Robert Frost Stopping By Essentially Analysis Essay

Can Discovery truly allows us to view life in a new and fresh way? Due to the complex and abstract nature of the concept of discovery, a true sense of discovery harbour's the ability to incite individuals in many differentiating ways as it can be provoked through their different past experiences. The concept of discovery has evidently evoked curiosity and inquisitiveness through the protagonists of both the indigenous play “Rainbows end” composed by Jane Harrison, and also through the novel “The fault in our stars” authored by John Green.

Frost, within his poems, seems primarily concerned with the reader’s ability to comprehend the psychological “landscape” of the person (or persons) that he is depicting. This aspect of his works, as well as his great love of nature and landscape depiction, both contribute to the environment that he has created within “Home Burial”. The reader of “Home Burial” does not achieve a comprehensive view of the psychological landscape of the two characters through first person accounts; however, throughout the dialogue and the interaction of the two characters, the reader may come to infer the major psychological attributes of each and to understand the dynamic within that relationship under the

Discoveries are everywhere in everyday life and they can impact the way we see the world, either positively or negatively. Because of this, it can be noted that “Not all discoveries are welcomed”. We can explore this philosophy through the examination of various techniques found within both Robert Gray’s ‘Journey, North Coast’ and ‘The Meatworks’, as well Leo Matsuda’s animated short film, ‘Inner workings’. These three texts, although all having visual processes of discovery, offer juxtaposing perspectives on the acceptance (or lack of) towards discoveries.

Discovery is an innate aspect of what it means to be human. Discovery involves differing contexts and perspectives and in this way it is unavoidably subjective and offers further insights into the human psyche. This can be seen in the 1914 works of Robert Frost, “Home Burial” that tells of the hardship imposed on a mother and father after the loss of a child, and “Mending Wall” exploring the relationship between two neighbours and the wall that divides them, as well as the 1998 picture book, ‘The Rabbits’ by Shaun Tan and John Marsden, an account of colonisation from the viewpoint of the colonised.

A discovery is rarely the endpoint, rather it catalyses a chain reaction of subsequent discoveries to take place, and it is this domino effect of discovering which allows us to gain a new understanding of our world. In William Shakespeare’s ‘The Tempest’ it is evident that Shakespeare is challenging the ‘Age of Discovery’ itself, where he uses a multitude of characters and the discoveries that they make to spark renewed perceptions of society in the audience, hoping that they will come away questioning their world This same message in ‘Fahrenheit 451’, which highlights the battle between power and humanism, something perhaps that has never been more relevant than in our very own society.

Discoveries have the ability to transform. Discoveries have been known to reveal the unknown and others. They can lead to new perspectives, new values and new understandings of ourselves and others.

The ramifications of an individual’s discovery has the potential to change their perspective of themselves and the world. Robert Frost shows how the ramifications of his personas discovery can change their outlook of themselves and the wider society through highlighting the importance of human relationships in his texts “The Tuft of Flowers” and “Mending Wall”. However the different personas of these texts are seen to gain contrasting changes in their perspective. In “The Tuft of Flowers” the persona is seen to gain a positive outlook through the ramifications of

Robert Frost’s poetic techniques serve as his own “momentary stay against confusion,” or as a buffer against mortality and meaninglessness in several different ways; in the next few examples, I intend to prove this. Firstly, however, a little information about Robert Frost and his works must be provided in order to understand some references and information given.

The poem, “Birches” written by Robert Frost, depicts author’s personal desire to escape the normality of life through the mirage of climbing a birch tree. With distinctive use of diction, imagery, and figurative language, Frost manages to indirectly understand his way of perceiving life. His view of the normality and repetition that exists everyday is hidden within words written. When seeing Birch trees, bent by the cumbersome snow of the long winter, Frost likes to imagine a boy’s “been swinging them”

Poetry is a literary medium which often resonates with the responder on a personal level, through the subject matter of the poem, and the techniques used to portray this. Robert Frost utilises many techniques to convey his respect for nature, which consequently makes much of his poetry relevant to the everyday person. The poems “Stopping by Woods on a Snowy Evening’ and “The mending wall” strongly illuminate Frost’s reverence to nature and deal with such matter that allows Frost to speak to ordinary people.

“The Road Not Taken” and “Nothing Gold Can Stay” are just two of many very famous poems, written by none other than Robert Frost. Robert Frost is a poet that is well known for his poetic contributions to nature, as well as his award winning poems. His poetic ability and knowledge make him an extraordinary author. His past; including schooling, family, and the era in which he wrote influenced nearly all of his poems in some way. This very famous poet contributed to the modernism era, had a family and an interesting life story, and a unique poetic style as well.

Discoveries that are confronting can provoke us to change, due to the realisations and findings we may encounter. These mind-altering discoveries can transform our values, actions and future pathways. Both William Shakespeare’s romantic comedy ‘tempest’ exploring the connotations of, hierarchy, power, love and reconciliation, coinciding with Lenny Abrahamson’s’ adaptation of the true story ‘Room’ whereby an exploited teen and her son jack, plot the escape from their captor’s imprisonment, while learning there is a lot more to life then “room” and “old nick”, both texts discuss these themes. Central to each text is the dogma of Discoveries, encompassing their ability to cause the uncovering of new realisations about ourselves and the world around us, underlined by Discoveries that can emphasis our desire to rebel against our dictators. Both text analyse the confronting ways discovers can encourage self-transformation.

‘The Tuft of Flowers’ introduces the themes that dominate much of Frost’s poetry. These themes, developed as the narrative unfolds, include the passage of time, loneliness, communication and the power of the imagination. The use of a first person narrator makes the poem a more immediate and realistic experience; the reader is drawn into the poet’s world and explores the themes ‘as with his aid’.

What is discovery? Discovery encompasses the uncovering of something for the first time or rediscovering something that has been lost, forgotten or concealed, with the aptitude to impact both the individual and broader society. Although genuine discovery does not explicitly require the inclusion of an epiphany, often the experience is an enlightening and impactful one, ultimately occasioning a moment of abrupt and great realisation, especially if the discovery holds the capacity to be transformative, provocative or confronting. This is evident throughout William Shakespeare’s play, ‘The Tempest’, and Gwen Harwood’s poem, ‘Barn Owl’, mutually exploring the concept of discoveries emitted, either under the influence, or through the utilisation of, power and authority.

Robert Frost’s works explore the unexpected nature of discovery and its catalysts, the complex outcomes they bring forth, and the profound impact of discoveries upon a person. As seen in the dramatic monologue “The Tuft of Flowers”, the persona is shown to be a farm worker, who goes to a field after the mower to turn the grass. Together, the shared jobs come together to work as a larger agricultural process, but the workers do their jobs individually. In the beginning of the poem, the persona muses on the absence of the other worker, first “Looking for him behind an isle of trees;” then “Listening for his whetstone on the breeze”. The persona seeks the company of the worker, but then comes to the conclusion; “And I must be, as he had been, - alone”. The hyphen within this line is used as a caesura to highlight the loneliness of the worker. Due to this observation, the narrator states in a resigned tone ““All as must be,” I said within my heart, “Whether they work together or apart””. The use of interior monologue, by the persona ‘speaking within his heart’ highlights his isolation and brings forth the first discovery of the poem, the worker is doing his job alone. The worker’s search for company is then mirrored in the appearance of a “bewildered butterfly”, seeking the flowers of yesterday. The seemingly insignificant occurrence of a butterfly flying past the worker becomes important as it acts as a catalyst for the key meaningful discovery of the poem. The butterfly searching for a flower to land upon draws the attention of the persona to a tuft of flowers, purposefully untouched by the scythe of the mower, in an act of