Rip Van Winkkle Analysis

Unlike “The Tell-Tale Heart”, ‘The Legend of Sleepy Hollow’ plot is built around the main theme of superstition. Ichabod tends to be horrified and terrified with the Headless horseman stories. ‘Irving depicts a strong, controversial understanding between the supernatural superstitions the townspeople believed and the natural Sleepy Hollow setting ‘(Hoffman, 425). Despite the story describing in details the natural setting such as trees and birds of the area, there is also a vibrant understanding of privileging supernatural ideas. For instance, Irving believes that it is simply Brom Bones in disguise when finally, the headless horseman appeared.

At first glance, "The Legend of Sleepy Hollow" by Washington Irving seems to be an innocent tale about a superstitious New England town threatened by a strange new comer, Icabod Crane. However, this descriptive narrative is more than just a simple tale because it addresses several gender issues that deserve attention. The pervasiveness of female influence in Sleepy Hollow and the conflict between male and female storytelling in this Dutch community are two pertinent gender issues that complicate Irving's work and ultimately enable the women of Sleepy Hollow to control the men and maintain order.

The Legend of Sleepy Hollow, written by Washington Irving, fits nicely into the Romanticism period due to its eloquent descriptions and detail to the nature around the village, the attention and focus on the main character and the addition of ghost stories and superstitions. These pieces come together to build a story of conflict and adventure. To further describe how all of the pieces fit together, we must first begin with the author. Washington Irving, born in 1783, was a well-traveled and well-educated young man. He dabbled in the areas of law, family business and even a diplomat for Spain but found the most success in his writing. Irving was considered the first author to write American Short Stories (Irving Biography). The two he is most well-known for is Rip Van Winkle and The Legend of Sleepy Hollow. The Legend of Sleepy Hollow was written in 1819, contains elements from light romanticism and humor (Dincer 219). The piece is about a young man by the name of Ichabod Crane whom tries to win the heart of a young lady by the name of Katrina Van Tassel. This story takes place in a small rural

“The Legend of Sleepy Hollow” is short story of speculative fiction written by Washington Irving, published in 1820. It follows the journey of Ichabod Crane and Brom Bones in their attempt to win over Katrina Van Tassel. Many adaptions have been made of Irving’s original story with one of the most known being “Sleepy Hollow” a 1999 American horror film directed by Tim Burton. The movie follows a different but similar plot to the original story with the murders of the headless horseman being the main focus of the movie. In both versions it can be clearly seen how the setting has a huge impact on all aspects of the book and film particularly the themes, values and characterisation.

The short story I have chosen to read by Washington Irving is 'The Legend of Sleepy Hollow.'; This story takes place in a little village on the Hudson River which by some is called Greensburgh, but which is more generally known as Tarry Town. The main character in the story, Ichabod Crane, who 'tarried'; in Sleepy Hollow came about for the purpose of instructing the children of the vicinity. The main point of the story began with the arrival of a Negro with an invitation to Ichabod to attend a party at the Van Tassel's mansion. After receiving the good news, Ichabod fixed up his best and only suit and borrowed a horse from Hans Van Ripper, in order to impress Mynheer Van Tassel's daughter, Katrina. He did so

In Washington Irving’s “Rip Van Winkle,” an allegorical reading can be seen. The genius of Irving shines through, in not only his representation in the story, but also in his ability to represent both sides of the hot political issues of the day. Because it was written during the revolutionary times, Irving had to cater to a mixed audience of Colonists and Tories. The reader’s political interest, whether British or Colonial, is mutually represented allegorically in “Rip Van Winkle,” depending on who is reading it. Irving uses Rip, Dame, and his setting to relate these allegorical images on both sides. Irving would achieve success in both England and America, in large part because his political satires had individual allegorical meanings.

?The Legend of Sleepy Hollow? is a short story by Washington Irving. Based on a well-known legend, this story tells the tale of the disappearance of the main character, Ichabod Crane. An effective ghost story, Irving leaves you guessing what the truth is behind the ending. The movie Sleepy Hollow is Hollywood?s portrayal of Irving?s original story. Although the movie is similar to the story in the beginning, the movie takes a twist that leads in another direction that strays far from the original plot.

In Washington Irving’s short story “The Legend of Sleepy Hollow,” the conflict between Enlightenment and Romantic ideals is narrativized. Irving’s story is an exploration of the conflict between these two schools of thought. Irving uses his setting, his characters, and his “moral” (or lack thereof) to critique the Enlightenment. At first reading, “Sleepy Hollow” may seem no more than a dreamy folk tale. But when read in the context of the emerging resistance to Enlightenment thinking, it reveals itself to be a striking denunciation of the ideals of the Enlightenment.

“In the dark shadow of the grove… [Ichabod] beheld something huge, misshapen, black and towering...up in the gloom...some gigantic monster” and “summoning up, [from his trembling body] a show of courage...he demanded in stammering accents- ‘Who are you?’”. In the short story, the “Legend of Sleepy Hollow”, Washington Irving, tells the adventures of a schoolteacher, Ichabod Crane, in the haunted town of Sleepy Hollow. There, he pursues the local beauty, Katrina van Tassel, competing with the town’s rowdy prankster, Brom Bones. As the plot intensifies, Ichabod’s superstition eventually leads to his downfall when he is chased by the legendary ghost of the Headless Horseman in a terrifying and vivid scene after a party at Katrina’s house. The next day, Ichabod has disappeared, his fate unknown. Throughout the story, Irving creates suspense with the use of imagery to build up a frightening scene in the reader’s mind and ambiguity to make them anxious as they feel a sense of mysteriousness as to what really happened.

When reading literature we often attempt to use particular threads of thought or lenses of critique to gain entry into the implied historic or legendary nature of literature. To accurately process a tale in the light in which it is presented, we have to consider the text from multiple viewpoints. We must take into consideration intentional and affective fallacies and the socioeconomic circumstances of the presenter/author/narrator. We also have to consider how our personal experience creates bias by placing the elements of the story into the web of relationships that we use to interpret the external world. There also is the need to factor in other external pressures, from societal norms, cultural ideals, and psychological themes, and how

Rip Van Winkle, a story written by Washington Irving in the early 1800s, demonstrates the emergence and development of American Mythology. Packed full of mythological elements, Irving’s tale depicts a man who encounters mysterious and fantastical characters in equally intriguing settings. Rip Van Winkle displays three major factors that contribute to mythology: mysterious, historical setting, remarkable and strange characters, and heroic, magical events and their consequences.

There are many facets that can either make or break someone as a “hero”. In literature, a hero does not necessarily have to be a knight in shining armor, a caped crusader, or an exact replica of the archetype but, there are certain qualities and expectations that determine what makes a hero. A typical hero has strength, appeal, courage, righteousness, and success, meaning that they have the physical and mental capabilities that can lead them to eventually achieve their goals. In most cases, the protagonist of a story is the hero, but this is not true in “The Legend of Sleepy Hollow” by Washington Irving. Set in Sleepy Hollow, the story chronicles schoolmaster, Ichabod Crane’s, time and sudden disappearance from the “haunted” town.

The narration in The Legend of Sleepy Hollow functions as a way to give authority to the women of Tarry Town. This power of feminine is elicit by Washington Irving who gives respect and superiority to women indirectly, but yet evidently through third person narration. Furthermore through Katrina he parallels the power of Tarry Town’s women by illustrating their agency to beget the downfall of Ichabod.

“The dominant spirit, however, that haunts this enchanted region, and seems to be commander-in-chief of all the powers of the air, is the apparition of a figure on horseback without a head.” Although the movie Sleepy Hollow is based upon the book The Legend of Sleepy Hollow, there are also distinctions which allow each to tell their own tale. Washington Irving’s short story inspired Tim Burton’s film but did not limit it. The foundations of the two are much the same but their story lines unfold diversely. Some of the similarities include the setting, characters, and plot points. Two of the many contradicting ideas are the character of Ichabod Crane and the conclusions. The similarities and differences of both accounts can be stated plainly

Rip Van Winkle is thought to be one of America’s most famous fictional stories. But further investigation has proven that there may be more to the story than just a senile man who sleeps twenty years of his life away. It was written back in the age when fiction was a dangerous subject. Reading it “might excite the passions and fancies of impressionable readers, but they could also seduce naïve ones, or harbor subversive propaganda between their pages.” Sara Wilman disputes that while we must move on with our future, we must not forget the past and just sleep it away, not knowing all the processes that has taken place to become what we are now. She states “For a prosperous and productive present depends on a knowledge of, and connection to, the past.”