Robin Goodfellow Research Paper

This contrasts to the unrhymed iambic pentameter of the Athenians. Because the meters are in fact inverses of each other, it shows how, although both worlds are similar on the surface, they are very different at the core. Both the Athenians and the fairies were struggling with complexities of love. Demetrius with Helena, Lysander with Hermia, and Oberon with Titania all fought the impending chaos that so often accompanied love. The only difference between the squabbling couples was their nature. In the case of Demetrius, Helena, Lysander and Hermia, they were nothing more than mortals. However, the fairies were considered magical beings of great power. Their presence was intimidating and their command was to be respected. By giving end rhyme to the fairies, Shakespeare set them apart intellectually from the lovers and they became more dignified and lyrical in their nature. Because Shakespeare blurred the lines of dominance between the lovers and the fairies through similar meter while maintaining the stereotypical fairy personality of the time, he induced a sense of chaos. Social order began to crumble and emotional breakdowns started soon after.

One of his plays, ‘A midsummer’s night dream’, includes the themes of love and magic,where love is represented as a force that makes people act in irrational ways to entertain the audience in a comical and dramatic way. He used different techniques throughout the play to create a tumultuous and intriguing factor. The storyline of the play follows various couples such as Hermia and Lysander and Oberon and Titania. These couples show examples of irrational behaviours with love and magic throughout the play.

One of the most fascinating characters in William Shakespeare’s A Midsummer Night’s Dream is Puck, also known as Robin Goodfellow. In English and Celtic folklore, the word “Pouk” was a medieval term for the devil: “Robin Goodfellow” was also a nickname for the devil. Although Puck shows antagonistic qualities, many critics believe Puck to be the closest thing to a protagonist A Midsummer Night’s Dream has.

Throughout A Midsummer Night’s Dream, while the story involving Lysander, Demetrius, Hermia, Helena, Oberon and Titania is developing, the rustic gentlemen (Bottom and his friends) are shown rehearsing for a play that they will perform in honor of the upcoming wedding of Theseus (the Duke of Athens) and Hippolyta. The play, “Pyramus and Thisby,” is based on a story that was told by the ancient Roman writer Ovid and retold by Chaucer. The “Pyramus and Thisby” play is not performed until the fifth and final act of A Midsummer Night’s Dream. By then, as Barton points out, the major problems of Lysander, Demetrius and the rest have all been neatly resolved. As such, the “Pyramus and Thisby” play-within-a-play “seems, in effect, to take place beyond the normal, plot-defined boundaries of comedy” (Barton 110).

In the play the first sign of confusion in conscience is the witches, Resembling evil they state "Foul is Fair" meaning what is evil is good and "Fair is Foul" meaning what is good they find repulsive. This seems to be a theme to life lead by the evil characters, but it could also be a warning to the audience about things to come.

James Henry Gooding was reliably familiar with subjection on August 28, 1838 in North Carolina. At an especially super hot age his adaptability was gotten by a James M. Gooding, who may have been his dad, and he was sent to New York City. On September 11, 1846, Gooding was enlisted as an understudy in the New York Colored Orphan's Asylum, a recognizable school and motel run basically by Quaker ladies. There he got a set up masterminding and changed into an equipped and beneficial maker, a cutoff which would serve him for the straggling remains of his life. From 1850-1852 he was submitted out of the Asylum to work for an Albert Westlake. As he progressed toward adulthood he settled on the choice to cover his past as a

How can such an evil entity appear to be so innocent and pure? In Clive Staples Lewis’s novel, The Lion, the Witch and the Wardrobe the characters are deceiving individuals who appear to seem angelic and harmless but in reality are evil. The true colors of the individuals are revealed and good overcomes evil. Lewis portrays the archetype trickster and the archetype, good versus evil, to convey to his readers the betrayal placed in the novel. In the novel Lewis conveys the archetype, trickster, to show how individuals portray themselves as something they are not, to not only deceive, but to also get their way. Lewis wrote, “…in the middle of the sled sat a very different person- a great lady [the White Witch], taller than any woman that Edmund

Miles Goodyear was born in Hamden, Connecticut on February 24 1817 he was a fur trader and a trapper and loved what he did. He married Pomona the daughter of Ute Chief Pe-teet-neet. He also traveled west on the Oregon Trail with the Mormon company. Before he was a trader he was a gold miner. He had to travel daily by horse to get somewhere. He built and he occupied and Fort Buenaventura, Utah known as Ogden, Utah. Everybody liked Miles Goodyear as a person and a mountain man. And also kids William Miles, and Mary Eliza all adored there father and loved him every much Miles Goodyear is buried in Benecia Cemetery in Benecia, California.

‘Apart from Lear and Gloucester, the dramatic persons fall naturally into two parties, good and bad. First we have Cordelia, France, Albany, Kent, Fool and Edgar. Second, Gonerill, Regan, Burgundy, Cornwall, Oswald and Edmund. But none are wholly good or bad except perhaps Cordelia and Cornwall respectively. (G. Wilson Knight, 1930)

Goody Osborn, during the time of possible witchcraft was being the talk around town. Tituba, Abigail, and the Putnams all claim to see Goody Osborn as part of witchcraft. As seen on Act 1 page 572 line #101 Mrs. Putnam lost all of her babies, except one. The one who survived seemed to be due of the work of the Devil. After feeling this , Ruth was sent to Tituba, someone who could “speak to the devil”. Mrs. Putnam now thinks the presence of the dead children is making Goody Osborn mentally challenged. Although Mrs. Putnam knew conjuring spirits was a sin, her feelings couldn’t stop her from being wrong consciously. Abigail also agrees that Tituba and Ruth

Good and evil are symbolized by light and darkness in the play Macbeth, by William Shakespeare. When there is peace and good, Shakespeare mentions light; whether if it is the sun shining brightly or merely a candle giving light. On the other hand, when there is evil and disorder, he mentions darkness; a shadow or a horrible thunderstorm. Witches are known for evil, chaos, and conflict. Since Witches are known to be evil, whenever they appear, the weather is usually horrible. Shakespeare utilizes light and darkness in order to portray when good or evil will take place.

His distinctive features provide wild contrast to the rest of Shakespeare’s fairies. Shakespeare’s Puck has the reputation of being the master of wickedness among the other fairies, what is most memorable image of A Midsummer Night’s Dream’s Puck. Both, folk Pooka and Puck, are presented as mischievous, deceitful creatures. The English Pooka was a respected and feared fairy. But merry Shakespeare’s Puck seems to stay against the pivotal, evil reputation of his kind that was rooted in tradition, and is presented as someone who brings joy and entertainment. He is capable of cruel tricks but good-hearted. This fairy is rather harmless but has tendency to perform unpleasant, annoying tricks for his enjoyment. Both characters were tricksters, nevertheless, due to fairy lore, Pooka was performing his pranks just to amuse himself,

Before the reader can identify good prevailing over evil, they must know who represents the evil and who represents good. For example, the monster, Grendel is a symbol of evil. He is characterized as a demonic creature, living down in the darkness. He gets exasperated rather easily and

The supernatural world is rather distinct to that of the human world entrenched in societal standards and boundaries. Shakespeare’s play, ‘A Midsummer Night’s Dream’, explores this concept, particularly through the use of Puck. In agreement to Harold Bloom’s statement, the following essay will analyse how Puck is significant because, by being so disparate, he is able to show the limitations of the human. This will be done through, first, exploring a definition of the human in relation to the supernatural. Subsequently, the essay will use a Freudian lense to analyse the morality of Puck and, lastly, the essay will focus on Puck’s physical characteristics as well as his ability to span across boundaries in the play and the metatheatrical realm.

Metamorphoses is a play based on Ovid’s poem, published in 8 AD. Metamorphoses is an inspirational play that expresses themes of romance, power, and change. The play is an assembly of classical Greek myth featuring a pool and modern language to portray the deeper meaning of the play to the audience. The acting portrays the meaning and entrains the audience to the full extent intended. The scenery represents the time period and theme of the play. The costumes were simple and reflective of the time period and function of the play. The lighting emphasized aspects of the set and the actors. The body of water represents the theme of transformation throughout the character and play. Lastly, the director ties the play all together. In this essay, I will discuss the acting, scenic design, costumes, lighting, connotation, and direction of the play in the following paragraphs.