Richard Wright 's Native Son And Guitar

In the novel Native Son by Richard Wright, the protagonist engages in certain behavior that most would find socially and morally unacceptable. It is debatable whether Bigger Thomas was truly responsible for what he did, and throughout the novel, the ongoing dilemma is whether or not he deserves sympathy or not. Although some might argue Bigger is deserving of sympathy due to the environment where he grew up, he is not worthy of sympathetic treatment. His immoral actions throughout the novel are so unforgivable that he does not deserve sympathy. The way he treated his family, the murders he committed, how he feels about what he does, and some characters in the novel also going against him, all point to Bigger being a character not deserving of sympathy.

In Richard Wright’s Native Son, the book is split into three books. The first 2 books focus mainly on the suspense and tensions rising within Bigger’s life and finally in the last book he dies. The dramatic conflict of Native Son takes place chiefly within the mind of Bigger Thomas, who lives in a world of whites, blacks , or reds. To Bigger all of life is conflict and issues that is defined by the color of your skin with the whites being higher up. The tensions within the book can be comparable to fire and ice as each element possess traits which can be seen as metaphors within the novel Native son by Richard Wright and his essay of “How Bigger was Born”.

Native Son is set during the Chicago Renaissance during the 1930’s. Bigger Thompson lives in an impoverished neighborhood, and in a one-bedroom apartment with his mother and two younger siblings. To help supplement his mother’s income Bigger is pressured to take a chauffeur job offered by Mr. Dalton, who is a successful man who is also the landlord of Bigger’s building. On his first night of the job, Bigger is ordered to take Mr. Dalton’s daughter Mary to the local university. However, Mary directs Bigger to pick up her Communist boyfriend Jan. During the night, Mary and Jan drink excessively and beg Bigger to take them to a black neighborhood. When Bigger arrives at the Dalton’s residence Mary is intoxicated to the point where she is inebriated. Thus, causing Bigger to carry her to her bedroom without getting caught. Then, Mary’s blind mother walks in the room to check on her daughter. Frightened, and scared Bigger accidently kills Mary by asphyxiating her with a pillow to keep her quiet. Still

The journey of life often times does not always run the intended course that one envisions. Depending on the choices made and the uncontrollable circumstances that an individual is exposed to, his or her character will reflect those instances. In the non-fiction novel “In Cold Blood,” by Truman Capote, the reader is introduced to Perry Smith and Dick Hickock who without any remorse murdered the Clutter family. Is it simply human nature to commit gruesome acts without feeling a sense of guilt? There is no definitive answer to this, but it is however clear that human beings are capable of both good and evil, and there is usually a cause to every effect. It therefore leaves one to wonder what was the driving force or motive behind Dick and Perry’s

While all people like to believe they are virtuous and honorable, it is often not the case. In fact, many would rather stand by and watch as unjust treatment occur, thinking it would not affect them. These people, known collectively as bystanders, are present at the event, but choose to not take part in it. They often feel remorse for the sufferer, yet would not lend a hand in fear of becoming one. In “The Hangman”, a narrative poem by Maurice Ogden, and Eve Bunting’s “Terrible Things”,figurative language is used to emphasize the significance of bystanders. These literary devices help develop several cruel yet irrefutable themes.

Does a man who brutally murdered four humans-for the sole reason that he had the power to-deserve any ounce of sympathy? “In Cold Blood”, Truman Capote uses “pathos” to appeal to the emotions of the readers about the two murderers, Perry Smith and Richard Hickock. Capote certainly sympathizes with and portrays one of the cold-blooded murderers in a positive light and portrays the other murderer as a despicable and disgusting human being. For instance, Capote utilizes righteous and simple diction to advocate Perry’s emphatic nature with choices like, “compassion” and “uncharitable”. Furthermore, the author’s piteous tone emphasizes the tragic and hopelessness of Perry’s life with choices like, “You think I like myself?” and “”. In addition, Capote’s tone and diction paints Dick as a tasteless, vicious creature who deserved to take the full blame of the murder. Lastly, there are several rhetorical strategies that author employs to encourage the audience to sympathize with Perry and to hate and despise Dick.

"Whenever I thought of the essential bleakness of black life in America, I knew that Negroes had never been allowed to catch the full spirit of Western civilization, that they lived somehow in it but not of it. And when I brooded upon the cultural barrenness of black life, I wondered if clean, positive tenderness, love, honor, loyalty, and the capacity to remember were native with man. I asked myself if these human qualities were not fostered, won, struggled and suffered for, preserved in ritual from one generation to another." This passage written in Black Boy, the autobiography of Richard Wright shows the disadvantages of Black people in the 1930's. A man of many words, Richard Wrights is the father of the modern

Bigger, a protagonist and controversial character in The Native Son, made a number of mistakes and he was indeed very much responsible for his actions. Bigger Thomas, a 20 year old who lives in poverty in a one-bedroom apartment with his mother and two siblings, has experienced racism has whole life. Bigger grew up to believe that white people were better than the blacks and were to be treated better than the whites also; in result, Bigger became angry and when in fear he turned to violence.

Considering the fact that murder seems to be a big issue in today's world, it is something we need to talk about in many senses of the word. The number of homicides seem to be a record high, at least in Topeka, Kansas. In other places, murder, in many senses of the word, has been an issue. The new class Why People Become Murderers (or Resisting the Urge)  needs pieces of literature to help understand the topic of murder. Literature to consider at this point is “Killings” and The Cow. These are great literary examples to consider because of the contrasting viewpoints.

The cruel nature and intentions of people can either hurt or harm individuals or it can bring about resilience and determination. In the novel To Kill a Mockingbird, Harper Lee revealed that humans often have other motives in life; some are born to be evil in nature, some are naturally innocent and then there are some that are born to protect the innocent. Lee utilized a variety of symbols and themes that correlated with each other and thus had the ability to create questions in the minds of the readers. Are humans calculatedly cruel or is there some moral good in each of us? The impiety of a few can create a movement, imprison the innocent or reveal the sincerity of others.

When hate is engraved in someone’s heart they start to do things they don’t want to do, but what is driving them is forcing them to. This is the case of Guitar Baines, Milkman’s best friend, is very conscious of where he stands in society and what people of another race see him as. Guitar is hate driven and sees white people as his ultimate enemy. The novel starts off has Robert Smith jumping off the roof of a hospital. Smith was part of a group named The Seven Days. This organization is a group of African Americans who kill white people. If a black male or female were to be killed by the hands of a white person then the Seven Days would be in charge of a killing a white person the exact same way. Only seven members are allowed to be apart of this group. After Smith died, this organization needed a new member and this new member was Guitar. Milkman did

Richard Wright’s novel, Native Son, depicts the life of the general black community in Chicago during the 1930’s. Though African Americans had been freed from slavery, they were still burdened with financial and social oppression. Forced to live in small, unclean quarters, eat foods on the verge of going bad, and pay entirely too much for both, these people struggled not to be pressured into a dangerous state of mind (Bryant). All the while, they are expected to act subserviently before their oppressors. These conditions rub many the wrong way, especially Bigger Thomas, the protagonist of the story. Though everyone he is surrounded by is going through all the same things that he is, growing up poor and uneducated has made Bigger angry at the whole world. You can see this anger in everything he does, from his initial thoughts to his final actions. Because of this, Bigger Thomas almost seems destined to find trouble and meet a horrible fate. Wright uses these conventions of naturalism to develop Bigger’s view of the white community(). With all of these complications, Bigger begins to view all white people as an overwhelming force that drags him to his end. Wright pushes the readers into Bigger’s mind, thoroughly explaining Bigger’s personal decay. Even Wright himself says that Bigger is in fact a native son, just a “product of American culture and the violence and racism that suffuse it” (Wright).

In the novel Beloved by Toni Morrison the character Sethe is faced with the traumatic experience of having to return to slavery at Sweet Home, in order to save her children she attempts to kill them. She succeeds in killing one by cutting the infant’s throat with a hacksaw. This “rough choice” revolves around the novel on whether or not, the choice was right or wrong. Sethe’s tough choice between the right or wrong in the murder of her child is right and was necessary for her to insure the safety of her children, to express her motherly love, and to become a strong figure in her children's lives.

In Richard Wright’s Native Son, Bigger Thomas attempts to gain power over his environment through violence whenever he is in a position to do so.

Within each individual, there is a sliver of a killer living deep inside. The most evident of these is expressed through the action of abortion. In comparison to abortion, Grendel’s attacks in Beowulf blindsides the faultless people of Herot demolishing the town where they reside. Grendel unremorsefully targets the helpless citizens of Herot while abortion also quarries on innocent victims leaving emotional, physical, and psychological devastations in its’ wake.