Rhetorical Analysis Of Gold's Gym

Jane has gotten used to cruelty and biased behavior towards her average looks, and develops a miserable self-esteem that believes the only possible way to describe her exterior is “plain”. This self-esteem prevents her from even beginning to recognize that anyone could appreciate her or find her beautiful in any manner. The society’s typical reactions and judgments shaped Jane’s self-esteem, and prevented her from receiving equal treatment as that of a beautiful woman.

Under society’s customs for decades, young women have found themselves immersed in the pressure and anticipation to have exemplary bodies. Nearly every young woman prefers to be slim, have a perfectly shaped body, that is beautified by applying pounds of makeup to their face but does not appear ridiculously overdone. Who’s responsible for these measures imposed on young women? When a young girl picks up the model on the cover of Vogue being called flawless, naturally it’s easy for her to then aspire to be a real-life imitation of the that model. These companies produce magazine covers shown with girls’ images daily. As if keeping the perfect body wasn’t hard enough, our culture also forces girls into the forever expanding world of composition, however, body image is a surging subject for young girls. Advertisements and pictures of lean female models are all over. Young women are measured and perplexed by their physical appearances with attire intended to raise their physical structures; social media, magazines, the society, marketing campaigns, advertisements, and the fashion gurus add to a strand of excellence.

The Maze Runner by James Dashner is an action, adventure, science fiction book. It is about a teenager named Thomas, who arrives in an enclosed environment with no memory of his past. He lives with other teenagers, all boys. Everyday, they try to figure out a way to escape the maze, and seek freedom, but Thomas figured a way out. All of the gladers (the nickname of the people, due to them living in a place called the glade) ran out in the maze, most of them were killed by grievers (monsters that live in the maze), but some of them survived including Thomas. The survivors escaped the maze.

There is a cliché quote that people say, “Beauty is in the eye of beholder.” But in the essay “The Ugly Truth About Beauty” (1998) Dave Barry argues about how women who spend countless hours on their so called “beauty” whereas men seem not to care. Barry uses juxtaposition and exaggeration to poke fun at men and women behavior and shed light on the harm that the beauty industry is doing. When Barry argues his point of his essay he addresses both genders, but more specifically teenage to middle age men and women, but he writes about it in a humorous and light-hearted manner.

In the article, “Toddlers in Tiaras” by Skip Hollandsworth, the author’s main focus is to make the audience aware of the dangers involved in child pageantry, and how it can negatively impact the children who participate. People who enter their kids in these events don’t think to consider the consequences that result from pageant lifestyle. By incorporating strategies of ethos, pathos, and logos, he is able to make an effective point of argument to persuade the audience.

The beauty standard is a culturally constructed notion of physical attractiveness that has become increasingly imperative for women and men. However, this standard has become extremely perilous to men and women’s self-image. Camille Paglia, a highly educated individual who earned her PhD at Yale University and became a highly acclaimed author, explicates this conception in her essay “The Pitfalls of Plastic Surgery”. Paglia suggests that the beauty standard idealizes women to look like “sex symbols with an unattainable grandeur” (776). She continues to claim that it forces her audience of higher class women to pay large sums of money in order to alter their features ultimately conforming to a very “parochial” definition of beauty (776). Although Paglia is a highly credible source, she illogically appeals to the reader’s fears in order to persuade them. Paglia fails to give any credible outside sources which affirms her preposterous beliefs. Contrary to her inconsistencies, Daniel Akst, a social journalist and graduate from New York University provides his audience with reputable sources in order to persuade his audience. Daniel Akst believes that there needs to be a “democratization of physical beauty” in which instead of attempting to alter the beauty standard, we must first change how we view ourselves. Akst provides credible sources to establish his credibility where he observes cases studies and cultural experiments from scientists and organizations including:

While reading “Beating Anorexia and Gaining Feminism” Marni Grossman, Grossman models how a woman’s image reins supreme towering over any other attribute she may posses merely to fit the beauty norm. By sharing her personal experience about recovering from anorexia, Grossman explains how feminism saved her life. Although growing up in a feminist-friendly household, she became engrossed in the standard of beauty mass-media projects at the age of 16. Because of the social

Award winning journalist and author, Jon Krakauer, in his book, Into the Wild, analyzes the life of Chris McCandless as well as the events that ensued his death. Krakauer’s purpose is to inform the reader about how and why Chris McCandless decided to embark on a journey into the wilderness of Alaska. He adopts an empathetic tone in order to impart to his readers that Chris McCandless was a very misunderstood young adult.

Beauty lies in the eyes of the beholder. At least, that’s what is taught to believe at an early age. Elline Lipkin, however, holds fast to the understanding that as true as that saying may be, there are outside forces that are intent on readjusting our vision to “true beauty”: the kind that can be bought off the shelves. In her article, “Girls’ Bodies, Girls’ Selves: Body Image, Identity, and Sexuality”, Lipkin employs several different external resources to help demonstrate her belief that young girls’ (“Before they even abandon their teddy bears…“ (Para 2)) definition of their own appearance is polluted and distorted by the vastly massive world that is the American media. Besides pulling from other articles and fact sheets, she also effectively utilizes a clearly logical train of thought, an operative tone, and countless examples of emotional appeal.

Christine Todd Whitman chose to write this op-ed months into the Trump presidency at a time when many natural disasters plague the country. In it she addresses both the administration and her fellow Republicans, many of whom do not view climate change as a threat. Whitman’s principal grievance with Scott Pruitt, the current director of the Environmental Protection Agency (E.P.A.), is his creation of a “red team” to research an opposing view to the scientific consensus on climate change. In her op-ed, Christine Todd Whitman condemns the way Scott Pruitt runs the E.P.A. and tries to convince the reader that climate change is a tangible threat. Whitman makes it clear that her criticism is not that of a lay person or a contrarian but comes from experience and a common worldview.

Krakauer’s argument is, “McCandless wasn’t “stupid, tragic, and inconsiderate,” but instead paints a sympathetic picture of a young man with a profound moral compass seeking a higher truth”. His effective case justifying McCandless’s behavior, which may include potential biases, is effective for most personages. This contretemps is feasible, but there are some personages, like Peter Christian, that see the flip side of Krakauer’s assessment. Peter, who “arrived in Alaska in 1992” with McCandless, said “Alaska is populated with people who are either running away from something or seeking themselves in America’s last frontier” he came to Alaska with the same intentions. In his article he states that he was one of those young man.

Beauty standards are portrayed everywhere: on magazines, social media, ads, commercials, and even flaunted among peers. While the ideals are supposed to promote health awareness, fitness motivation, and self love, it unfortunately results in many unfavorable consequences. Women are constantly “penalized for not being beautiful and at the same time are stigmatized, even pathologized, for not feeling beautiful, for having low self-esteem, for engaging in behaviors like dieting and excessive exercising, or for having eating disorders” (Johnston and Taylor 954). Beauty standards are unrealistic and unhealthy to pursue, and misinforms the public on what true beauty is. While not all beauty image ideals promote negative feelings and dissatisfaction, many believe that the negative effects far outweighs any positive effects.

It seems that the media’s portrayal of women has negatively affected the body image of The Wykeham Collegiate senior school girls. The media has a negative effect on the youth of today, primarily amongst the female population when it comes to how young girls and women regard

Accordingly, sexual predators prey on young models contesting in beauty pageants as most models increasingly become associated with immoral behaviour owing to the bad reputation the industry has garnered. The models in a quest to maintain their newly found fame could also become materialistic and an easy prey to men out to take advantage. The unhealthy effects of beauty pageants cannot, therefore, be underscored. The emphasis on physical appearance as the true measure of beauty is backward and retrogressive. It suggests that a girl child born disabled is ugly. It also implies that a girl with physical defects like a hunchback is not beautiful. The models are tall and skinny hence short and fat girls may not fit the epitome of beauty. Ultimately, there has to be more about beauty than just the outward appearance. Character should be used to judge a person because appearance could be deceptive. Given that the risks outweigh the benefits, beauty pageants are unhealthy for woman and should be

“The Girl I Hate” by Mona Awad tackles the daily problems of a girl who struggles with her body image. From counting calories to enjoying food, as if it is a sin, Awad creates a realistic story that many can relate to. Awad wrote a successful short story due to her ability to appeal to young females emotions, also known as pathos. Awad makes the audience feel a wide array of emotions from guilt to joy. It is easy to both love and hate the nameless main character. The author is successful because she has a purpose for creating the emotions the reader feels. Not only is Awad’s story incredibly relatable, but it is an important story for this day and age when more people are struggling with body confidence than ever.