Richard Wright's Native Son

Richard Wright was born on September 4, 1908, to a poor family on a plantation in Mississippi. His father was an illiterate sharecropper and his mother was a well-educated teacher. Due to his family’s poverty they were forced to move to Memphis. When Wright was five years old, his father left his family for another woman, and his mother was forced to leave her job as a school teacher and do domestic work to provide for her family. As Wright grew up, he became involved with the Communist Party, and in 1940 he published Native Son. This success of Wright’s book made the black community proud of him, but it also brought a lot of uncomfortable feelings. They felt that the main character, Bigger, portrayed a stereotypical, harsh, black man the

Bigger Thomas uses deception to cover the crime for his personal safety. He knows that the white people of Chicago will kill him if they know he killed a white girl. Throughout his deceit, Bigger feels the white world

Bigger Thomas is a fictional, 20 year old, Negro male living in Chicago during the Great Depression. This character, created by Richard Wright in Native Son, became assigned with the job of giving insight to the life of a black American male during the 1930s. Bigger lived a life in which he made decisions on impulse, fueled by his emotions. No action Bigger completed became carried out with proper thought and rationality, thus, ultimately ending in his imprisonment and, furthermore, his death. Through the telling of Bigger’s life, Wright shows what influences created a man such as Bigger. In doing this, Wright proves that Bigger Thomas cannot exist as more than a symbol used to highlight the oppression the black race faced post Civil War.

In the beginning, when Bigger started working for the Dalton’s, he had to drive Mary Dalton, the daughter, to the University of Chicago. However, she wanted him to pick up her boyfriend, Jan, and head to a restaurant. When Bigger was in the car with Jan and Mary, “he was very conscious of his black skin...Jan and men like him” made Bigger feel insecure of who he was. (Wright 67) Even though Jan and Mary did not say anything that would insult his race, the presence of white people made him self-conscious. Being

Richard Wright's Native Son provides us with an exemplary example of the way the black race was conditioned in the 1930's. He does this by telling us about an adult black male named Bigger Thomas. Wright titles each book in the novel the way he does to give insight into the various actions and feelings of Bigger.

This gap between what Bigger understands about himself and what the narrative voice can comprehend creates dramatic irony, especially when Bigger is confronted with Jan and Mary’s inexplicably friendly behavior. Wright’s descriptions of Jan and Mary make their good intentions clear to all but Bigger, and therefore sets up an unequal relationship between Bigger and the reader. He is now at the mercy not only of his own impulses, his employer’s wishes, and the law of white society, but also of Wright and his audience. The vertical consciousness that allows us to see so clearly what Bigger cannot, supports the deterministic trap that Wright has set for him. His environment has saddled him with unsatisfied urges, and now Wright has made him the victim of chance. In Mary’s claim that she wants to see how black people live in Chicago, Bigger experiences the “deep sense of exclusion” that Wright describes in How Bigger Was Born (518). Then, in seeing Mary’s white robed mother at her bedroom door, he encounters the corresponding “feeling of looking at things with a painful and unwarrantable nakedness,” the understanding of his total vulnerability, which forces him to kill Mary (518). His fate is sealed. With this dramatic irony, produced by a kind of vertical consciousness, Wright has proven to what extent the black man’s agency, his interiority, is “warped” by external forces and placed in

In Richard Wright’s novel Native Son, the protagonist, Bigger Thomas, lives in a world where he is constantly limited by the color of his skin; through his actions and through his words, Bigger proves that hatred is often derived from fear and misunderstanding, ultimately leading to the kind of treachery that sends a person to the ninth level of Hell. Living in 1930s Chicago, Bigger Thomas, like most other blacks living in the United States during the time, was fearful and envious of the privileged whites he saw driving around in their nice cars and residing in their large estates. Bigger spoke to his gang about his envious thoughts, saying, “we live here and they live there. We black and they white.

In 1930’s Chicago, Bigger Thomas is tired of living a life of no education or job in a racially

Richard Wright’s memoir Black Boy (American Hunger): A Record of Childhood and Youth recounts the author’s personal experience growing up as an African American male in the Jim Crow South, as well as his initial years in the North in the late 1920s. While it is a personal account of one man’s life in this time period, Wright’s memoir also sheds light on the broader role of black men in American society in the early twentieth century, particularly with respect to race, gender, and class relations. By no accident, insight on these relations can be gleaned from the title of Wright’s memoir itself. I argue that Wright chose the provocative title Black Boy (American Hunger): A Record of Childhood and Youth in order to both utilize shock

Although society may have drastically stifled Wright’s characters’ freedoms and opportunities, it is not alone to blame for the oppression Bigger faces. Some decisions and actions he takes deeply worsen his situation. For example, Bigger is not just a product of the environment he grew up with. Bigger chose to be part of a gang. He wasn’t born into it like the kids of Harper High School in southern Chicago today.

When analyzing Bigger Thomas, Richard Wright’s protagonist in the novel Native Son, one must take into consideration the development of his characterization. Being a poor twenty-year-old Black man in the south side of Chicago living with his family in a cramped one- bedroom apartment in the 1930’s, the odds of him prospering in life were not in his favor. Filled with oppression, violence, and tragedy, Bigger Thomas’ life was doomed from the moment he was born. Through the novel, Bigger divulges his own dreams to provide for his family and to be anything but a “nobody.” Although Bigger struggled to fight through obstacles to pursue his dreams for the future, his chase for a better life came to an abrupt

In the world of “The Man Who Was Almost a Man”, Dave is the seventeen year old main character and narrator of Richard Wright’s short story. Dave is an African American sharecropper who lives with his family on a white plantation owner’s land. Set in the Jim Crow South, independence is a trait that not many Americans possess. Under Jim Crow laws, the status of an African American man is undermined. It is humiliating to many of the men it affects because they are often referred to as “boy”, and they may never achieve full citizenship due to their race.

Samantha Immidisetti Mr. Sherry Literature of Self Discovery May 11, 2015 A Mental State of Isolation Richard Wright’s Native Son is centered around a poor black man, Bigger Thomas, who struggles to cope with his psychological imbalances during daily life in the hostile and racial world of 1930’s Chicago. After being captured for killing Mary Dalton, a young heiress, and Bessie Mears, a poor black girl, he contemplates the meaning of his life in jail. Bigger realizes the origins of his psychological constraints were built by the racism white society demonstrates and result in his reclusive nature. Therefore, Bigger Thomas’s psychological condition acts as an agent for his isolation.

Richard Wright’s novel, Native Son, depicts the life of the general black community in Chicago during the 1930’s. Though African Americans had been freed from slavery, they were still burdened with financial and social oppression. Forced to live in small, unclean quarters, eat foods on the verge of going bad, and pay entirely too much for both, these people struggled not to be pressured into a dangerous state of mind (Bryant). All the while, they are expected to act subserviently before their oppressors. These conditions rub many the wrong way, especially Bigger Thomas, the protagonist of the story. Though everyone he is surrounded by is going through all the same things that he is, growing up poor and uneducated has made Bigger angry at the whole world. You can see this anger in everything he does, from his initial thoughts to his final actions. Because of this, Bigger Thomas almost seems destined to find trouble and meet a horrible fate. Wright uses these conventions of naturalism to develop Bigger’s view of the white community(). With all of these complications, Bigger begins to view all white people as an overwhelming force that drags him to his end. Wright pushes the readers into Bigger’s mind, thoroughly explaining Bigger’s personal decay. Even Wright himself says that Bigger is in fact a native son, just a “product of American culture and the violence and racism that suffuse it” (Wright).

The first expression of Bigger’s desire for power comes in the opening scene of the book in which Wright sets the precedent for Bigger’s actions. In the opening scene, the Thomas family discovers a black rat in their apartment, and it is Bigger’s task to take care of it. Bigger kills the rat, and through this action, he asserts control over the disturbance of his environment. Though he dominates one annoyance in his environment, he is not yet satisfied; he needs to have control over his family as well. In his quest to gain control over his family, he takes the dead rat and dangles it around