Rhetorical Devices In V For Vendetta

Nathaniel Hawthorne, in his bold novel, The Scarlet Letter tackles a variety of themes that include: sin, guilt, redemption, postfeminism, and organized religion's abuse of power. Hawthorne spoke in a somber and grim tone, designed to arouse a sense of suspense for his readers. The audience in which he was addressing would have been conservative Christians and women suffragettes, all of whom reflected the ideologies during this time period. By instilling clever diction, Hawthorne exposes hypocrisy in Puritanism and objects against the religion's superfluous punishments; which force individuals to endure unnecessary and extreme suffering.

The product of patriotism and diligent acts, a country truly defined by its individuality and unmistakable glory. These few but finest accomplishments were significantly dependent on the document, the one that transformed the true value of what we have become as an independent country: The Declaration of Independence. Many individuals felt a need for change when being governed by the British. Some of these individuals included our Founding Fathers who created this document to make known that the thirteen colonies would fight independently and eradicate being ruled under Great Britain. In the Declaration of Independence, Thomas Jefferson uses allusions, parallelism as well as anaphora to express the struggle and fight for singularity and

History has a tendency to repeat itself.  One of humanity’s most popular ways of getting its point across is through violence.  When words are no longer enough to argue a point, human casualties not only directly solve the problem, but symbolically send a message to all those affected as well.  Just as the American colonies fought against the British for Freedom when their voice was no longer heard, and just as the Islamic extremists used terrorism to send an evil message to America, both V and Chancellor Sutler used violence to gain a voice in a world of chaos.

Throughout In Cold Blood Capote goes through the lives of the killers, Dick and Perry. Both convicts released from jail and at first glance seem to have a lot in common, but as the book continues the reader can see that the two characters are in fact very different. To characterize the killers Capote frequently uses flashbacks into their pasts, giving the reader a sense of what their lives were like and why they became who they are. Capote also utilizes detailed descriptions of the men’s appearances, quirks, and habits to characterize the murderers.

In the opening of In Cold Blood, Trueman Capote presents a picture of the town of Holcomb. Capote uses a sense of condescending tone, sterling imagery and superb selection of detail when describing Holcomb. He creates a picture of an old style town that is all run down and has one or two positive things. Capote uses condescending tone; sterling imagery and superb selection of detail, he uses these rhetorical devices to express his view of a Holcomb in a negative viewpoint.

The purpose for Truman Capote's writing of his book, In Cold Blood was to take literary definitions to a whole new level. He used them in ways that people were able to relate to them personally. He did this by using several different types of literary devices. Nancy's diary for instance, is used to symbolize the impossible future that will never happen for her. The purpose of Nancy's diary is for her to collect all of the things that she had gone through each day, so that someday, when things were looking up for her, she would be able to go back and read all of the hard times that she had once gone through. This never happens, as we know, due to her death. But coincidentally, the last entry that Nancy ever makes, sadly, is about how she had yet another boring, uneventful day, but she also involuntarily wrote about how when you have no life, and no hope, that even the last night of your life, no future is boring. Capote's clever thought out analogy for Nancy's consisted of something that many adults are able to

In the incredible book, All Quiet on the Western Front written by Erich Maria Remarque, the reader follows Paul Baumer, a young man who enlisted in the war. The reader goes on a journey and watches Paul and his comrades face the sheer brutality of war. In this novel, the author tries to convey the fact that war should not be glorified. Through bombardment, gunfire, and the gruesome images painted by the author, one can really understand what it would have been like to serve on the front lines in the Great War. The sheer brutality of the war can be portrayed through literary devices such as personification, similes, and metaphors.

Many symbols are used in V for vendetta one of these is V’s mask, also known as the Guy Fawkes mask. This mask is now one of the most popular symbols ever, it is seen everywhere: in the 80’s the comic book series ‘V for vendetta’, then in the film adaptation in 2005 and now it’s a popular symbol with the cyber terrorist group ‘Anonymous’. In the film adaptation of ‘V for vendetta’ the mask is used to conceal the true identity of the protagonist V. During one of the last scenes of the film, V is choking Mr. Creedy and he says to him “Beneath this mask there is more than flesh. Beneath this mask there is an idea, Mr. Creedy, and ideas are bulletproof.”. This clearly shows us that V doesn’t want to be remember as a man, as men die, but he wants to be remembered as an idea, as ideas can last forever.

In the film V for Vendetta, the director, James McTeigue uses symbolism, costume and dialogue to emphasise the idea of everybody having a right to individuality, and the right - and duty – to resist forced conformism.

The film 'V for Vendetta' directed by James McTeigue addresses the idea of governmental authority and control in our society. One key scene where this is portrayed is in the opening, where Evey goes out to visit Gordon Deitrich after curfew. The futuristic landscape of a totalitarian England is displayed here, where the oppressive party in power have created a culture of fear to ensure the conformity of the citizens. However, in contrast, the final scene of the film where a crowd converges to watch Parliament blow up, illustrates a further idea. That when united, it is the people who have the power to change their society, through rebellion and political uprising.

To continue, V for Vendetta was Allan Moore 's response to what he witnessed as a corrupt government under the rein of the late Margaret Thatcher. V for Vendetta is a graphic novel that demonstrates what would happen if humans fully committed themselves to the social contract, the law of nature, as illustrated by Thomas Hobbes. V for Vendetta is set in a

Rhetoric involves the scrutiny of the way an author, speaker, or artist utilizes language or words to sway the target audience. Rhetorical analysis thereby denotes a criticism or essay that breaks the non-fictional works into subsections, hence elaborating how every section works in association with other parts to introduce certain effects, such as information, entertainment, and persuasion of the intended audience. In common instances, the scrutiny also deliberates on every involved rhetorical situation or circumstance, on the basis of context, purpose, as well as the audience. One can conduct a rhetorical analysis of various literary works including journals, books, plays, cartoons, adverts, or any other oral performance like speech. One of the most popular and interesting play that has been read and used widely in different learning institutions for literature studies is An Enemy of the People. In this piece, the author, Henrik Ibsen, portrays the major character, Doctor Stockmann, as an enemy of everyone. However, despite being branded as the enemy of the people, Doctor Stockmann has been used to expose the rots happening within town municipality in Norway. Indeed, Doctor Stockmann is not an enemy of the people as portrayed in the play, but the ‘savior’ of the Norwegian township.

Of the many symbolic masks, the Guy Fawkes mask stands out as one of the most effective, often being used as a “masked identity” in order to make profound statements. Not only does this secret identity create more attention to the “masked one” but it also diverts attention to the cause rather than the identity. Literally using a mask, Fawkes was the main influence of the character “V”, in James McTeigue’s, V For Vendetta. V’s connections and motivations to Guy Fawkes, his attempt to justify himself as a terrorist, and V’s concealment of his true identity, collectively define the message that V conveys to his audience: to break parliament and take control of their own country.

“V for Vendetta" is a movie about freedom, about human struggle against the state, the government of the sacrifice of a symbol. V for Vendetta was born from the successful combination of a sudden, seemingly incongruous things: out of the comic’s conventions and the anti-globalization pathos. I think this movie is a combination of the of Lewis Carroll’s abstract absurdity and George Orwell’s totalitarian nightmare. Alice meets with Hitler. Evey dressed up and went out on a date, but instead of rabbit hole, she found the black "funnel". Once the British had already made a movie "It Happened Here," an alternative fantasy on the theme of the Nazi’s occupation of England - now the enemy did not come from outside but from the inside. In the near future, England is living under a power of tyrant, neurotic clown with flabby face. Supreme Chancellor autocratically governed the country. Bishops are concerned about the moral health of the nation. People are constantly live in fear of external threat after the tragic virus attacks a few years ago. Every person sentenced to death if he keeps a Koran. Same thing for the "unnatural" sex. There was nothing else to be executed for;

V for Vendetta sets the Gunpowder Plot as V's historical inspiration, contributing to his choice of timing, language and appearance For example, the names Rookwood, Percy and Keyes are used in the film, which are also the names of three of the Gunpowder conspirators. The film creates parallels to Alexandre Dumas' The Count of Monte Cristo, by drawing direct comparisons between V and Edmond Dantès. (In both stories, the hero escapes an unjust and traumatic imprisonment and spends decades preparing to take vengeance on his oppressors under a new persona.) The film is also explicit in portraying V as the embodiment of an idea rather than an individual through V's dialogue and by depicting him without