Rhetorical Analysis OfHold On, Pain Ends?

The essay that I am presenting today is “Strivings of the Negro People” by W.E.B Dubois. This essay was written in as an article in the Atlantic Monthly in 1987, but before I get to essay, I would like to give some background information about Mr. Dubois. Both scholar and activist, W.E.B. Du Bois was born on February 23, 1868, in Great Barrington, Massachusetts. He studied at Harvard University and, in 1895, became the first African American to earn a doctorate from Harvard. He wrote extensively and was the best known spokesperson for African American rights during the first half of the 20th century. Du Bois co-founded the National Association for the Advancement of Colored People in 1909. He died in

The Souls of Black Folk by W.E.B Dubois is a influential work in African American literature and is an American classic. In this book Dubois proposes that "the problem of the Twentieth Century is the problem of the color-line." His concepts of life behind the veil of race and the resulting "double-consciousness, this sense of always looking at one's self through the eyes of others," have become touchstones for thinking about race in America. In addition to these lasting concepts, Souls offers an evaluation of the progress of the races and the possibilities for future progress as the nation entered the twentieth century.

W.E.B. Du Bois, a prominent African American scholar in the late 19th and early 20th centuries, wrote many significant essays that challenged the dangerous societal view that black Americans weren’t capable of progress. In one of those essays, Strivings of the Negro People, he develops new terminology to discuss the many forces that act upon black Americans in a white dominated society, the most important of which is double-consciousness. The phrase, “double-consciousness”, refers to the division of the African American self into conflicting two facets: one being the American and the other the Negro, ever being forced to look at themselves through the eyes of a racist society.

Tasked with a large-scale study of Philadelphia’s Black community by the University of Pennsylvania, Du Bois used it as an opportunity to conduct a sociological study which did not assume the inherent inferiority and pathology of Blacks. The veil prohibited Whites, including White scholars from the University of Pennsylvania, from seeing Blacks as equal members of American society. In turn, explanations for poverty and illiteracy between the races were inevitably traced back to a notion of inherent racial inferiority among Blacks. Though the study was commissioned in part to come up with solutions to deal with the “Negro Problem,” Du Bois considered African Americans as a relevant and worthwhile subject of study to understand inequality in an urban setting. He provided an explicit examination of the “color line” and conducted a study which explicitly included Blacks as worthwhile subjects of study. By not assuming their inferiority or eliminating their humanity, Du Bois was able to collect empirical evidence showing that instances of poverty in the Black community were not due to hereditary deficiency, but due to their environmental and social conditions, particularly the “historical circumstances and legacy of slavery, race prejudice, and competition with foreigners who had the experience of freedom and the advantage of white skin” (Du Bois

Du Bois had many obstacles in his journey to the annals of history and to the conquering

Growing up Du Bois often played with the white kids in school, and he strived to be recognized for being more knowledgeable in all aspects than they were, however, he came to realize that it would never be possible. Through interactions with other black boys Du Bois was made aware of his limitations, nevertheless, he, like many black people fought to be optimistic in finding ways to take these opportunities that were so rightfully theirs. However, the question emerged of how could a person strive to be prosperous and have everything that the race he so greatly detest has, without being considered dishonorable by his own people? Many African Americans are brainwashed and fall under the misconception that having an education, a career, or even speaking proper, falls into the category of acting white. This ideology places a lot of stress on many successful black people, who growing up faced bullying and were described as a disgrace to their own race.

The struggle for equality and the battle to have one’s suppressed voice be heard is prevalent throughout the history of the United States. The Native Americans, women, and even Catholics have all encountered discrimination and belittlement in one shape or form, which eventually urged individuals within those groups to rise up and demand equal opportunity. As the United States began to shift away from slavery, one of the most deep rooted, controversial dilemmas aroused- what do black people need to do in order to gain civil rights both economically and socially? Booker T. Washington’s “Atlanta Exposition Address” and W.E.B. Du Bois's “The Soul of Black Folks” were pieces of writings influenced by the puzzle that black people were left to solve. Booker T. Washington and W.E.B Du Bois had contrasting ideas, but they both contributed a piece to the puzzle in hopes of solving the never ending mind game.

Few men have influenced the lives of African-Americans as much as William Edward Burghardt (W.E.B.) Du Bois is considered more of a history-maker than a historian(Aptheker, "The Historian"). Dr. Du Bois conducted the initial research on the black experience in the United States. Civil rights leaders such as Martin Luther King Jr. have referred to Du Bois as a father of the Civil Rights Movement. Du Bois conducted the initial research on the black experience in the United States, and paved the way for the Pan-African and Black Power movements. This paper will describe his life, work, influence in the black community, and much publicized civil dispute with another black leader, Booker T. Washington.

In the secular black Jeremiads, there is a hopeful tone that America will be the nation that it is destined to be. Baldwin focuses on three key aspects of the traditional black Jeremiad, hopefulness and persuasion of decline. Baldwin initates the Jeremiad with reflection on what this christian nation is and if we do not “all of us will abruptly stop living” (PG). He mourns the state of the nation whose obsessed with the “negro problem” (Baldwin, PG). Baldwin’s hopeful tone emerges as

I'm in pain, wanna put 10 shots in my brain I've been tripped by some things I can't change Suicidal, same time I maintain, f*ck this thing Get a phone call Girl that you f*ck with killed herself How is it someone when nobody help And ever since then, man, I hate myself Wanna f*cking end it Pessimistic All wanna see me with no pot to piss in But niggas been excited 'bout the grave I'm digging Having conversations about my haste decisions F*cking sickening At the same time, memory surfaced through the grapevine

The turn-of-the-century W.E.B Du Bois wrote his seminal text The Souls of Black Folk in response to what was then called the 'Negro Problem.' The 'Negro Problem' was the question of whether African-Americans should be treated as equal within the firmament of American society and whether integration or separate but equal were more viable doctrines. Du Bois wrote against such advocates of acceptance like Booker T. Washington, and instead demanded parity for his people in terms of opportunities. In the first essay of Du Bois' book entitled "Our Spiritual Strivings," Du Bois writes of his frustrations as a young, African-American child who was intelligent and thoughtful yet all too well aware of how his race would limit his ability to pursue his studies although he

W.E.B. Du Bois writes a collection of essays on race, preferably the African American race, entitled The Souls of Black Folks. In the forethought, Du Bois lets the reader know gather together an introduction of the rest of the book. He introduces you to his concept of “the veil” Drawing from his own personal experiences, Du Bois develops a remarkable book on how the world is divided by a color line. The divide being between white and privileged, and black and controlled. I will attempt to break down the thought process of Du Bois during the entirety of this synopsis of chapters 1, 3, and 6.

Du Bois is concerned with three main ideas within his essay, those being beauty, art as propaganda and how African Americans and their art will be ultimately judged. Beauty, however, is not how you view something’s allure to Du Bois, but rather who is it that will describe what is classical and beautiful? Suggesting that African Americans fit this role perfectly, Du Bois states “pushed aside as we have been in America, there has come to us not only a certain distaste for the tawdry and flamboyant but a vision of what the world could be if it were really a beautiful world.” He is also interested in how Negro art will distinguish itself from the works of other non-black artists.

Du Bois illustrated this concept by using the example of race within the United States of America. He illustrated that the African-American individuals was marginalised and repressed

W.E.B. Du Bois is considered one of the top five people of the twentieth century. He is an intellectual, who is admired by both his supporters and adversaries. Du Bois, in his essay, tells his audience that he is not only a genius among blacks, but he is also a revered scholar of humankind. He is well educated among prestigious universities such as Fisk, Harvard, and Heidelberg, and is the first African American to earn a Ph.D. degree from Harvard University. Mr. Du Bois is not a meager intellectual, whose intelligence is measured by the capacity of his knowledge, but he also uses his knowledge to fight for the equality of his people. Among the different identities of Du Bois, he is also the founder of the National Association for the Advancement of Colored People (NAACP). As a reader, one interprets that Du Bois' essay is an authentic narration of the life of African Americans. Du Bois uses context from his point of view as a free man; therefore, his words are less biased than his counterparts. He allows the readers to freely establish their own perspective on the problem of the color people by giving them the chance to see the lives of African Americans before the Civil War through Reconstruction. Du Bois also uses historical references, case studies, and personal storytelling examples to define the problem of the people of African heritage in the United States. The first chapters of The Souls of Black Folk contain historically relevant material,