Rhetorical Devices In Othello

Most murder mysteries and tragedies end with killings that are committed with sole action, but in Othello, a tragedy by William Shakespeare, the reader is shown that you can end a man’s life with just words and a plan. Taking place in Venice, Italy the play is about a moor, Othello, who falls in love with a fair skinned woman who goes by the name of Desdemona. Eventually the two get married, but Iago, the main antagonist, plans to seek revenge by killing both Othello and his wife. Shakespeare shows how Iago uses rhetorical devices to convince Othello that Desdemona is having an affair resulting in both their deaths.

As Othello came to his breaking point, desdemona foreshadows her own death and he lets jealousy take over. When Othello can’t dismiss his suspicions of his wife being unfaithful any longer he starts to lose his morality . After confronting Desdemona of her “crimes” he decides to carry out his overall plan to end his trues loves life. When he realizes the grave mistake he had made by taking an honest Desdemona's life he can no longer live with himself. Othello decides the only way to right his wrong is to take his own life.

Rhetorical strategies are continually used to get a point across or to manipulate another. Iago uses many devices to put false accusations into Othello’s head. In lines 330-447 in Act 3 scene 3, Iago uses rhetorical question, imagery, and sarcasm. He questions Othello and makes him think the worst between Cassio and Desdemona, and then his use of words adds color and a picture, so it has to be right. Last his sarcasm creates the assurances Othello needed to be duped.

Othello had the option of having a rational discussion with Desdemona however he decides to blame her without evidence. While reflecting on the information Iago has given him, Othello begins plotting his revenge. Othellos temper made matters worst for Desdemona. Whenever he becomes angered he lashes out on Desdemona and would physically and mentally abuse her. Othello’s aggressive behavior has become suspicious to some, yet he is left alone. Othello commits the murder of Desdemona with no remorse and doesn't think twice about what will happen to him. Othello states, “Yet she must die, else she’ll betray more men. Put out the light, and then put out the light. If I quench thee, thou flaming minister,I can again thy former light restore”(5.2.235). He undoubtedly believes that Desdemona must be killed no questions asked. When Lodovico realizes what Othello has done he is stunned. Lodovico attempts to convince Othello of what he did is wrong, but he believes his actions were right, ”O thou Othello, thou wert once so good,Fall'n in the practice of a damnèd slave,What shall be said to thee?”, othello then states,” Why, anything. An honorable murderer, if you will,For naught I did in hate, but all in honor” (5.2.342-347). Instead of taking responsibility for killing Desdemona Othello is making excuses to protect

Othello’s race and regression of speech (from calmness to rudeness), Iago’s victims (Othello, Desdemona, Cassio, Roderigo, etc.) being unravelled with manipulation and slyness, Desdemona’s struggling voice and false blame, etc., all participate in the damage the “power of language” causes. Therefore, by exploring the three language devices – “words as power”, “words as character” and “words as conversation” – it is possible to conclude that the language devices are used significantly in the play, “Othello”, because the human behaviour of the characters (Othello, Iago, Desdemona, etc.) is either positively or negatively influenced, and their characteristics and destinies are

Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).

It is here that the audience begins seeing a different identity of Othello. Who was once regarded as so valiant and courageous, was now beginning to show signs of severe insecurities dealing with matters, most importantly, such as his lack of experience in love and marriage causing shadows of doubt over his confidence in himself and his ability to be loved by and worthy of someone like Desdemona. Desdemona, although not intentionally, seems to be the reason for all the unrest in Othello. This is an instance in the play when irony shines it's smiling face upon Shakespeare's most tragic characters. Othello feels truly happy with the presence of Desdemona in his life (Act II.1, 181-187):

Similarly, another option for escape is taken away by her husband’s refusal to return to Venice, as the character Lodovico announces they are able to do. Lodovico, continuing the running theme of uninvolved witnesses, sees Othello strike Desdemona without reason, but chooses not to insert himself into the situation. A more sarcastic reading of the unrobing scene would help to support the theory that Desdemona’s feelings have changed towards her once familiar cousin. A clear point is made on page 348 of the article, stating “Desdemona is killed not only by Othello and Iago but also by all those who see her humiliated and beaten in public, and fail to intervene” (Vanita). This is contrasted strongly by some of the male-male relationships, as it is made very public when a dual or violent event occurs between two members of the male sex.

Daringly, Shakespeare opens this tragedy of love not with a direct and sympathetic portrayal of the lovers themselves, but with a scene of vicious insinuation about their marriage. The images employed by Iago to describe the coupling of Othello and Desdemona are revoltingly animalistic, sodomistic. [. . .] This degraded view reduces the marriage to one of utter

In Shakespeare’s play “Othello” the main characters Othello and Desdemona suffer a tragic fate due to their actions and unforeseen circumstances. A majority of Desdemona’s suffering is down to Iago’s manipulation. However, it could also be argued that Iago is not completely to blame for the misfortune of Desdemona. We as the readers can see evidence of this at certain points in the play where Iago has planted the seeds of despair and Desdemona and Othello have fallen for his plans. In this essay, I will look at key moments in the play where Desdemona is presented as a tragic victim by the writer and justify why she is a tragic victim using quotes from the play.

Othello commits his first act of violence against Desdemona by hitting her. This shows Othello's tragic flaw. He made himself susceptible to Iago and the jealousy within him begins to lead to the end of others. Through his actions, Othello has isolated himself from everyone except Iago. This gives Iago the perfect opportunity to complete his course of action.

"The Tragedy of Othello Written by William Shakespeare" highlights a variety of ways in which males and females reacted to intense situations." The emotions of the characters changed from the start of Act 1, the end of Act 1, and continued as the story of Othello progressed. In Act 1, the main protagonist named Othello started off conveying the emotion of happiness because he and his wife Desdemona were newlyweds. Othello was the general of the army of Venice. Iago, who was a soldier desired the rank of lieutenant, but Othello skipped over him and chose Cassio as the lieutenant even though Cassio had no experience in war but was exceptionally knowledgeable. Iago feels envious towards Cassio gaining the rank he wanted, Iago decided to work with Roderigo, a man who loves Desdemona, to pressure Brabantio, Desdemonas’ father, into thinking Othello used a “magic charm” to build up Desdemonas’ love for him. ("The Tragedy of Othello Written by Shakespeare” Book) In addition to Iago’s actions, Brabantio conveying anger approached Othello by accusing him instead of talking to him calmly. Brabantio told Desdemona of the rumor and asked: “who do you choose?” Meaning, she had to pick either her husband or her father. Desdemona projecting love towards her husband chose Othello. In conclusion to Desdemona's actions, it appeals to the reader that the female character represents

   The Shakespearean tragedy Othello contains a number of themes; their relative importance and priority is debated by literary critics. In this essay let us examine the various themes and determine which are dominant and which subordinate.

"Othello is set in a world and focuses on the passions and personalities of its major figures." (Thomas). Othello is a tragedy by William Shakespeare. The work revolves around four central characters: Othello, Othello's wife Desdemona, his lieutenant Cassio and advisor Iago. The play appeared in seven editors between 1622 and 1705. The themes of the story are racism, love, jealousy, and betrayal. Othello is a black soldier who is accused of stealing his wife Desdemona. Although Desdemona's father dislikes his daughter's choice, Desdemona loves Othello very much and the two are married. Othello’s right hand man is angered at the fact that Othello picked a man named Cassio to be more important than him and he also feels that he is messing with his wife. Iago plans to manipulate Othello but his plan eventually causes more hurt to most of the characters. Iago tries to use the meeting between Cassio and Desdemona as a way to make Othello believe she was cheating on him. Iago goes on with his manipulative plan by planting a handkerchief in Cassio's room, and goes and tell Othello about what he has seen Cassio do. Othello becomes jealous throughout the story and begins to believe that Cassio is talking to his wife. Iago persuades Othello to come up with a master plan to kill Cassio and Desdemona. As Othello tries to kill Desdemona, Emilia, Iago's wife, comes in to tell Othello the truth about Iago. Unfortunately it is too late. Othello had already suffocated her. When Othello

The tragic play Othello by William Shakespeare, discusses the relationship between Othello and Desdemona that begins as loving, but abruptly alters to a hateful relationship due to a lack of truth. Dishonesty and misunderstandings between Desdemona and Othello drive the collapse of their marriage as well as Iago’s deceitful words which force Othello to discredit Desdemona’s love. William Shakespeare portrays the fall of the relationship of Desdemona and Othello due to his ability of believing false delusions he hears about his wife and the reason for this is from his distrust for women, his jealousy and the fact that he truly lacks confidence in himself, leads him to doubt the love Desdemona has for him.