Rocky Mountain Lander's Peak

The manipulation of perspective was not only significant for symbolic meaning. It was used as a visual tool in order to create the “magic” that the painting is known for. Because the vanishing point is approximately 5 feet from the bottom of the picture, which is practically floor level, this allows for both the top and bottom of the picture to come together and establishes an illusion of an actual structure. While this “created space” within the picture appears to be real, it is actually just one of the

The painting depicts a singular mountain with trees and abstract landmasses in the foreground. The trees are placed in such a way that they seem to echo the shape of the mountain. This is an example of Cézanne’s attempt to created a structured composition out of the scenes that he observes in nature. Cézanne was not depicting nature as it was, but rather he was, as he called it, making “a construction after nature” (Stokstad,1013). This is one idea that lead Cézanne away from the impressionists, who were more concerned with reproducing on canvas exactly what their eyes perceived. Another thing that was different between Cézanne’s style and the impressionists’ was the way that he applied paint to the canvas. For example, in this painting, the trees and land in the foreground are loosely painted in; their forms are created by an amalgamation of colored blotches. The blotches of color often bleed into each other, and the forms that they represent begin to dissolve. The image is flattened by the ambiguous forms in several spot in this painting, creating a disruption in the illusionistic space and bring the viewer’s focus on the inherently flat surface of the painting. The most effective technique that Cézanne employs in his attempt at depicting space in this painting is atmospheric perspective. Coloring the mountain with the same shades of blue

Pikes Peak is a beautiful, rocky mountain with a fantastic view. The day my family and I were going to go up Pikes Peak the day was gorgeous. Heading up the mountain is so relaxing, having conversations with my family while looking out the tinted window. Looking out my window I could see columns and rows of the most perfect looking pine trees rising up the peak. During the climb it was so admirable and calm as I was thinking in my head, what a perfect day. The view was fantastic as I got to see the world breathing in all of the fresh air. Pikes Peak has three lakes which are very inviting with its clear blue water glistening from the sun. The lookout on the very tip of Pikes Peak was very foggy and chilly. The view was pretty cool since I’ve

This painting really makes me feel happy and overjoyed. The bright and vibrant colors really stand out to me. In my opinion, there isn’t really a focal point in this piece because the entire painting is the focal point. The subject of this piece is a landscape of the Rocky Mountain National Park, specifically, Longs Peak. There are clouds and a blue sky

The painting appears to be three-dimensional but is painted flat or two-dimensional. The painting looks three-dimensional through the use of different techniques by the artist to give off the illusion of depth. Bierstadt overlaps and changes the sizes of the mountain peaks to emit a since of depth to the painting. He uses atmospheric perspective to give the impression of depth through hazy conditions. The wildlife below the mountain is less distinct to make the mountains the vocal point of the painting. The highest mountain peaks are painted lighter and are less distinct to highlight the dense fog and cloud coverage throughout the mountain range. Along with depth, the artist also uses color to express the beauty found in

On this day in 1863, Union troops capture Lookout Mountain southwest of Chattanooga, Tennessee,as they begin to break the Confederate siege of the city. In the “battle above the clouds,” the Yankees scaled the slopes of the mountain on the periphery of the Chattanooga lines.

Today I was given a set of poems to read and choose one to analyze. I decided I would use Big Rock Candy Mountain as my poem of choice. I recognize this poem as a song written by Harry McClintock in 1928. The song is one of the few that can still make sense in today’s culture and society and in my opinion is the mark of a truly great writer.

The illustration in #7.16, Trestle Work, Promontory Point, Salt Lake Valley by Andrew J.Russell is an image of a railroad track connecting two paths with men working on the site. Russell believed that the west was a great location to conduct his work because of the openness and freedom that was out there. Also to observe the natural scenery that it has to offer, which many have traveled to obtain such freedom and visual aspects of nature. As for #7.17, El Eaches or Three Brothers by Carleton E. Watkins is a description of a landscape winter forest by a lake, his purpose for this image was to capture the viewer's attention with the richness and the detail of the forest. For an individual to absorb the composition of the mountains in the picture

In the years from 1860 to 1870, many prominent artists all made contributions, especially in Realism. Realists from the Hudson River School painted detailed pictures of Western landscapes and vistas. One artist in particular is Albert Bierstadt. Bierstadt painted many oil-based pieces based on his experiences crossing through the Rocky Mountains. The Domes of Yosemite, was painted in 1867 and was one of Bierstadt?s finest accomplishments (Wilmerding 127).

We can also see the use of black shades to create a hole at the bottom part of the rock. With his excellent use of colors, we can identify the good, healthy and green grass from the bad, unhealthy, brown grasses. Looking beyond the main focus of the painting, he uses colors to separate the sky from the land in the background creating a solid form of perspective on the painting. He also uses colors to create water forms as seen behind the young character. Now, for the sky, he uses shades of white to magnificently differentiate the thick clouds from the light ones. He also uses this to create a source to light to the whole area. All these put together creates a splendid, realistic and familiar atmosphere for the viewers to relate with.

Hill painted a perfect looking scenery which made it realistic as if a real scenery picture was taken with an advanced technology. Hill applied a wide range of vivid colors to help enhance this piece more. If I was to visit a senior citizen home and had to depict this painting to a blind fe/male. I would start off by saying firstly, my attention was drawn towards the upper atmosphere’s bright blue color which reflected from the large body of water underneath it. Which is often associated with feelings of breaths slowing down and when one reaches a certain state of relaxation. Secondly, by imagining one mashing a pillow against their palms I was able to feel the fluffiness of what floats in the sky. In order to picture, the way the sizes and shapes change I would compare it to when one

The technique most artists use to project an illusion of the three-dimensional world onto a two-dimensional surface is called perspective. Objects are painted smaller the farther away from the audience is supposed to be, and are painted bigger the closer the audience is supposed to be. A vanishing point is helpful in creating perspective. This technique helps to make up a sense of depth in a piece of art. In Autumn on the Seine, Argenteuil, perspective is created by the body of water that is in the foreground of painting. This body of water is going off into the distance in which you cannot see it’s end. In the background, there are

Today is the day! I get to visit the Rocky Mountains. I have never seen the Rocky Mountains. Also, I am going on their 100th anniversary. The Rocky Mountains have been there for over 300 million years. In 2015, Rocky Mountain National Park was the third most visited national park with over 4.1 million visitors. I have to get there early because it will be packed. The temperature can drop up to 20 degrees on top of the mountains, so I better bring a jacket.

• The focal point of the painting is the sun-drenched valley and river. The emphasis comes from the diagonal of the tree to the left that directs the view of the scene down the valley toward the farmland.

“Under”). One could mistake that the focal point is the little figure under the birch tree who is a priest. However, the main point in this landscape is all about the birches. The reason why one could say so is because of all the visual elements such as: the birches are in the middle of the painting; they are also the most lighted objects in the painting (light is shining in the form of an oval) (National Gallery). Due to the levels of lightning one can see that the picture is divided into three horizontal parts: the top (dark, but not as dark as the bottom of the painting); the middle is the lightest; and the bottom is the darkest. This means that he used what he learned about the Dutch style and mixed it with his personal style thus we have a whole new way of seeing his point of view.