Ritual Performances For The Statues Of The Deceased

The work I chose to analyze was from a wall fragment from the tomb of Ameneemhet and wife Hemet called Mummy Case of Paankhenamun, found in the Art Institute of Chicago. The case of the Mummy Paankhenamun is one of the most exquisite pieces of art produced by the Egyptian people during the time before Christ. This coffin belonged to a man named Paankhenamun, which translates to “He Lives for Amun” (Hornblower & Spawforth 74). Paankhenamun was the doorkeeper of the temple of the god Amun, a position he inherited from his father.

Egyptian sculptures at the exhibition -- flown to Mexico from ancient temples along the Nile and from museums in Cairo, Luxor and Alexandria

Ancient Egyptian civilization was based on religion. Their belief in the rebirth after death became their driving force behind their funeral practices. Death was simply a temporary interruption, rather than an end to life, and that eternal life could be ensured by means of worship to the gods, preservation of the physical form thru mummification, substantial ceremonies and detailed burial policies and procedures. Even though many today have varying views of an afterlife, many of the funerary practices that originated in Egypt can be seen in present day funeral services.

The tombs had two main functions. The first function was a place that provided an eternal resting place in which the body could lay protected from thieves and scavengers. The second function of the tomb was a place where cults and ritual acts could be performed to ensure eternal life (Taylor, 2001:136). The body of the person was buried along with their belongings in the tomb to ensure the individual had all the proper materials needed for the afterlife. The Egyptians usually did this because “Tombs were constructed to mirror aspects of the afterlife” (Olson, 2009). These tombs were not only a place where bodies of a deceased lay; it was also a place where rituals would take place. One ritual that was done on the bodies was the ‘Opening of the Mouth’. This was a burial ritual that “accompanied the placement of funerary goods in a tomb- and was a necessary step in the deceased’s rebirth” (Olson, 2009). One very important service that had to be done was the mummification process in which the removal of organs

Welcome, I am an Egyptologist from the British Museum, and I am here to talk to you about a fantastic civilization called Ancient Egypt. Ancient Egypt was an empire that began in approximately 3100BCE, and ended in 30BCE. In the time of Ancient Egypt, funerary customs were an important part of the Egyptian’s culture and beliefs and these customs evolved through time to become more elaborate, and common. The artefact I have chosen to explore with you is the book of the dead as it will provide you with a greater understanding of the complex funerary customs, and their beliefs in the afterlife.

The mummification process is done in two phases, the first being embalming and the latter being wrapping and burial. There was a special place for embalming to take place known as the ibu. The ibu was called the place of purification. The first thing the embalmers do is to clean his body with aromatic palm wine and rinse it with Nile water. The next step involves removing all but a select few of the internal organs. The process used to remove the internal organs changed over time and varied with the wealth of the body in question. The heart was left in the body because of its necessity as the focal point of mental and emotional stability. The body’s fluids and rags used in this phase are left with the body for its burial. The body is left for a period of

The main purpose of this paper is to describe the visual analysis of the artwork. This paper examines an Egyptian half nude portrait art which is taken from Metropolitan Museum of Art (Fig.1). The statue characterized both male and female seated figure with a Braid hair. In this essay, I will present a complete visual description of this artwork (its preservation, costume and iconography), and then I will compare it to another artwork which is chosen from Textbook that is Akhenaten and his Family (Fig. 2).

During all parts of the existence of Rome, burials and funerals were extremely important, even more so than weddings. The Romans believed that without a proper burial, a spirit would cause unhappiness for those living. While rites varied throughout different periods, traditions remained vastly, and always had the same importance.

Both Etruscan and Roman tomb sculpture function to memorialize the departed allowing them to move on from the world of the living and seeks to comfort those who have lost the ones they love. The two societies have differing practices in regards to death and therefore sculptures concerning the subject are somewhat different with a few identifiable similarities. While both societies seek to comfort the living and commemorate the dead this is achieved through different approaches. The Etruscan Sarcophagus with reclining couple from Cerveteri, Italy and the Mummy of Artemidorus from Roman Egypt are two examples of contrasting representations of the dead. When analyzing tomb sculpture one of the main questions is whether the work adapts a retrospective approach (presentation of the deceased as they were in life) or a prospective one (the viewpoint of looking forward to life beyond the grave). While the Etruscan sarcophagus gives a more retrospective memorialization through the depiction of the couple in a state of regularity the Roman Mummy of Artemidorus presents a more prospective approach concerning the deceased through the emphasis of funerary practices.

The Egyptian Mummy Mask from the early Roman Period is unique and beautiful in every way possible. This mask that is on display in the Museum of Fine Arts Boston is about 3 feet tall to about 2 feet wide. This certain piece of magnificent art is extremely detailed with intricate designs covering it all around. The Museum of Fine Arts makes it easy to pay attention to, because of its detail and how the mask is displayed. The Mummy Mask has it’s own small alter with a spot light shining down on it creating dramatic shadows in a very dim room. The decorations include inlaid glass eyes, a gold leaf and is hand-painted and gilded glass. This mask is not paper maché like the masks that were made in this era; this Mummy Mask had been created out of cartonnage . The Egyptians decorated this masterpiece with bold vertical and horizontal lines representing rows of beads to go along with the story it tells. The Egyptian Mummy Mask from the first half of the first century A.D illustrates a gaze of innocence and acceptance while looking into the bright future of whom the mask was made for. Perfectly painted images covering the mask tell a story of the traditional funerary practices and the after life Egyptians believed in. Egyptians would create these pieces to fit over the heads of the lost lives wrapped inside the mummy. The mask represents the deceased transformed into a God . Although the face of the mask is idealized and emotionless, the decorations say and express more than a

This approach to the opening of the chamber demonstrates Carter’s caution that he took into the excavation of Tutankhamun’s tomb and the transportation of the contents that was inside it. Carter opened the burial chamber and when he did he was confronted by the golden walls and two large statues “So enormous was this structure (17 feet by 11 feet, and 9 feet high, we found out afterwards) that it filled within a little the entire area of the chamber” gives an accurate description of these statues and an accurate account of the amount of artefacts that were found in Tutankhamun’s tomb.

The shrine of Tutankhamun uncovers the burial customs of the New Kingdom Egyptians. The Canopic Shrine positioned on the east wall of the Treasury holds Tutankhamun's embalmed internal organs. A gold chest held four Canopic jars containing the dead pharaoh's internal organs in each jar. Undoubtedly, through the process of mummification, the embalmers must have removed the internal organs and preserved them in the Canopic jars, perhaps to be taken with the pharaoh to the next world. The third and innermost of three coffins of Tutankhamun is made of solid gold and is inset with semiprecious stones and coloured glass. It is covered with carved decorations and inscriptions inside and outside. It bears the names and epitaph of the deceased king and also protective texts. From this we discover the significance of the importance of the decoration of the mummy was, and the power the coffin was believed to hold. Originally, mummification was so expensive that it was a privilege enjoyed only by the Pharaoh and few nobles. Everybody else was given a simple grave burial in one of the vast cemeteries or "necropolises" of the time. But the promise of eternal life was so appealing that it wasn't long before other classes of Egyptians began signing up for mummification, too.

This ritual was acted in front of the tomb in order to enable the deceased to speak, eat, see, hear and move again in the netherworld as well as it helps him to retrieve all his power and abilities in addition to preparing him with magic to face the dangers afterlife. It didn 't appear in the 18th dynasty tombs in a large scale until the reign of Tuthmosis III. It is very important to mention that there were many successive steps in the procession of opening of the mouth as the sacrifice rituals to the Upper and Lower Egypt in which the priests offered the heart and the foreleg of the bull to the mummy or the statue of the deceased. The heart is represented five times in the scene of the Opening of the mouth which is depicted three times on the northern wall

I will see what the artworks mean to me, and I will make my own interpretations as to why their art is this way. Moreover, I expect look at many of their varying art forms and see how the use of animals differs between them. This is because I believe different kinds of art are able to impact people in different ways, and have an implication that is unlike the other. I plan to analyze the assorted characteristics and traits of the various art forms the ancient Egyptians practiced to see similarities and differences, and consider in what way this influences the meaning of the works.

The ancient Egyptian people provisioned the Ka by placing food offerings in the burial chamber. These offerings included such items as bread, meats and, beer. In addition to the food offerings the ancient Egyptian’s provided a Voice offering for the deceased. The Voice offering invoked the Egyptian Gods to provide for the Ka in the after life. This offering was written in the tomb and spoken by visitors and relatives. A statue of the deceased was additionally carved and placed inside the tomb. This statue was a residing place for the Ka in the afterlife. The ancient Egyptians would rub milk on the lips of the statue and touch the mouth with a chisel. This practice is called the Opening of the Mouth ritual and this ritual allowed the Ka to enter