Richardson Epistolary Style

During the 19th century female authors were commonly degraded especially when books had a sexual nature. A now notable biography from this period is Charlotte Brontё’s “Jane Eyre”, a detailed account of the life of a young girl that blossoms into adulthood having to face the challenges and social norms of the time. In many works of literature a character intentionally deceives others to either hurt or offer protection. In “Jane Eyre” a character intentionally deceives a loved one with the intention to protect everyone including himself. This particular deception plays a large role in developing the characters of the narrative and the plot development, contributing to the work as a whole.

In this essay I am going to compare and contrast ‘When we two parted’ a poem of George Gordon, Lord Byron’s written in 1815 and Letitia Elizabeth Landon’s ‘Love’s last lesson’ written in c1838, both poets are British and of the romantic period.

This personal confession shows that Mrs. Mallard, though she will mourn at first, now is free to “live for herself,” (228) not for her imposing husband. Before her husband’s death, Mrs. Mallard believed she was in a healthy, normal marriage. This death revealed to her how while she cared about her husband, she despised the lack of freedom her marriage had given her. All of the realizations that Mrs. Mallard reaches during her time of reflection shows the readers exactly why she will no longer mourn the death of her husband.

The story of “Ethan Frome” by Edith Wharton bring many different themes into question and conflict. One of these ideas is the dispute between ethics and morals versus personal desire. In the story, Ethan wants to leave Zeena because she is shrewish, while Mattie is kind, gentle, radiant, and a perfect match for Ethan. Ethan's desire to leave Zeena for Mattie is therefore completely understandable. Yet, because Ethan knows that society standards in this time period would cause him to be severely judged as a man who abandoned his wife. The author uses variety of literary tools to help contribute to the theme morals and ethics versus personal desires. The setting, character, and plot contribute to the theme morals and ethics versus personal desires.

Literature of the English Restoration offers the example of a number of writers who wrote for a courtly audience: literary production, particularly in learned imitation of classical models, was part of the court culture of King Charles II. The fact of a shared model explains the remarkable similarities between “The Imperfect Enjoyment” by the Earl of Rochester and “The Disappointment” by Aphra Behn—remarkable only because readers are surprised to read one poem about male sexual impotence from the late seventeenth century, let alone two examples of this genre by well-known courtly writers. In fact, Richard Quaintance presents ten more examples by lesser-known poets as he defines the literary sub-genre of the neo-Classical “imperfect

When the story begins, Mrs. Maloney is characterized as the epitome of the obedient and devoted wife that many people dream of. Though as the plot continues to develop, she undergoes events that change her into a woman whose internal devotions and actions are practically unrecognizable as she both kills her husband, and and realized that her true devotion is to herself and the safety of her and her unborn child, not to her husband. A pair of oppositional quotes that illustrate Mrs. Maloney’s difference of feelings related to her husband are, “For her, this was always a wonderful time of day. She knew he didn’t want to talk much until the first drink was finished, and she was satisfied to sit quietly, enjoying his company after the long hours alone in the house,”

Women have been the victim of unfair stereotypes and placed at different standards than men since the beginning of time. The Ruined Maid by Thomas Hardy and One Perfect Rose by Dorothy Parker take an in depth look at how women are viewed by the opposite gender. Although they take a different approach and have contrasting poetry styles, the theme that is portrayed is prominent for both. Hardy’s poem portrays a woman living in the Victorian Era where the norm was to be married and faithful. The character ‘Melia lives in an individualistic way and is not only unmarried, but has participated in sexual activities before marriage. With this liveliness comes riches and prosperity, but also social backlash. One Perfect Rose tells the story of a woman who receives a rose as a gift from her love interest. The unnamed persona is displeased with this rose because it is typical and thoughtless. The classic gift that men give to women is a rose, which is looked at as a romantic gesture. This poem’s purpose is to show the audience that not every girl’s dream gift is a “perfect rose.” The Ruined Maid by Thomas Hardy and One Perfect Rose by Dorothy Parker explore how two women break away from typical stereotypes and long for a more unconventional way of life.

The progress between Elizabeth’s and Darcy’s relationship, in Jane Austen’s novel Pride and Prejudice (1813) illustrates and explores several the key themes in the novel. Their relationship highlights class expectations, pride and prejudice, and marriage, and how they play a major role in determining the course of their association. These are outlined through their first prejudiced dislike of each other when they first meet, the stronger feelings for Elizabeth that develop on Darcy’s side, her rejection in Darcy’s first proposal, then her change of opinion and lastly the mutual love they form for one another. Pride and Prejudice is set up as a satire, commenting on human idiocy, and Jane Austen

“You know nothing about Thomas Neville; do not judge him simply because I am married to your father. Thomas and I go back a long ways - actually, he is the reason I am married to your father.” When she saw that I was listening, she continued. “I was about your age when Thomas and I met. He was traveling the world writing his first novel… “The Tempest of Milan” was the title. Naturally, my father thought Thomas below me because if his status, a plain and simple novelist he called him… but Thomas was neither plain nor simple.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

In Persuasion, the last of Jane Austen’s works, the readers are immediately intrigued by the autumnal tone of the piece, and the mellowness of the main character, Anne Elliot. Anne, a twenty-seven year old upper middle class woman, met and fell in love with Captain Frederick Wentworth at the age of nineteen. She was however, forced to break off the relationship at the time because Wentworth was deemed an unsuitable match. Eight years later, they meet again and by that time Captain Wentworth has made his fortune in the navy and has become an attractive catch. Anne was now uncertain about his feelings for her. Persuasion examines English society’s view of marriage and

Living almost a century apart, Jane Austen and Thomas Hardy each explore similar themes of love through strong female characters. While society strove to keep women’s value directly tied to their marital status, Austen and Hardy wrote the stories of characters who defied these expectations. Bathsheba Everdene of Thomas Hardy’s Far From the Madding Crowd is a fiery young woman who inherits a farm, and Elizabeth Bennet of Jane Austen’s Pride and Prejudice is an educated woman who prides herself on speaking her mind regardless of the consequences. Both women are of marrying age, and both novels feature their romantic exploits. Besides their differing socio-economic and temporal settings, Bathsheba’s and Elizabeth’s behaviors indicate that they are facing similar feelings and conflicts when it comes to issues of love and marriage. Bathsheba goes to greater lengths to defy societal pressures than Elizabeth does, but Bathsheba’s circumstances warrant the effort. The real difference between these characters is the way in which they are written. One could not know how similar Bathsheba’s thoughts and feelings are to Elizabeth’s, because the reader rarely sees through Ms. Everdene’s eyes. Bathsheba Everdene is the greater feminist heroine when taken alongside Elizabeth Bennet; however, Hardy writes her story almost exclusively from the perspective of his male characters, leaving her represented as two-dimensional in comparison to

Her relationship with the wealthy, charming Rodolphe Boulanger is a diversion from tedious country life as well as an intentional subversion of the establishment of marriage and an attempt to undermine her husband’s authority. After her first conjugal transgression, Emma distinctly feels “the satisfaction of revenge” and “savoured [sic] it without remorse, without anxiety, without worry” (161). Though her husband Charles is guiltless of cruelty or vice he is representative of a patriarchy that is entirely neglectful of the emotional, psychological, and intellectual needs of women and assertive of its superiority and power. She is expected to fulfill the duties of a simple-minded, submissive, and sexless creature who is devoted to the comfort of her family and upkeep of the home. By pursuing a sexual relationship with Rodolphe, Emma invalidates the authority of the prohibitive government institution over her actions and demands autonomy in the face of a banal provincial life.

Letitia Elizabeth Landon is recognized as the most read British poet of the early nineteenth century. Landon is regarded as a renaissance woman—among the first wave of women to gain individual recognition, financial independence, prestigious literary acclaim, and supporters of her unique style of poetry. Landon published an enormous amount of literature from 1820-1838; generating seven book of poetry, creating literary annuals, authoring three novels, several children’s stories, publishing translations, a number of short stories, and providing literary reviews/criticism. The quality of Landon’s work speaks for itself and is consistently reviewed in the literary society. For this paper I intended to compare and contrast the textual similarities and differences of Letitia Elizabeth Landon and George Gordon, Lord Byron—using literary devices and subject matter.

The novel is distinguished from the long narratives in verse of Geoffrey Chaucer, Edmund Spenser, and John Milton which, beginning with eighteenth century, the novel has increasingly supplanted. Within these limits the novel includes such diverse works as Samuel Richardson’s Pamela and Lawrence Sterne’s Tristram Shandy; Jane Austen’s Emma