Rhetorical Analysis Of The Documentary Blackfish By Gabriela Cowperthwaite

The controversial documentary Blackfish, directed by Gabriela Cowperthwaite rose to popularity four years ago in 2013, when it was released. Blackfish tells the stories of killer whales, or orcas, that were caught and kept in captivity, and the effects that arose due to their capture. The documentary focuses on Tilikum, an orca caught in 1983, who was kept in captivity in SeaWorld Orlando since his capture for 34 years. Blackfish does an excellent job in using all three rhetorical appeals, providing many real life examples and statistics, to defend their argument that orcas should never be captured or held in captivity.

Blackfish shows all of rhetorical situations throughout the documentary. The rhetor in Blackfish is Gabriela Cowperthwaite, the director. The audience is Sea World customers or potential customers. The purpose of the documentary Blackfish is to inform people on how damaging mentally and physically it is to keep an orca whales captive. The exigence in this documentary is that holding killer whale’s captive and it is very dangerous mentally and physically to the whale, but also can be dangerous for the workers. The constraints in Blackfish is that the film may appear to be slightly biased against SeaWorld, making the audience see only one side of the issue. The affordances are you get to see live footage from the harmful attacks and listen to real life stories that people that witnessed it. Cowperthwaite goes on and appealeed to Pathos, Ethos, and Logos to create awareness on the harm of keeping killer whale’s captive.

A documentary is an expository text that informs its audience about an issue person or event using visual and auditory conventions to convey a message. Documentaries are often used to reveal an unusual, interesting or unknown angle. Topics are limited only by one's imagination. The documentary Blackfish is the story of Tilikum, a captive killer whale that has taken the lives of several people, it underscores problems within the sea-park industry, man's relationship to nature, and how little has been learned about these highly intelligent mammals. This documentary was directed by Gabriela Cowperthwaite. The ideas that orcas are wild and unpredictable, Seaworld’s treatment of orcas are inhumane and Seaworld’s was negligent in their training of their trainers. These ideas are shown throughout the documentary as visual techniques of Celebrity figure, expert opinion, audio codes, the documentary technique of interviews, archival footage and written codes. I think these ideas in the documentary are quite true and are well proven throughout the documentary.

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

In the documentary “Blackfish”, directed by Gabriela Cowperthawaite in 2013, is asking the audience to take up a position on the inhumane treatment of whales in captivity. In particular, she invites us to feel sympathy for the whales and anger toward SeaWorld cruelty and denial of culpability. Cowperthawaite makes choices of visual image, language, sound and structure achieve her outstanding outcomes.

The documentary, Blackfish, proves that there was and still is quite a bit of controversy over whether it is ethical to keep Orcas in captivity. Some people believe that it is acceptable since the Orcas are being treated and fed well. Other people, however, believe that this is not ethical because being kept in a tank for twenty years leads to aggression and therefore is too dangerous for humans. The documentary proves that there are many incidents, in the past, where a whale has harmed their trainer. One example of this, that made people more aware of the danger, was the death of Dawn Brancheau in 2010 (Cowperthwaite & Oteyza, 2013). The incidence has led to many different debates over the years and Sea World has had to try to refute the claims that were made about them. The claims were regarding their treatment of the whales and other issues. However, Sea World was not

“Blackfish” the documentary film was created to reveal how confinement of killer whales can lead to dangerous behavior toward human trainers. The main claim this film displayed is how the captivity of Killer Whales triggers aggression and is unsafe for humans and other marine mammals. Blackfish uses the story of Tilikum (most aggressive killer whale who killed the most amount of Sea World trainers), interviews of previous trainers, and court hearings regarding OSHA and Sea World to support their claim.

The claim further argues that said stress can be directly blamed for the violent outbursts of the orcas against the training staff. When whales are taken away from their families in the wild waters, they grieve the pain and suffering that is associated with that parting, thus making the whales an emotional time bomb. The documentary provides grounds to argue that orcas suffer the emotional repercussions of separation, much like humans do by with the fact that scientists have proven them to be conscious of human-like relationships and feelings via MRI’s. Moreover, included in this documentary was a commercial of a killer whale giving birth to baby Kalina. Much like our society, killer whales value their relationships with their offspring. Once Kalina was taken from her mother, Katina, is shown being immobile in the corner of the tank, audibly screeching and crying. Being able to see and hear the tragic response of the mother makes the audience empathize with the orca and want to cry for her. Incorporating this event shows how holding orcas in captivity can negatively affect them psychologically. This vivid scene gives the audience the ability to sympathize on a personal level with a mammal other than

David Kirby’s book describes the complex issues of whales in captivity. The death of a SeaWorld trainer brought up many objective reasons of the training practices of this business were not effective at keeping trainers safe in the water. Currently this debate is still being tested in a court of law. OSHA claims that even with the precautions that SeaWorld tries to use, it still cannot guarantee the safety of trainers in the water. This cultural topic has been gaining ground, and recently prompted a movie based off this book titled, Blackfish. The audience of this book includes animal activists, followers of David Kirby, and people that are interested in the topic of killer whales in captivity. Rob Grom was contracted to create a book

In the documentary “Blackfish,” there are rhetorical devices that are used to send off different thoughts about orca whales being held in captivity in such a limited space. Many of these devices try to give off certain feelings to the emotions and the mind through different people’s opinions. A device that is most used throughout this documentary is logos, meaning more facts are included and convincing the audience to pick more of one side than another. Shown through the documentary, many points from different people are told and give off plenty of emotions for the viewers that watch the documentary. Many facts are given off throughout this whole documentary, however the way that the people say it gives it more of two aspects that

Since 1961, 157 orcas, or killer whales, have been ripped from their homes and shoved into captivity. 127 of these orcas are now dead. With the number of captured orcas plus the number of those born into captivity, The W.D.C. (Whale and Dolphin Conservation) reports that, “At least 162 orcas have died in captivity, not including 30 miscarried or stillborn calves” ( “The Fate”1). Out of the 127 taken into captivity, 44 have died in SeaWorld. There are currently 58 orcas residing in 14 marine parks in eight different countries. 24 of those orcas are held in SeaWorld’s three parks in the United States. Since 2002, 14 have been taken out of the wild and put into these marine parks. (“The Fate”1) It is not fair for these innocent creatures to be physically and mentally manipulated and damaged. Such brutality would not be condoned if it were targeted towards a human, and it should not be condoned when targeted toward an animal. Orca whales should not be held in captivity because they are forced to live in subpar conditions, they are mistreated while in captivity, and they are led to aggressive behavior.

Killer whales, also known as orcas, are the largest member of the oceanic dolphin family. In their natural habitat, killer whales have been described as docile and majestic creatures. Killer whales are known to travel in pods that are composed of matrilines. Matrilines are groups of whales connected by maternal descent. Relationships between killer whale calves and their mother are extremely close knit (“Behavior”). Beginning in 1965, SeaWorld – a marine zoo, began capturing whales from the wild to perform in shows for park visitors’ entertainment (“10 Things You Didn’t Know”). In the documentary Blackfish, director Gabriela Cowperthwaite urges and reassures audience members that keeping these large creatures in captivity is a horrible thing that is dangerous for both the whales as well as the humans that interact with them. To accomplish this persuasion, Cowperthwaite employs the use of rhetorical devices ethos, pathos, and logos to solidify her claims.

For several years, Americans have been visiting amusement parks, like SeaWorld and Six Flags, to observe large animals like orcas, also known as killer whales. These whales are quite difficult to view in the wild, but can now be seen for a simple fee. Orcas are known to be one of the smartest mammals. They are friendly, and this has caused people to take advantage of them. For the past sixty years, people have brought these massive creatures into their aquariums to make a profit from their exhibitions. Often, without considering the orcas' quality of life. While kept in captivity, killer whales are forced to do many tricks they normally wouldn’t do in the wild. Over the years, there have been numerous controversies regarding killer whales

Blackfish, a documentary by Gabriela Cowperthwaite, analyzes the horrific treatment, containment, and use of Orca whales within entertainment facilities. The discussion of treatment began in 2010, when Dawn Brancheau was killed and drowned by the whale, Tilikum. Since this incident, there have been multiple investigations into SeaWorld and similar facilities. It is argued that the whales should be released from these facilities due to the posed dangers they have to humans, and themselves.

The death of Dawn Brancheau made national news back in 2010. Dawn was working as an orca trainer at the SeaWorld of Orlando when the tragic accident occurred. While doing a relationship session with Tilikum, the largest orca in captivity, Dawn was pulled into the water and drowned. It was a story that not only shocked the nation but left people wondering how something so horrible could happen. Gabriela Cowperthwaite‘s use of the accounts of retired SeaWorld trainers exposed the harsh reality of captured animals in her documentary Blackfish. In creating a piece focused on the life of one orca, Cowperthwaite has allowed viewers to look into the lives of captured animals and has shown the greater social issue of animal rights, the treatment