Rochester's Byronic Hero

To set the stage in “Jane Eyre” our Protagonist, Jane Eyre is deceived by Mr.Rochester, one of the antagonists in order to “protect” his love, Jane. Mr. Rochester’s deception begins

“Jane’s relationship with Rochester in the early part of the novel is based not on love but control, manipulation and secrecy. She does well to escape”

Throughout Charlotte Brontë’s novel, Jane Eyre, the character Mr. [Edward} Rochester changes from a cold-hearted man,  used to getting whatever he desires and values material things, to a blind, humble man that couldn't care less about material things. When Jane Eyre, the main character, first meets Mr. Rochester, his horse has slipped on the ice, and he has sprained his ankle; she stops to help, and upon arriving to Thornfield (the place where she lives and works as a governess), she discovers that he is the master and her employer. He is a cold-hearted man. He constantly refers to Adele (a girl he took in) as a brat, and when talking to the housekeeper about Jane, he says, “I have her [Jane] to thank for this sprain,” (Brontë 122) (despite Jane not

Through a close reading of the selected passage of Charlotte Brontë’s Jane Eyre: An Autobiography, a reader can see that Jane attempts to separate herself from her decisions by personifying her emotions and giving them a specific voice, which strongly reflects the societal views of the time. At this point in the story, Jane has discovered, on her wedding day, that Mr. Rochester is still married to a woman named Bertha, and that woman still lives in his house. Distraught, Jane locks herself in her room and tries to decide what she should do. When she wakes up the next day, she is again confronted with what she needs to do in the wake of her discovery.

Throughout Charlotte Brontë’s novel, Jane Eyre is afflicted with the feud between her moral values, and the way society perceives these notions. Jane ultimately obtains her happy ending, and Brontë’s shrewd denouement of St. John’s fate juxtaposes Jane’s blissful future with St. John’s tragic course of action. When Jane ends up at the Moor House, she is able to discover a nexus of love and family, and by doing so, she no longer feels fettered to Rochester. Moreover, Rochester is no longer Jane’s only form of psychological escape, and thus Jane is in a position to return to him without an aura of discontent. At the end of the novel, Jane is finally able to be irrevocably “blest beyond what language can express” (Brontë 459) because she is “absolutely bone of his bone, and flesh of his flesh” (459).

Jane, similarly to Hannah, predominantly sacrifices passion as she has morals and principles; she wants to be an equal. This is evident when Jane almost marries Mr Rochester; she can no longer ‘see God for his creature’ of whom she has ‘made an idol’. Jane is losing sight of God through her overwhelming passion for Mr Rochester. When light is shone upon Mr Rochester’s attempt at bigamy, Jane believes marrying him while he remains legally tied to Bertha would mean rendering herself as a mistress and sacrificing her own integrity for the sake of emotional

A hero is someone who remains seen in literature as a person with great courage and strength, yet though not always the case. The hero usually takes risk for the greater good. The Romantic hero becomes a type of literary idol with different morals. They are passionate about what they love, becoming obsessed with their newfound passion and become determined to perfect at what they do. They eventually become tragically doomed through creating their own individual moral codes by struggling with their internal battles within their minds. Mary Shelley presents us the first persona of a romantic hero through Victor Frankenstein in her book Frankenstein. Shelley fabricates Victor as the main narrator throughout the

Rochester’s wife, who has gone mentally insane and develops an obsession with trying to kill him. Bertha has been locked away for years, being kept a secret that only a few knew about. Bronte uses this character to show how Mr. Rochester is not the flawless, rich, and powerful man Jane sees him to be. Bronte introduces this idea that insanity leads to death when it is stated, “the mad lady… let herself out of her chamber, and go roaming around the house, doing any wild mischief that came into her head…she was on the roof… she yelled, and gave a spring, and the next minute she lay smashed on the pavement” (Bronte 940-41). The story of how Bertha died as told by Saint John is an example of how insanity can completely cultivate a person into hysteria and lead to an inevitable dead.

Explanation: Mr. Rochester sees Jane in a completely different light than others do. She is plain but to him she is a beauty and not just a young inexperienced girl, but a clever, frank woman. It is hard for Jane Eyre to believe such things after hearing all her life that she is simple, plain and talentless.

Furthermore, Jane says “I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself” (Chapter 27, Bronte.) This statement greatly represents the growth that Jane has undergone. She no longer dreads the solitude that once haunted her because she respects herself enough to realize that she did not deserve to experience such great dismay. Through independence and self-recognition, Jane has discovered the importance of loving oneself. Without the reliance on the thoughts of others, the once extremely troubled girl found bliss through a lack of outside control. In regards to her relationship with Mr. Rochester, Jane understands that she must leave him behind to maintain her own well-being. She does not allow the wealth or proclaimed love from Rochester to skew her decisions and she does not linger to dominate the life of her lover. Instead, she moves forward to continue her endless pursuit of happiness and independence.

Charlotte Bronte presents Rochester in many different ways. He comes from a rich family, and has a sophisticated personality. His attitude and behavior from the start of the book and the end of it has a dramatic change. Rochester corresponds to the mould of a Byronic Hero however, with his brave and humble actions, he starts to become less attractive as a hero. Moreover, one could argue although he is an unconventional hero he is appealing in both physical and mental ways. However, another could argue against this and find no attractive views of Rochester.

Edward Fairfax Rochester is an archetypal Byronic hero. He seems “moody” and unattainable and could often be seen as an antihero, however is capable of feeling and displaying strong emotions, as can be seen throughout Jane Eyre. Although perhaps the reader should view Mr Rochester as the malefactor in the novel due to his ill treatment of Bertha Mason primarily, along with the conflicted emotions he causes Jane and the heartbreak she suffers because of him, he does present a good case owing the fault of

The Byronic Hero is a term derived from the poetic narrative, Childe Harold’s Pilgrimage, by Lord Byron. Though the idea of the Byronic Hero originated with the creation of Byron’s characters, Byron himself possessed the physical features associated with the Byronic Hero. These features include dark brooding eyes, dark hair, pale skin and a slender frame. The Byronic hero derived from Childe Harold’s Pilgrimage, strays away from the typical “hero” role by possessing dual characteristics of good as well as evil, “And had been glorious in another day: but

Rochester. At first Jane sees him as rude and disrespectful due to his cold and gruesome remarks, but it is her fight and how Jane stands up for herself that leads to one of the most known relationships in literature. Eventually Rochester asks Jane for her hand in marriage but at the scene of the wedding, we come to learn, that Rochester is already married to an insane woman, living in his attic, named Bertha. With this Rochester asks Jane to run away with her to Europe, this is exactly where Jane is faced with a very hard decision between following her heart as everyone wants to do, or keeping her respect and dignity. We can see the respect Jane now has from Rochester when he says to her, “I was wrong to attempt to deceive you; but I feared a stubbornness that exists in your character” (Bronte 354). This shows that Jane has gained Rochester’s respect and the ‘stubbornness’ in Jane’s character is the best thing for her, for without this trait Jane could never gain respect from others, especially men, in his novel. Knowing that Jane has decided to leave her, Rochester begins to persuade Jane to stay with him. He says, “Oh, Jane, this is bitter! This – this is wicked. It would not be wicked to love me” (Bronte 355). Jane replies, “It would to obey you” (Bronte 355), showing that she will not give into his pleading, regardless of how much she loves him because to obey him would lead to the loss

In Graham’s Magazine, another anonymous reviewer suggested that Rochester’s character was dangerous and immoral, saying, “No woman who had ever truly loved could have mistaken so completely the Rochester type, or could have made her heroine love a man of proud, selfish, ungovernable appetites, which no sophistry can lift out of lust.” Thus, he intimated that any author who would contrive to have her heroine fall in love with such a total rake would be immoral herself and unknowing of what true love is. He went one step further to say, “We accordingly think that if the innocent young ladies of our land lay a premium on profligacy, by marrying dissolute rakes for the honor of reforming them, à la Jane Eyre, their benevolence will be of questionable utility to the world.” In this, he suggested that the depiction of Jane and Rochester’s relationship would cause young women of the time to emulate Jane’s “romantic wickedness.”