Instances of Alienation in Frost's Out, Wall, and Night
A Discussion of Alienation in Robert Frost’s Night, Out, and Wall Robert Frost was one of the most influential writers of the 20th century, and blessed humanity with a slew of intricate poems with thick meanings and enticing stories. To this day, Frost’s poetry continues to be widely studied and interpreted by people all over the world. His poetry depicts dark themes of loneliness and alienation with deep, influential meanings. For example, Sarah Hart explains, “The speaker projects his own loneliness onto the snowy landscape, claiming he is ‘too absent-spirited to count’”. Sarah is drawing this inference from Frost’s Desert Places, which is seemingly one of his most impactful poems when it comes to “loneliness” or “alienation”. Also written by Frost, are three more poems that depict alienation values: Acquainted with the Night, Out, Out-, and Mending Wall. These three poems, and most importantly Mending Wall, sparked controversy during Frosts time, and sparked the interest of readers around the globe. Within Night, Wall and Out, there are themes of alienation that can be derived. Within the poem Acquainted with the Night, It is clear that the speaker has alienated himself from society. The speaker states, “I have been one acquainted with the night. I have walked out in rain-and back in rain. I have outwalked the furthest city light”(lines 1-3). The speaker is obvious in his explanation in the fact that he has an
Although loneliness usually has a negative connotation, Robert Frost’s poem “Acquainted with the Night” argues that loneliness can be a positive aspect in life. Additionally, the point of view and repetition in the poem contributes in enforcing the main idea of the poem, which is loneliness.
Robert Frost’s approach to human isolation is always an interesting exploration. His poem of desertion and neglect paired with eternal hopefulness ignite the reader in his poem “The Census-Taker.” All of the elements of a Frost poem are in this particular poem. “The Census-Taker” must be from an earlier time in Frost’s career because the poem is written in an open, free verse similar to the style of his earlier 20th century poetry like “Mending Wall” and “After Apple-Picking.” Also, the language lacks the sophisticated word selection a reader of poetry might find in Wallace Stevens and instead uses simplicity to
Robert Frost’s poem “Desert Places” diminishes an overall sense of emptiness to being nothing compared to what he holds within himself through the use of connotative diction. Throughout the poem, the description of a cold, dark night represents the intensity of the depression that Frost was feeling. In the final stanza, Frost reveals that “I have it in me so much nearer home, To scare myself with my own desert places”, “it” being the darkness previously mentioned in the poem. Furthermore, the “desert places” introduced in the final line are a representation of the dark emotions Frost was experiencing, and to state that they were within him, provide the sense that he did not express them to other people, meaning he chose to be left with a cold, dark state of mind. Overall, “Desert Places” is deemed as Frost’s admittance to not fearing the troubles of the rest of the world, because they could not cause him any greater pain that what his own troubles already have.
The poem as a whole appear to be a metaphor for, or symbolic of the depression and loneliness felt by the speaker . In the very first line “I have been one acquainted with the night” (I. 1), tells that the speaker knows of the ‘night’ (a metaphor for loneliness and depression). The speaker also personifies the night by being ‘acquainted’ with it. In the second line, the usage of the word ‘rain’ is a metaphor for life’s problems, which the speaker seems to be immersed with . In the third and fourth lines, the speaker uses hyperbole when he says “I have outwalked the furthest city light/ I have looked down the saddest city lane” (I. 3; II. 1), a feat not humanly possible, because the farthest city light would suggest the end of the city, and the word ‘saddest’ is a relative emotion. The words “city light” is also symbolic of a community and friends, which the speaker is trying to
Robert Frosts “birches” creates a sense of isolation throughout the poem. In line 25 Frost wrote “some boy to far from town to learn baseball”. In lines 26-27 he wrote “Who’s only play was what he found himself”. Also in line 44 Frost writes “and life is too much like a pathless wood”. These are some of the quotes that can give you a feeling of isolation when you are reading the poem.
Robert Frost’s poetic techniques serve as his own “momentary stay against confusion,” or as a buffer against mortality and meaninglessness in several different ways; in the next few examples, I intend to prove this. Firstly, however, a little information about Robert Frost and his works must be provided in order to understand some references and information given.
Poetry is a literary medium which often resonates with the responder on a personal level, through the subject matter of the poem, and the techniques used to portray this. Robert Frost utilises many techniques to convey his respect for nature, which consequently makes much of his poetry relevant to the everyday person. The poems “Stopping by Woods on a Snowy Evening’ and “The mending wall” strongly illuminate Frost’s reverence to nature and deal with such matter that allows Frost to speak to ordinary people.
People will feel lonely or isolated at some point in their lives. The isolation and loneliness may be self inflicted or forced on them by another person. Authors often write a hidden theme of loneliness or isolation into their stories and poems. Loneliness appears in the works, “Daddy,” “The Chrysanthemums,” “Richard Cory,” and Sula. In these works, loneliness and isolation affect the characters in similar ways where either the character has lost an individual or had no one to lose because there never was anyone.
"Acquainted with the Night" is much more than a poem. It is a mantra, a way of life. This poem can rid the blinding haze from one's eyes. A tiny dose of optimism can go along way--even "beyond the furthest city
Robert Frost is the author of Out Out--, “Stopping by Woods on a Snowy Evening, and Nothing Gold can Stay. His literary work communicates deep meaning through the use of metaphoric language and deception. Being raised most of his life on a farm; his works perceive the natural life of a normal person while out in nature. “Frost believes that the emphasis on everyday life allows him to communicate with his readers more clearly; they can empathize with the struggles and emotions that are expressed in his poems and come to a greater understanding of ‘Truth’ themselves” (Robert Frost: Poems Themes).
The speaker refers to the night as his acquaintance. This implies that the speaker has a lot of experience with the night, but has not become friends with it. Thus, because even the night, which has been alongside the speaker in comparison to anything or anyone else, is not a companion to the speaker, the idea of loneliness is enhanced. In addition, “rain” (2) is used to symbolize the speaker’s feelings of gloom and grief, because there is continuous pouring of the rain, which is unlikely to stop. In line 3, “city light” is used to convey the emotional distance between the speaker and society. Although the speaker has walked extensively, he has not yet interacted with anyone – thus distancing himself even further from society. Moreover, the moon, in lines 11 to 12, is used as a metaphor of the speaker’s feelings. The speaker feels extremely distant from society that he feels “unearthly.” The idea of isolation and loneliness in this poem is used as the theme of the poem; and the use of the setting and metaphors underscores the idea that the speaker feels abandoned from society.
Robert Frost’s poem “Desert Places” diminishes an overall sense of emptiness to being nothing compared to what he holds within himself through the use of connotative diction. Throughout the poem, the description of a cold, dark night is meant to represent the intensity of the depression that Frost was feeling. In the final stanza, Frost reveals that “I have it in me so much nearer home, To scare myself with my own desert places”, “it” being the darkness previously mentioned in the poem. The “desert places” introduced in the final line are a representation of the dark emotions Frost was experiencing, and
“The problem of alienation is a pervasive theme in the classics of sociology, and the concept has a prominent place in contemporary work”(Seeman). Alienation is one of the biggest problems in the modern world today. From being alienated at work to your skin color, almost everyone has been alienated in some way or form. In many poems by the 20th century poet, Robert Frost, he focuses on different forces of alienation throughout the New England area. Robert, born in 1874, was raised in New England, stirring the fire for his poem. Many call him one of the best poets in American history. The majority of his poems start as simple word pictures, then move toward vivid and complex ideas. In the poems, Mending wall, Out Out, and Stopping by Woods on a Snowy Evening, Frost expresses many types of alienation.
Loneliness resulting from loss is a main theme in “The Wanderer” that occurs throughout the poem and is used by the author to explain the severe nature of the ‘lone-dwellers’ loss and the pain it has caused him. Following the many flashbacks throughout the poem, the ‘lone-dweller’ enters
Robert Frost's "The Mending Wall" is a comment on the nature of our society. In this poem, Frost examines the way in which we interact with one another and how we function as a whole. For Frost, the world is often one of isolation. Man has difficulty communicating and relating to one another. As a result, we have a tendency to shut ourselves off from others. In the absence of effective communication, we play the foolish game of avoiding any meaningful contact with others in order to gain privacy.