Richard Wright 's Native Son

Many times in novels, authors will use conflicts to strengthen the plot and to give more depth to the story that they are penning. There are four main plot conflicts that authors have to choose from: man versus nature, man versus society, man versus man, and finally, man versus self. Authors, many times, will use only one or two of these conflicts but in the novel, Native Son, all four conflicts are used to some extent. In this novel, Richard Wright, does a superb job of meticulously blending all four conflicts together to form a well-rounded novel about a black man in 1920 's Chicago.

Both Richard Wright of “Native Son” and Toni Morrison of “Beloved” identify the brutality and violence of the racial discrimination of American community. Beloved is more force, disastrous human rights, and most of all destroying the family, but Native Son has less violence and control toward black people but still see them as slaves and treat them unfairly. Wright’s shows that even though that slavery ended, white people will never see us as equals and will never get the respect that they deserve. In the book beloved it says “ white people thought that in

What is black, white, and red all over? A sunburned zebra, of course! These three colors also describe events that occur in Richard Wright’s novel Native Son. While a great deal of importance is placed on the color black, white remains present throughout the novel. The colors combine in many instances to lend great significance to characterization and setting. Through symbolism, Wright uses the colors black and white to illustrate the major problem of the era: the separation of black and white Americans. Furthermore, Wright utilizes "communist" red to emphasize the novel's overwhelming black and white imagery.

In his most famous novel, Native Son, Richard Wright's female characters exist not as self-sufficient, but only in relation to the male figures of authority that surround them, such as their boyfriends, husbands, sons, fathers, and Bigger Thomas, the protagonists. Wright presents the women in Native Son as meaningless without a male counterpart, in which the women can not function as an independent character on their own. Although Wright depicts clearly the oppression of Blacks, he appears unconscious of creating female characters who regardless of race, are exploited and suppressed. Their sole purpose in the novel is to further the story by putting Bigger in new and more dangerous situations by

In Richard Wright’s Native Son, the book is split into three books. The first 2 books focus mainly on the suspense and tensions rising within Bigger’s life and finally in the last book he dies. The dramatic conflict of Native Son takes place chiefly within the mind of Bigger Thomas, who lives in a world of whites, blacks , or reds. To Bigger all of life is conflict and issues that is defined by the color of your skin with the whites being higher up. The tensions within the book can be comparable to fire and ice as each element possess traits which can be seen as metaphors within the novel Native son by Richard Wright and his essay of “How Bigger was Born”.

Richard Wright’s “Native Son” Bigger shows us the short end of the stick of how it feels to be seen as a second-class citizen for being black. His speech talking about how he feels like a prisoner in this world just because he is black. (Wright P.17) This prison pain of Bigger in Wright’s novel shows how the negative effects of fear and discrimination affect minorities in our society. This discrimination just for existence is mirrored in the “Diary of Anne Frank” and “The Color of Water”. In the Diary of Anne Frank, spends two years of her life in an attic with her family and other Jewish people, hiding from the government trying to capture them just because they are Jewish. In “The Color of Water” Ruth McBride describes how the KKK was a huge part of her hometown. That whenever a car full of white hoods drove past, any African Americans in the store would run home, Ruth did the same thing, knowing her family was also in danger. (McBride P.58)

This paper examines the drastic differences in literary themes and styles of Richard Wright and Zora Neale Hurston, two African--American writers from the early 1900's. The portrayals of African-American women by each author are contrasted based on specific examples from their two most prominent novels, Native Son by Wright, and Their Eyes Were Watching God by Hurston. With the intent to explain this divergence, the autobiographies of both authors (Black Boy and Dust Tracks on a Road) are also analyzed. Particular examples from the lives of each author are cited to demonstrate the contrasting lifestyles and experiences that created these disparities, drawing parallels between the authors’ lives and creative endeavors. It becomes

In Richard Wright’s Native Son, alienation, the state of being isolated from a group or an activity to which one should belong or be involved in, is a major theme presented in the novel. The protagonist, Bigger Thomas, faces alienation repeatedly from society due to his identity as a young African American boy living in Chicago. Because of his skin color, in different places, he felt inferior to everyone around him and felt like he had no purpose in his life because of society’s expectations: African Americans ending up in a jail cell for the rest of their lives, making them feel worthless. As a result, he went looking for that power without knowing it. When he killed both Mary and Bessie, he felt that power rush to him. However, Bigger does end up in jail because of his wrong doings. Even though justice was served for the killings of Mary Dalton and Bessie, he did not deserve such a harsh sentence just because he is a darker skin tone compared to the Whites.

Human tendency fosters animosity. Especially in society, hostility allows judgement to bloom based on rumor and speculation. Once an unfavorable opinion is spread about a social group, these stigmatized fears manifest themselves through a community-wide stereotype. Consequently, this mindset accepts over-generalized expectations of others: a concept that easily led to racism in the mid-twentieth century. While most people in the 1940s conformed to standard expectations imposed by the upper class, Richard Wright sought to expose the inner workings of this falsely presumed injustice in his classic novel, Native Son. Wright displays this through Bigger Thomas’s lawyer, Boris

A long-term irony of Wright’s life is that in spite of his belief in environmental determinism, he fulfilled his dream of success against all odds. In his essay How Bigger Was Born, Wright explains how he grew up surrounded by different types of Biggers, and that social reality determined his literary personality. (Applebee) Indeed, he was at different times in his youth an unstable child, but ultimately he became Richard Wright, and not Bigger Thomas.

Actions considered inherently immoral are seen only as inherently immoral. Sympathy is not considered as an option to a person who commits a heinous and undesirable act. The acts of murder as committed by characters such as Bigger in Richard Wright’s Native Son and Guitar in Toni Morrison’s Song of Solomon are first seen as immoral, evil, and irrational. However, as the books progress and characters express the rationale behind the deaths and crimes committed, the reader develops an understanding, if not sympathizes, with the logic and motives behind committing the distinguished crime.

  In Native Son, Wright employs Naturalistic ideology and imagery, creating the character of Bigger Thomas, who seems to be composed of a mass of disruptive emotions rather than a rational mind joined by a soul. This concept introduces the possibility that racism is not the only message of the novel, that perhaps every person would feel as isolated and alone as Bigger does were he trapped in such a vicious cycle of violence and oppression. Bigger strives to find a place for himself, but the blindness he encounters in those around him and the bleak harshness of the Naturalistic society that Wright presents the reader with close him out as effectively as if they had shut a door in his

When analyzing Bigger Thomas, Richard Wright’s protagonist in the novel Native Son, one must take into consideration the development of his characterization. Being a poor twenty-year-old Black man in the south side of Chicago living with his family in a cramped one- bedroom apartment in the 1930’s, the odds of him prospering in life were not in his favor. Filled with oppression, violence, and tragedy, Bigger Thomas’ life was doomed from the moment he was born. Through the novel, Bigger divulges his own dreams to provide for his family and to be anything but a “nobody.” Although Bigger struggled to fight through obstacles to pursue his dreams for the future, his chase for a better life came to an abrupt

Since Richard exited his mother’s womb, he had to undergo bigotry and unseen detestation from white southerners because of his color (Hart 35). Starting his first day of life on September 4, 1908, Richard Wright overcame several impediments and later became one of the first famous African-American authors. The Wright family lived in Natchez, Mississippi, and his parents worked, during his toddler years. Nathaniel Wright, Richard’s father, was a sharecropper. He labored for the rich plantation owners, while Richard’s mother was a school teacher. (Shuman 1697)Because of the constant beatings, Wright was obedient to all types of authority but anxiety and distrust formed in his mind. Richard unintentionally set his grandparents’ house

Richard Wright’s novel, Native Son, depicts the life of the general black community in Chicago during the 1930’s. Though African Americans had been freed from slavery, they were still burdened with financial and social oppression. Forced to live in small, unclean quarters, eat foods on the verge of going bad, and pay entirely too much for both, these people struggled not to be pressured into a dangerous state of mind (Bryant). All the while, they are expected to act subserviently before their oppressors. These conditions rub many the wrong way, especially Bigger Thomas, the protagonist of the story. Though everyone he is surrounded by is going through all the same things that he is, growing up poor and uneducated has made Bigger angry at the whole world. You can see this anger in everything he does, from his initial thoughts to his final actions. Because of this, Bigger Thomas almost seems destined to find trouble and meet a horrible fate. Wright uses these conventions of naturalism to develop Bigger’s view of the white community(). With all of these complications, Bigger begins to view all white people as an overwhelming force that drags him to his end. Wright pushes the readers into Bigger’s mind, thoroughly explaining Bigger’s personal decay. Even Wright himself says that Bigger is in fact a native son, just a “product of American culture and the violence and racism that suffuse it” (Wright).