Richard Flanagan The Narrow Road

The novel, The invisible hero by Elizabeth Fensham explores the theme of heroism and villainy. Heroism can be defined as doing a selfless act in hope of inspiring others. Villainy can be defined as an act of doing something ‘evil’ in spite of another person or group. although it is commonly known that heroes and villains are polar opposite it is much more complex because it all depends on perspective. This idea of heroism and villainy will be expressed through an analysis of the style, characters, setting and plot.

In the novel ‘Heroes’ by Robert Cormier, a young war veteran returns to his hometown, Frenchtown, and seeks out revenge on the man who mentally scarred both him and the girl he loved when they were young. In the novel, Francis Cassavant is the main protagonist who returns from war with horrific wounds and scars. Also, Francis can be described as a character with deeply rooted issues as when he was young he heard the girl he loved get raped by the man who he believed to be a hero. The theme of heroism is something widely discussed in the novel, Francis’ image of heroes have been distorted from seeing all the terrible and cowardly things he, and other people who were referred to as heroes, did. He struggles to see himself as a hero, despite having saved many lives, as he viewed the actions he took to be a so-called hero as cowardly and unworthy of gaining this title.

What is the ultimate form of a tragic love? For Wong, it is neither denial nor acceptance, but an eternal state of longing and waiting. Among Wong Kar Wei’s internationally acclaimed productions, Days of Being Wilde (1990), In the Mood for Love (2000), and 2046 (2004) are loosely counted as a trilogy of love. In the end chapter of his trilogy 2046, Wong continues to focus on Chou-Mu-Yun, a sentimental yet callous writer and womanizer. Revolving around the affairs of Chou, 2046 presents to its audience three pathways that love could possibly offer: to unite in happiness, to move on after the denial from the loved one, and to linger upon the unanswered love in perpetuity. Chou is undoubtedly chosen to be the bearer of the last pathway. As the

Many people say that the metal of a man is found in his ability to keep his ideals in spite of anything that life can through at you. If a man is found to have done these things he can be called a hero. Through a lifelong need to accept responsibility for all living things, Robert Ross defines his heroism by keeping faith with his ideals despite the betrayal, despair and tragedy he suffers throughout the course of The Wars by Timothy Findley.

All times, the disappearance of cherishable beings brings people unbearable agony. Eventually, they cry, and then suffer more heartache, yet the attitudes when confronting a farewell vary dynamically within individuals. In Dylan Thomas’ “Do Not Go Gentle into that Good Night” and Elizabeth Bishop’s “One Art”, both speakers experience a painful loss. However, while Thomas strongly opposes the undeniable fact of his father’s death process, Bishop reluctantly accepts the departure of her beloved. The two speakers react differently to recover from the ineluctable sadness, to regain inner peace. In the end, the poems’ comparison concludes losing valued relations is distressingly unavoidable, and that there is no ideal way to cope with losses. Therefore,

To begin, Linda Seger’s article demonstrates how the idea of a hero is universal and is defined by their journey, which is incorrect because other cultures might define a hero as something else. In her article, she tries using ten stages of how a hero is sometimes just an ordinary person. Who then takes in order

The son next tells his father how wild and grave men also struggled with death. Wild men spent their lives frivolously, wishing time on its way. They learn when it is too late that they hurried time too fast and now they cannot recapture what they so wantonly spent. Their lives were foolishly wasted. The son also mentions grave or serious men who review their lives with a swift lucidity when death is upon them. These solemn, sober men now realize life could have been more joyous had they been a little more "blind." If life is taken a little less seriously, one "could blaze like meteors and be gay."

“It made him feel a little uncomfortable sometimes when he reflected that the good little boys always died. He loved to live, you

Amidst all the pain in John Wyndham’s The Chrysalids, there is love. This powerful human emotion has survived in the oppressing society of Waknuk. Wyndham portrays love among hardships to remind us that there is always hope for humanity, despite obstacles it may encounter. Through the Wenders’ sacrificial, unresentful devotion to their mutant daughter, through David’s discovery of reassurance and affection in his uncle amidst fear and uncertainty, and through the telepaths’ undying love for one another despite persecution, The Chrysalids shows us that while Tribulation erased many of society’s aspects, it was unable to extinguish the human quality called love.

Every person in their lifetime will encounter love. Love is a necessary evil in our lives. Using the moral lense to analyze the short stories “The Possibility of Evil” by Shirley Jackson and “A Bolt of White Cloth” by Leon Rooke, we see that love cannot exist without evil. The characters of the stories all encounter evil through love by means of relationships, goodwill, as well as inanimate objects.

William James, an American philosopher and psychologist once said “believe that life is worth living and your belief will help create the fact.” Life, regardless of how close it lies to death, is worth keeping. The poem “Do Not Go Gentle into That Good Night”, by Dylan Thomas is a son’s appeal to a fading father. He shows his father that men from all walks of life confront death, however, they still war against it. Thomas uses figurative language to classify men into four different categories to persuade his father to realize that a life, regardless of how it was lived, should be fought for.

This is expressed by the multiple examples of old men whom regret certain aspects of their lives and defy death even when they know their time is up. The speaker is urging his father to fight against old age and death. The meaning and subject of the poem influence the tone and mood. The tone is one of frustration and insistence. Thomas is slightly angry and demanding. His words are not a request, they are an order. The mood of the poem is is serious and solemn due to the poem focusing mainly on the issue of death. This mood and tone is created by words such as “burn”(2), “Grieved”(11) and “rage”(3) along with phrases such as “crying how bright”(7), “forked no lightning”(5), “near death”(13) and “fierce tears”(17). The insistent feeling is also created by the repetition of the lines “Do not go gentle into that good night”(1), and “Rage, rage against the dying of the light”(3). The figurative language used also affect how the meaning, tone and mood are interpreted.

Charles de Gaulle once said “Love is the strongest force in the world.” de Gaulle’s sentiment about love’s power holds true. In The Count of Monte Cristo by Alexandre Dumas, love is the most powerful driving force. During this romantic novel, a man named Edmond Dantés gets falsely imprisoned for fourteen years. When he escapes as a rich man, he swears revenge on his enemies, but in the end, love prevents him from enacting several of his vengeful plans. A moral in The Count of Monte Cristo is that love is the strongest power in the world because it can stop revenge in its tracks and cause great joy.

People would not want to hear that their loved ones merely gave up and died passively. This poem in itself is a celebration of life, the poem is not only about death but it is an affirmation of life. To further emphasise the points being made Dylan Thomas utilises a wide range of literary devices. Parallelism is used from lines seven to fifteen to juxtapose the different attitudes of the so called “genres” of men at their death. This is used to outline that if you continuously lead one set type of lifestyle whether it is as a “wild man”, a “grave man” or a “good man” you will not be satisfied when your time comes to die. The only true way to be satisfied is to live a life of balance; only with a good contrast can you be at peace.

Many people have both feared and questioned death throughout the ages but when it’s time to die, two kinds of people emerge: those who accept it and wait to die, and those who keep fighting. Dylan Thomas describe the importance of continuing to fight in his poem “Do Not Go Gentle Into That Good Night”, which he wrote for his dying father. Firstly, there is lots of symbolism in the poem, which helps to develop the theme of never giving up. Secondly, the author uses many literary devices, which help to develop the main theme of the text, which is to never stop fighting. Lastly, there is lots of imagery used to help develop the theme of persevering until the end even more. Death is all around us but it is important to persevere and keep fighting