Robert Louis Stevenson Today Is Best Remembered As A Writer

“It brought home to me the deeply Jungian possibilities of a Dr Jekyll-Mr Hyde double life for women.” Atwood makes a psychoanalytical allusion to Robert Louis Stevenson’s famous novel, The Strange Case of Dr. Jekyll and Mr. Hyde, which tells of a

This story is also a way for Stevenson to have a go at hypocroisy and

Stevenson's Use of Literary Techniques in The Strange Case of Dr Jekyll and Mr Hyde

In Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde, as well as in Charles Darwin's On the Origin of Species of Natural Selection, man's dual nature is illustrated in terms of evolution and morality. In this essay I will argue that Stevenson's description of both the interior and exterior struggles of Dr. Jekyll and Mr. Hyde echo Darwin's theories of evolution and natural selection. Through close readings, comparisons, and the juxtaposition of the novel and theoretical genre, I will explain how Stevenson's physical description of Edward Hyde can be divided into three streams (the primitive being, the animalistic, and the childlike) and mirrors Darwin's argument that "man still bears in his bodily frame the indelible

When the book The Strange Case of Dr. Jekyll and Mr. Hyde by Robert L. Stevenson and the play, Trifles by Susan Glaspell were written both literary pieces dealt in depravity. The two main genres engage in violent acts with no remorse. Both genres reveal emotional turmoil, that’s the battle within their mind and soul, taken pleasure in immoral behaviors. Although The Strange Case of Dr. Jekyll and Mr. Hyde and Trifles are genres depicting male and female depravity, they are alike and different in social issues, such as violence, murder and justice for all.

“Dr. Jekyll & Mr. Hyde” is a gothic novel written by Robert Louis Stevenson that was first published in 1886. It’s about a lawyer from London named G.J. Utterson who explores strange events that involves his old friend Henry Jekyll and Edward Hyde. The novel’s influence on language is extraordinary, with the phrase “Jekyll and Hyde” coming to the meaning of a person of diversity in moral character from one situation to the next (French literature).

Utterson, Lanyon, Enfield, Jekyll... one of these does not belong. Clearly, within the context of Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde, Henry Jekyll struggles to fit himself into the strict Victorian society. In the events leading to his demise, he longs to separate his firm, polished face from his true inner self; from here, Stevenson paints this juxtaposition with the use of several point-of-view techniques. When Utterson, the protagonist, “[stands] a while when Mr. Hyde had left him... putting his hand to his brow like a man in mental perplexity” (Stevenson 19), he clearly becomes the literal center of attention for the story’s opinions and perspectives. Rather than giving an omniscient style to the novel, Stevenson provides an external viewpoint in order to engage his audience. The use of point-of-view techniques in Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde reinforces the audience’s reaction to the story’s moral dilemma.

This essay will focus on how Robert Louis Stevenson presents the nature of evil through his novel ‘The Strange Case of Dr Jekyll and Mr Hyde’. Using ideas such as duality, the technique used to highlight the two different sides of a character or scene, allegories, an extended metaphor which has an underlying moral significance, and hypocrisy; in this book the Victorians being against all things evil but regularly taking part in frown able deeds that would not be approved of in a ‘respectable’ society. This links in with the idea of secrecy among people and also that evil is present in everyone. The novel also has strong ties and is heavily influenced by religion. Stevenson, being brought up following strong

This is the environment in which Stevenson places his novel, in which Hyde, the exemplification of the East Ender, thrives and commits his heinous and unspoken acts.

Stevenson's Use of Literary Techniques in The Strange Case of Dr. Jekyll and Mr. Hyde

Not one female character has a name within Stevenson's story. Because of this we are able to see Jekyll's lack of relationship with women, but also his abounding friendships with men. Through 20th Century eyes, which have seen the introduction of sexuality more clearly expressed as an identity thanks to Freud, one can begin to glimpse the homosexual undertones throughout the story. These undertones would not have been noticed right after its publication because homosexuality was not something openly discussed (though often blackmailed which I explore later).

That which is willed and that which is wanted can be as different as the mind and the heart.  The Victorian age in English Literature is known for its earnest obedience to a moralistic and highly structured social code of conduct; however, in the last decade of the 19th Century this order began to be questioned.  So dramatic was the change in thought that Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde (published in 1883) and Doyle's The Sign of Four (published in 1890) can be used to display this breaking away from strict social and moral standards.  Stevenson's

The dual character combination of Dr. Jekyll and Mr. Hyde is one of the most well-known in literature and is arguably the most blatant example of duality Stevenson uses to try and get the theme of The Strange Case of Dr. Jekyll and Mr. Hyde across. The dual personalities Dr. Jekyll possesses are stark examples of the animalistic and civilized sides of man that inherently resides in all men. The virtuous Dr. Jekyll serves as a portrayal of the more rational, human side of man. When Mr. Utterson attends Dr. Jekyll’s dinner party he paints a picture of a quintessential Victorian man when describing Jekyll’s appearance, “well

In the novel Frankenstein, the author Mary Shelley reinforced the role of female nature in a book that is predominantly male-oriented. The female character is an underlying feature throughout the whole novel. For example, when Victor Frankenstein created his Monster from dead body parts, he disregarded the laws of female reproduction. Both Anne K. Mellor and Jonathon Bate argue that Victor defiled the feminine nature when he created his Monster from unnatural means. Mellor argued in her essay, “Possessing Nature: The Female in Frankenstein,” that Victor eliminated the necessity to have females at all (355). There will not be a need for females if new beings are created in a laboratory. The disruption of mother nature is one of the novel’s original sins (479). In Bate’s essay, “Frankenstein and the State of Nature,” he argued that Victor Frankenstein broke the balance between female principles of maternity and mother nature (477). Frankenstein broke nature and undermined the role of females. The argument of Mellor was more persuasive than the discussion of Bate because she was able to provide more evidence that Victor Frankenstein dishonored the role of female nature.

Stevenson shows how repression can lead to the development of dangerous, horrible secrets. The novella depicts repression through the character of Dr. Henry Jekyll, and shows what kind of threats it could pose on the society and its individuals. Edward Hyde is Dr. Jekyll’s doppelganger. He is the manifestation of Dr. Jekyll’s suppressed thoughts and desires. When Dr. Jekyll transformed into Hyde he turned the tables around. He challenged society. The transformation of a typical, respected Victorian gentleman into a troglodytic, dwarfish creature is an unsettling secret that highlights Gothicism in the novella. The idea of transforming from a high class Victorian gentleman into an apelike atavist underlines society’s fear of social and moral regression (Clausson, 2005).