, and to Esther he is conceited. He doesn’t help Esther, but only hurts her more. He prescribes her with shock treatment. After this horrifying experience, she decides to kill herself. She tries to slit her wrists, but can only bring herself to slicing her calf. She tries to hang herself but can’t find a place to tie the rope, she tries to drown herself at the beach, but cannot keep herself under water, and then she crawls into a space in the basement and takes a lot of sleeping pills. “Wherever I sat—on the deck of a ship or at a street café in Paris or Bangkok—I would be sitting under the same glass bell jar, stewing in my own sour air.” (Plath pg. 117) This quote shows how she felt trapped in the bell jar, and her suicidal urges began. She awakes in the hospital to find that her attempt at suicide wasn’t successful. She is sent to another psychological ward where she still wants to end her life. Esther becomes very paranoid and uncooperative. She gets moves to a private hospital paid for by Philomena Guinea a famous novelist. Esther improves and gets a new

People's lives are shaped through their success and failure in their personal relationships with each other. The author Sylvia Plath demonstrates this in the novel, The Bell Jar. This is the direct result of the loss of support from a loved one, the lack of support and encouragement, and lack of self confidence and insecurity in Esther's life in the The Bell Jar. It was shaped through her success and failures in her personal relationships between others and herself.

One main theme in The Bell Jar is growth through pain. Esther experiences many painful events that deeply affected her life. For example, Esther stated,” I felt happier than I had been since I was nine and running along the hot white beaches with my father the summer before he died” (p.74). Esther’s inability to move past her father’s death added to her increasing mental illness. Esther had trouble growing up and dealing with normal events that everyone experiences. She takes an entirely different path and decides that she will not act the way society wants. Instead of finding a new meaning in life, she decides to committee suicide instead. Luckily, she is able to fight through these urges, and recover. Her time in the mental hospital was difficult, but she was able to move past her mad thoughts, and start a new life. Esther’s refusal to follow society’s path seems heroic, but her ability to recovery after all her pain was an incredibly dignified act.

Because the method was not implemented correctly, Esther is awake the whole time, feeling the electricity course through her. As her condition worsens, she is placed in a privately funded asylum. She once again undergoes electroshock therapy, but this time it is done correctly, lifting the bell jar off of her. She states that it hangs a few feet above her head. Being under the bell jar is a terrifying experience for Esther. It renders her useless of her greatest skill, writing. It makes her hate essentially everyone and everything that had once meant something to her. It turns her into a hollow shell. She makes an attempt to seem normal and portray the talented girl she has always been, up until then. “How did I know that someday – at college, in Europe, somewhere, anywhere – the bell jar, with its stifling distortions, wouldn’t descend again” (Plath 241)? Even though

One is often enticed to read a novel because of the way in which the characters are viewed and the way in which characters view their surroundings. In the novel The Bell Jar by Sylvia Plath, Esther Greenwood is a character whose "heightened and highly emotional response to events, actions and sentiments" (Assignment sheet) intrigue the reader. One of her character traits is extreme paranoia that is shown in different situations throughout the novel. As a result of this, she allows herself to be easily let down, as she believes that all events that are unsatisfactory are directed towards her. Finally, it is clear that she attempts to escape this notion by imagining an idyllic yet impossible life that she

Hearing a baby’s cry lights up everyone in the room, marking the beginning of a new life. Many people view of having babies as a benefit in helping them grow into a mother, teacher, and a role model. It helps shape them into a more independent and stronger woman and motivates them to get back up when they are feeling low. Esther Greenwood, from the book Bell Jar, written by Sylvia Plath, deals with many societal pressure problems for being a woman. The expectations for her were not met because she wants to go out of the societal norms and does what she wants. It is not easy for her to get out of her shell and be who she wants because there are other women in her life that she looks up to and contemplates if she should do it. Many people plays a role in Esther’s life to help guide her to be who she wants but there are some things that stops her from making decisions. In the Bell Jar, Plath uses recurrent symbolisms, such as water, sexual desires, and the Bell Jar to represent aspects of Esther’s story as to how she handles them to get what she wants in life.

To Esther, the world seems quite unfriendly, and the novel documents her desperate search for identity and reassurance. Nevertheless, Esther is intrigued by the world around her, and at the start of the book she is seen with a wondrous outlook on life that is reflected in the metaphors throughout the novel (Coyle). In the first half of the book, Esther is fascinated by the medical practices of her boyfriend, Buddy, as well as by current events in the newspapers and the thought of her own future family. As the story progresses, however, Esther becomes indifferent about life, and she develops bitterness toward everything that appears to prevent her from achieving things she wants (Huf). As Esther’s mental state worsens, the metaphors and similes presented to the reader begin to have negative connotations

The Bell Jar is the story about a young woman named Esther Greenwood. Esther is a college student who is working as an intern at Ladies Day magazine in New York City in the summer of 1953. Although she knows she should be excited about this once in a lifetime opportunity, she finds herself feeling restless, isolated, and hopeless about her future. While living in New York, Esther goes on a few dates and on the last date before returning home to Massachusetts she is sexually assaulted.