Richard Wright's Black Boy

Richard did not understand until later that the black community discouraged his rebellious ways because following the expectations of whites was a way to ensure survival of the community. A rebellious act of one black not only put his or her life in danger, but also his or her family and the entire black community. Richard’s need to conform to the rules of the white society for survival and his need to rebel in order to achieve his humanity and individuality was a tension that infested him daily.

The next form of hunger that Richard encountered was one for literature which seemed to give him a release from the suffocating reality of his surroundings. His appetite for literature became a defining characteristic as the novel progressed. Though her effort was short-lived, a boarder at his Grandma’s house, Ella, gave him his first taste of reading. “As her words fell upon my new ears, I endowed them with a reality that welled up from somewhere within me…. My sense of life deepened…. The sensations the story aroused in me were never to leave me” (Wright 39). In light of Richard’s continued pursuit for knowledge critic Dykema-VanderArk reflects that, “Richard's reading opens his eyes… ‘made the look of the world different’ and let him imagine his life under different circumstances. Richard eventually recognizes that the social system of the South strives to keep black Americans from just such ways of thinking.” His craving for literature sets him apart from most of the black community surrounding him.

“Whenever my environment had failed to support or nourish me, I had clutched at books.” –Richard Wright, Black Boy. The author suffered and lived through an isolated society, where books were the only option for him to escape the reality of the world. Wright wrote this fictionalized book about his childhood and adulthood to portray the dark and cruel civilization and to illustrate the difficulties that blacks had, living in a world run by whites.

In Black Boy, Wright expressed his childhood memories even though they were not very good. The critic, Adams, argues that Richard Wright shared his misrepresentation of his personality, rae, and family in his childhood by explaining that they did not help him. He believed that everyone prevented him from hearing or speaking the truth. The only time someone listened to him was when he lied (Adams). Wright was independent from his family early on in his childhood because he knew that they would not support his views and dreams in life. In addition, Robert J. Butler exclaims, “ … ‘red circle’ of flame which consume the curtains can be seen as a revealing symbol of Wright’s early life- a trap of spreading violence which can easily destroy him…” (Butler 62). If Richard Wright grew up to be who his parents taught him to be, he would never understand the danger of his childhood years. However, he did which let him leave it behind as soon as he could.

Richard Wright is known to be one of the most influential African American writers of the 20th century. He was well known for his sometimes controversial essays and short stories. Much of his work dealt with racial themes and is said to have paved the way for many other African American writers in the fight against racism in the 1900s. One of Wright’s essays “The Living Ethics of Jim Crow” (1937), demonstrates the conditioning of African Americans through the acceptance of disenfranchisement and inferiority through a personal look in Richard Wright’s life. This conditioning is brought through childhood upbringings, the stigmas placed by society, and the internal acceptance of those stigmas through reoccurring experiences.

"Whenever I thought of the essential bleakness of black life in America, I knew that Negroes had never been allowed to catch the full spirit of Western civilization, that they lived somehow in it but not of it. And when I brooded upon the cultural barrenness of black life, I wondered if clean, positive tenderness, love, honor, loyalty, and the capacity to remember were native with man. I asked myself if these human qualities were not fostered, won, struggled and suffered for, preserved in ritual from one generation to another." This passage written in Black Boy, the autobiography of Richard Wright shows the disadvantages of Black people in the 1930's. A man of many words, Richard Wrights is the father of the modern

Sufferings of Blacks Richard Wright depicts the United States through many of his hardships that he went through in his youthful years in the early 20th century and how he has overcome them. In Wright’s Black Boy, Richard associates his hunger and oppression with the United States. He associates these things with the United States through his childhood history of starvation, abuse, and cruelty from the family and society around him that made his family become unsupportive and uncaring towards him. The aspects that he associates these things with the United States are racism and ignorance to his kind of people. Wright is trying to bring awareness to the American society of the kind of difficulties that he had and many others like him and

In Richard Wright’s memoir Black Boy, Richard experiences both literal hunger and hunger for equality. The many obstacles in his life positively transform his outlook and attitude towards the deficiency of food and racial disparities. Richard develops into an improved person after the many happenings that he gets himself into, and all of his experiences entirely prepare him for his future. Richard Wright is hungry throughout the first nine chapters of his memoir no matter where he lives. Whether it was Mississippi or Arkansas, Richard was hungry most of the time due to not having an efficient amount of food being put on his plate.

In “Black Boy” written by Richard Wright, the main character Richard shows us that our nature will overcome our environment. Richard’s nature for reading and writing overpowers what he’s told by his family and society. Richard just got a new job with a new family. The women of the house is questioning him: “‘What grade are you in school?’ ‘Seventh, ma’am.’

Throughout life, there is a variety of fundamental human needs in that must be met in order to be able to function properly. Some examples of those needs is being able to have a place to call home, being able to work, or even being able to eat and drink in a daily bases. But what would happen if one of those needs is not met. What would happen to that person? Would they be homeless, jobless, or hungry?

In the excerpt from "Black Boy", Wright utilizes dialogue in order to establish Wright's first full recognition of his identity as a “colored boy.” While Richard and his family are traveling via train to Arkansas, he begins to notice the separation of blacks and whites. This acknowledgement sparks questions about his grandmother, who is a white woman. Richard is faced with the conflict “Man vs. Society.” He is struggling to understand the separation among blacks and whites because his grandmother has lived in the same home with them.

Richard Wright’s memoir Black Boy (American Hunger): A Record of Childhood and Youth recounts the author’s personal experience growing up as an African American male in the Jim Crow South, as well as his initial years in the North in the late 1920s. While it is a personal account of one man’s life in this time period, Wright’s memoir also sheds light on the broader role of black men in American society in the early twentieth century, particularly with respect to race, gender, and class relations. By no accident, insight on these relations can be gleaned from the title of Wright’s memoir itself. I argue that Wright chose the provocative title Black Boy (American Hunger): A Record of Childhood and Youth in order to both utilize shock

     Richard Wright's novel Black Boy is not only a story about one man's struggle to find freedom and intellectual happiness, it is a story about his discovery of language's inherent strengths and weaknesses. And the ways in which its power can separate one soul from another and one class from another. Throughout the novel, he moves from fear to respect, to abuse, to fear of language in a cycle of education which might be likened to a tumultuous love affair.

The African-American literary period of Realism, Naturalism, and Modernism, also referred to as the Age of Wright, was when the writers and artist would expose the realities and identities of living in America and the harshness of society. This African-American literary period would begin around the time the Great Depression ends and would end the year in the death of Richard Wright, which was 1960. One of the most notable writers of this period was, of course, Richard Wright. By his way of thinking and the way he wrote literature, “Wright [had] effectively executed his own blueprint by rejecting what Locke termed the ‘decadent aestheticism’ of Harlem Renaissance writers and by drawing on the presumably more ‘nourishing’ elixir of Marxism and social protest” (Gates, 97). Richard Wright’s Blueprint for Negro Writing appeared in the journal New Challenge that he and other African-American writers had published in 1937. Although Richard Wright’s Blueprint for Negro Writing was written before 1940, this literature work makes an excellent representation of Urban Realism. This text represents this literary period because it tells about the reality, but also the promotion of success in African-American literature by criticizing black culture and nationalism in literary works.

Richard Wright’s plead in the Blueprint for Negro Writing could be very well summarized in one of the famous words from Thomas Kempis, “Be not angry that you cannot make others as you wish them to be, since you cannot make yourself as you wish to be.” In this popular essay, Richard Wright denounced the Negro writers as he perceived them to be merely begging for the sympathy of the bourgeoisie instead of striving to present a life that is more worth living for the Black Americans (Mitchell 98). This paper argues that Richard Wright was justified in his assessment that literature was so concentrated on pandering to white readers thereby neglecting the needs of the “Negro