Rita Joe I Lost My Talk

Theodore Fontaine is one of the thousands of young aboriginal peoples who were subjected through the early Canadian system of the Indian residential schools, was physically tortured. Originally speaking Ojibwe, Theodore relates the encounters of a young man deprived of his culture and parents, who were taken away from him at the age of seven, during which he would no longer be free to choose what to say, how to say it, with whom to live and even what culture to embrace. Theodore would then spend the next twelve years undoing what had been done to him since birth, and the rest of his life attempting a reversal of his elementary education culture shock, traumatization, and indoctrination of ethnicity and Canadian supremacy. Out of these experiences, he wrote the “Broken Circle: The Dark Legacy of Indian Residential Schools-A Memoir” and in this review, I considered the Heritage House Publishing Company Ltd publication.

The poem is directed those, perhaps politicians, who perpetrate the erasure of First Nations voices and stories. Residential schools, unequal treatment and educational funding are only some examples of how the Canadian government actively subjugated First Nations and their culture. Some aboriginals are victims of sexual assault, murder, and theft, as specifically noted in Simpson’s poem. The purpose of this poem is to inspire others to fight for equal rights; it also serves as a reminders of solidarity to other First Nations who have experiences oppression. Simpson calls on her generation, “the singing remnants,” to remember the mistakes of the past and speak out about past and present inequalities. Leanne Simpson’s work as an activist is evident in this

Our society was fearful of the First Nations, because their culture and beliefs were different from ours. As a result, we penalized them for that and forced innocent children to leave their traditional culture behind and force them into our society. Lyna and Glen’s perspective was about hardship, emotional, psychological and physical trauma. They wanted our society to see and understand what that experience did to their humanity. Throughout the documentary, they focused on the victims, which were the children, resulting in personal biases about the experiences of the residential schools. Through talks in class and readings from the text, they both expressed how inequality has festered through the years in different ways for minority groups, such as the First Nations. From what our society has done, we created “so much mental and emotional suffering” (Pickett, K and Wilkinson, R), as a result from creating these residential schools and forcing assimilation upon the First Nation Children.

Furthermore, Downey’s apt use of pathos, or emotional appeals, draws readers in and triggers an emotional response in them, keeping them engaged for the duration of the essay. To expand, he uses blunt phrases like, “permanent loss” (445) and “distant, angry aliens, lacking emotional bonds” (446) to create a severe impact on readers. Also, stirring examples of “descent into alcohol, drugs, and prostitution” (445) and “children committing suicide” (446) illustrate for readers the acute level of damage and suffering that Aboriginal victims experienced. Downey’s use of evocative and graphic imagery in his recounts of “residential schools” (446) and the physical, “emotional and sexual abuse” (447) that specific victims endured elucidates the turmoil and anguish felt by victims of the ‘Sixties Scoop’ in general. As such, this technique fully immerses readers in his essay. Downey creates both a sense of compassion and guilt in his readers through his mention of children who were “enslaved,

During the 19th century the Canadian government established residential schools under the claim that Aboriginal culture is hindering them from becoming functional members of society. It was stated that the children will have a better chance of success once they have been Christianised and assimilated into the mainstream Canadian culture. (CBC, 2014) In the film Education as We See It, some Aboriginals were interviewed about their own experiences in residential schools. When examining the general topic of the film, conflict theory is the best paradigm that will assist in understanding the social implications of residential schools. The film can also be illustrated by many sociological concepts such as agents of socialization, class

Residential School’s were introduced back in the 1870’s, they were made to change the way native children spoke their languages and how they viewed their cultures. The residential school system in Canada was operated by the government, where the native children were aggressively forced away from their loved ones to participate in these schools (1000 Conversations). The government had a concept, where they can modernize the native children, aged of three to eighteen and extinguish the aboriginal culture. In the twentieth century the Canadian Public School’s had arrived and had improved treatments than residential schools. In Contrast, the treatments within these schools were both different, whereas Canadian public school students had more freedom than residential school students because children were taken away from their families. However, the treatment in these schools were different and some what similar. Even though Residential schools and Canadian Public schools were similar in some form, there were numerous amounts of differences in how the children were taught, how they were treated and how their living conditions were like throughout these schools.

This image serves as a reminder of how different Indigenous youth were seen in their traditional ways of life, but also how different the residential school systems forced them to be on a surface level. What the photos do not show is the families that had their children stripped away from them, and the countless children that were forced to leave their families and culture behind. Without background knowledge of this photo as well as context, one might see these ‘before and after’ photos as successful assimilation through residential schools. Thomas Moore Keesick is not a success story; he died as a result of the horrible conditions and treatments faced in the residential school – something the photo does not

To expand on the intricacy of the speaker’s life, symbolism is applied to showcase the oppression her ancestors etched on her quilt were facing for their “burnt umber pride” and “ochre gentleness” (39-40). Once again, the theme of absence is introduced as there is a sense of separation among the Native American culture as their innocent souls are forced onto reservations and taken away from their families. This prolonged cruelty and unjust treatment can be advocated when the speaker explains how her Meema “must have dreamed about Mama when the dancing was over: a lanky girl trailing after her father through his Oklahoma

The language features of ‘The Stealing of Children’ give many representations of the indigenous people. One of these devices is repetition. Once the aboriginals were trapped by Constable Riggs, Maude repeatedly shouted the word, ‘No!’. While he took the children, she continued to state that they were hers and she didn’t like him taking them. Her repetitiveness gave the impression that she didn’t want to lose her kids and that she loved them. This also gave the impression that Maude had no authority against Riggs. Another language element featured in the film is evocative vocabulary. It was used among the shouts of the indigenous people and the police man. When the Grandmother came to the car with a large stick, which she may have used to try and break the car windows,

My mother was in the room. And it was perhaps the first time she had heard me give a lengthy speech using the kind of English I have never used with her.”(417) Overcoming the barrier between languages she spoke aided Tan in building a bridge between cultures. She changed her language to assimilate into American culture while also keeping familial culture. A piece of heritage that uses a language of intimacy, a different sort of English that relates to family talk. Tan grew up with this language and she still uses it with her mother, husband and in her books. (418) Another method to find identity in a new host society is through appearance. In the essay, “No Name Woman” by Maxine Kingston ideals in appearance were passed from generation to generation. Altering ideals when creating identity is noticed in Kingston’s essay. A long held tradition in many Chinese families is that many generations live under the same roof and this can cause a conflict in ideals. Conflicting ideals between generations is shown as Tan tells how the younger generation hid the identities of their sexual color and their character. Hiding these new identities they hoped to avoid potential conflict with generational ideals. Kingston did not hide her identity, she found herself “walking erect (knees straight, toes pointed forward, not pigeon-toed, which is Chinese-feminine) and speaking in an audible

Filled with confronting scenes, its holistic view of the struggle that aboriginals face could not have been nearly as effective without the use of multimedia, stagecraft, and symbolism. The stones which symbolised the stolen children and the mound of soil which symbolised the core of the people and how that core was broken provided insight into the trauma that was caused through the stolen generation. Utilising multimedia and symbolism, the letter Z fired on to the actor’s body told of the loss of language and inherently the loss of culture. The ending of the play which used symbols, multimedia and stagecraft, proved that the path to reconciliation may not be as clear cut as once thought although there is definitely hope for the future. The quote by Enoch in 1995 claims that the play draws on traditional and contemporary arts and cultural practice and it definitely does, in a profoundly incredible way. The use of multimedia and stagecraft and symbol all come together to create a piece highlighting the past struggles of indigenous people and how that prejudice has continued today, meaning the fight is not yet

Isabelle Knockwood’s novel Out of The Depths shines a light on Residential Schools in Canada through the first hand accounts of twenty-seven survivors who attended the Shubenacadie Indian Residential School. Although Knockwood’s compilation of accounts are all from students of one residential school, the treatments and experiences echo the sentiments of students and authors over a much greater area. The affects of Residential Schools have had a lasting impact, affecting communities and individual generations later. Knockwood’s novel is very unique because it voices not only the harsh realities we associate with residential schools, but also personal experiences of appreciation for what the school(s) did. It will be interesting to look at

Residential Schools were and still are a significant part of Canada’s history. They have had negative social and psychological effects on survivors and even their families. Grant Severight, Richard Wagamese, and Rita Joe and so many more are incredible authors who share their experiences on Residential Schools from either their or their families’ perspectives.

In the book Monkey Beach by Eden Robinson, the main character, Lisamarie, has to go through a series of traumatic events. However, these events play a crucial role in understanding the message of the novel. First Nations communities are still struggling with the aftermath of residential schools. This has led to a loss of culture. Lisamarie faces the death of many family members, and sexual assault which help her get in touch with her supernatural side. However, because she has grown up in a Haisla family that doesn’t practice a lot of its culture, she doesn’t know how to accept that part of herself. Several members of Lisamarie’s family attended residential schools which forces her to face intergenerational trauma. The author uses traumatic events that revolve around first nations communities to make the reader aware of the struggles that still affect first nation cultures.

Many individuals were born into a life that their past generations had left for them. Some were born into slavery and forced to work in cotton fields because they had no equal rights as the white individuals. Having gone through the mistreatment, humiliation, and the discrimination done by the white individuals, not many had the opportunity o create the life they desired. This was presented in “The Last Member of the Boela Tribe “ written by Cathy Day in which four generations , Bascomb, Gordon,Verna, and Chicky, were left with a past and present that they could not escape from unable to move forward to create new identities for themselves that is expressed through the use of characterization and symbolism.