Rhetorical Devices In The Swimmer By John Cheever

How many times have you dropped those swimming classes? When was last time you put off in getting that enrollment for the gym? “Unlimited” ads campaign by Nike, appeals to its audience by showing people who even having certain difficulties, go after what they want and push their limits as much as they can, which is not a little. The ads feature a grown Sister competing in a triathlon, a transgender who runs with the National men’s team and a climber with no extremities. Nike didn’t choose these actors for its ads by accident, they are source of inspiration for all those athletes that always put the best of themselves in whichever the activity that passionate them is. People who would be the main target for this campaign.

The circumstances in which this passage takes place is obviously the time after Hassan's rape, in which the guilt is killing is torturing Amir and he is has realized that the choices that he made that day has truly hurt more people than he could've ever imagined. A metaphor that I found that led me to believe this would be him saying, ". . . the monster in the lake". I think that this metaphor represents the moment in which Amir has begun to acknowledge that he is the person that unintentionally is causing the ones around him to suffer with his selfish actions, the monster. Another metaphor that I found would be, "I was the snake in the grass". This metaphor represents Amir seeing that the people who are around him get hurt by him unexpectedly. Think of Amir as obviously the snake hiding within the grass and he's the predator. Hassan would be the prey

--These words gives a clear and rational explanation of McCandless’s decision to venture into the wilderness. It shows that he was allured to the wild journey because of the pleasure it would provide him, tempted by a primal desire that could not be fulfilled by a mere human.

In his novel, Into the Wild, Jon Krakauer establishes young Christopher McCandless as a heroic and brave figure. Krakauer supports his portrayal of Chris by utilizing a narrative form and focusing on the relatable, human aspects of Chris, and by contrasting his story with the cautionary tales that are scattered throughout the history of the Alaskan wilderness. The author’s purpose is to promote his own theories and opinions on the boy’s life and death in order to establish what he believes to be the truth. The author writes in a fond tone for aspiring wilderness explorers and their critics.

By the time the alcohol touches the tongue, the storm has already begun. John Cheever’s relationship with alcohol presents itself throughout the short story “The Swimmer”, and uses the character, Ned Merrill, to represent the struggles he was experiencing. Addiction and the need for alcohol drove this character into a storm he couldn't retreat from. In “The Swimmer” Cheever uses a physical storm and the changes in the weather to show the path of drinking and becoming an alcoholic. The short story begins with joy and excitement, then turns into something casual and frequent, but eventually leads to misfortune and a misery. Nobody desires to be led to an unpleasant storm, that comes with drinking alcohol. Cheever uses nature and the storms to represent the life of an alcoholic.

Rhetorical devices are devices that are used to convey a meaning to the reader and create emotions through different types of language. Elie Wiesel uses rhetorical devices such as personification, metaphors, and rhetorical questions to emphasize and establish the theme of losing faith.

John Cheever’s short story, “The Swimmer,” describes the epic journey of Neddy Merrill as he attempts to swim his way back home. Throughout the story, readers continually question reality and fantasy while wondering whether Merrill is really experiencing what Cheever portrays or if he is simply stuck in the past. Merrill goes from house to house as he freestyles across each swimming pool along the way. As the story draws to the end, Cheever points out that Merrill’s world is not what it seems and he has really lost everything he loved. An analysis of “The Swimmer” by John Cheever through the liberal humanist and Marxist lenses suggests that the story

“The Swimmer,” a short fiction by John Cheever, presents a theme to the reader about the unavoidable changes of life. The story focuses on the round character by the name of Neddy Merrill who is in extreme denial about the reality of his life. He has lost his youth, wealth, and family yet only at the end of the story does he develop the most by experiencing a glimpse of realization on all that he has indeed lost. In the short story “The Swimmer,” John Cheever uses point of view, setting and symbolism to show the value of true relationships and the moments of life that are taken for granted.

The gripping tale of a young man who leaves all that he has and goes to live amidst the natural world, Into the Wild by Jon Krakauer showcases the two years Christopher McCandless had spent journeying throughout the United States before his unfortunate death. After graduating from Emory University in 1990, McCandless disconnected with all of his past relations and abandoned the majority of his possessions. McCandless’ decisions either seem extremely unwise or extremely courageous. He had a comfortable life with few worries yet he still chose to toss it all away and venture into unknown territories. What many wonder is why he would do such an irrational thing. Maybe, McCandless’ was simply trying to run away from his perception of reality.

In the short story “The Swimmer” by John Cheever, the main character Neddy, is at a friends’ house, but decides to take a new route home. Neddy wanted to swim home by going through numerous neighboring backyards. It was an 8 mile swim home for a man who never did anything for himself. All he ever did was inherit money. it is Neddy’s delusional arrogance and not his loss of wealth that leaves him lost and alone at the end of his journey. Neddy thinks arrogantly about his life and his friends as he plans his journey at the Weterhazy’s. Neddy seems delusional throughout the entire story traveling his journey to the public pool and the Hallorans. After losing his family and friends,

In the short story “ The Swimmer,” John Cheever expresses the idea that Neddy Merrill can lose everything if he denies reality. Cheever achieves this by employing various symbols during Merrill's cross county journey. The main symbols are the weather and seasons. Cheever uses the changing of seasons to distort the character’s sense of time and show the progression of Merrill’s life. In the beginning of the story the setting is described as a midsummer day and by the end of the story, Merrill is able to see the constellations of late autumn, meaning winter is near. The illusion of time allows the reader to understand the extent of Merrill’s state of denial, as his beliefs begin to contradict the reality around him. While Cheever uses the weather to describe how Merrill feels. When it is warm Merrill feels happy and youthful. However, when it becomes colder Merrill begins to feel weak and sad. To emphasize Merrill’s state of denial, Cheever employs the motif of alcohol in “The Swimmer;” the reader notices that when Merrill is presented with a reality that he deems unpleasant, he uses alcohol to enhance his state of denial. Through the critical lens of New Historicism, the reader can infer the author’s purpose for writing “The Swimmer” is to criticize the lifestyles of affluent people in the 1950s and early 1960s. Cheever focuses on the party lifestyle of affluent communities and how the use of alcohol allows them to deny the reality around their current misfortunes.

The Tempest, by William Shakespeare, expands upon various persuasive elements and techniques which convince characters into making radical choices. This is apparent in Act 2, Scene 1, where Antonio (the Duke of Milan) convinces his friend Sebastian into killing his own brother Alonso (the King of Naples) and the king’s councillor Gonzalo. Antonio’s success in persuading Sebastian can be attributed to his rhetoric, logical thinking, and promises of power.

In Frank Perry’s 1986 film adaptation of “The Swimmer”, Cheever, Neddy, an upper middle class man who decides to swim across his neighbors’ pools home only to discover that his house no longer belongs to him and he is no longer a part of his family, is characterized as a very suave and robust man. The first scene of The Swimmer emphasizes Neddy’s vitality by the ways in which the camera encompasses Neddy’s body and that of his friends, the addition of two characters as well as additional interactions between Neddy and the women in this text. This contrasts the characterization of Neddy in the short story in the sense that Cheever’s Neddy is not presented as this sexual and aggressively masculine figure.

Nick is a World War I veteran who, as many veterans, suffers from emotional trauma that his experiences from the war left him with. Multiple scenes throughout the story, Big Two Hearted River, relates to Nick, the main character’s, journey toward recovery. Nick describes his surroundings in way that parallels to his own experiences and current voyage in respect to his revival.. He takes a calming adventure saturated with calming natural paths over hills, through woodland, and along a river to find peace with himself and to return to his prewar state of mind.

The world of Ernest Hemingway’s “Big Two-Hearted River” exists through the mostly unemotional eyes of the character Nick. Stemming from his reactions and the suppression of some of his feelings, the reader gets a sense of how Nick is living in a temporary escape from society and his troubles in life. Despite the disaster that befell the town of Seney, this tale remains one of an optimistic ideal because of the various themes of survival and the continuation of life. Although Seney itself is a wasteland, the pine plain and the campsite could easily be seen as an Eden, lush with life and ripe with the survival of nature.