Roderigo's Ambition In Othello By William Shakespeare

Shakespeare uses Roderigo to demonstrate rivalry within the play, this is shown when Roderigo is upset over Othello’s possession of Desdemona. He shouts “What a full of fortune does the thick lips owe/if he can carry’t thus?”. The use of the term ‘thick lips’ indicates the stereotypical racism present in the elizabethan era. Roderigo had assumed that he had a better chance over winning Desdemona’s love compared to the ‘moor’. During the 1600s ‘moors’ were considered “morally corrupt”, whereas Venetians like Roderigo and Desdemona were regarded as “the counterparts of the english society”. Roderigo’s rivalry is often labelled as jealousy, for example Mahzad Mardiha wrote in her article “Roderigo, in love with Desdemona, is very jealous of Othello

Roderigo believes that Iago will help him win Desdemona's love, so she will abandon Othello. In the play, Iago states “I say put money in thy purse. It cannot be that Desdemona should continue her love to the moor-put money in thy purse-nor he his to her” (1.1.385). Iago persuades Roderigo to pay him for his service, which would only be the beginning of his manipulations. Roderigo has a deep love and respect for his companion Iago, whom he trusts, as witnessed by his willingness to give him money. The adoration Roderigo has

When she does, Roderigo must be ready with money. If he has enough, Desdemona will surely marry him. Of course, the audience and Iago know that Desdemona will never marry Roderigo, no matter the amount of the money. She is not the type of person who would marry for money. Despite that, Iago manipulates Roderigo’s feelings for his own benefit.

Ambition is usually a fantastic tool to have and has done amazing things for mankind in the past, but if ambition fogs your conscious it can cause anyone to do terrible things. One way Shakespeare shows ambition is in Macbeth's aside after Fleance is announced heir to the throne "Stars, hide your fires, let not light

The beautiful thing about Shakespeare’s writings is that while they may not be canonically connected, they share similar aspects in terms of central themes or driving forces. This is most notable in many of Shakespeare’s tragedies since he uses many of the same faults of man to create a tragic ending. One of these recurring fatal flaws is ambition, and interestingly enough, Shakespeare crafts his work in such a way that the characters all show their passionate ambition in very different ways depending on the story. Shakespeare uses ambition as a prominent driving force in Hamlet, Julius Caesar, Romeo and Juliet, and Titus Andronicus, and how he views ambition changes between each story. Hamlet and Julius Caesar are both primarily driven by

Napoleon Bonaparte once said “Great ambition is the passion of a great character. Those endowed with it may perform very good or very bad acts. All depends on the principles which direct them.”. Ambition like Napoleon has a complex legacy, it is either considered a vice or a virtue. However, the idea of ambition creating a great characters is not new. In Shakespeare’s Macbeth and Oscar Wilde’s The picture of Dorian Gray, these authors both employ ambition to create tragic protagonists driven by ambition to do whatever it takes achieve their goals, no matter what the cost may be. Both Oscar Wilde and William Shakespeare show how ambition can twist and turn people into monsters in their works; however, their writings differ because Wilde believes

Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).

Roderigo pays Iago for this false hope that he will be with Desdemona (1162). When he believes he is getting closer to being with her, however, Iago tells him that it might not happen because Desdemona is in love with Cassio (1169-70). Roderigo is greatly angered by this and resolves to do what it takes to stop Cassio from getting Desdemona even if it means taking his life. His attempt to kill Cassio, however, is unsuccessful, and instead he is the one injured (1175). Roderigo is no longer consumed with thoughts of being with Desdemona. Instead he is consumed with feelings of hatred toward those who might have her love and attention.

First, Iago cunningly deceives Roderigo into giving Iago all of his money by telling Roderigo it would win over the girl he loves Desdemona. Roderigo is an innocent weak man who falls in love with a women and trusts the wrong person to tell. In the very beginning of the play Iago already puts his plan in action, "Thou art sure of me.

Roderigo also plays as a pawn in Iago's plan when he is lied to by Iago about getting married to Desdemona. For example when Iago says to Roderigo, "Plague him with flies"(I,i,71). Iago uses this metaphor to manipulate Roderigo into going to Desdemona's father and telling him that his daughter is married to the Moor, Othello. Iago wants Brabantio, Desdemona's father, to dislike the Moor because Othello did not make Iago his lieutenant. Roderigo is told by Iago that if he tells Brabantio that Othello and Desdemona are married than Brabantio might get them divorced or break them up. This way Roderigo will have a chance with Desdemona and express his love to her. Another metaphor that helps Iago with his plan is "Thus do I ever make my fool my purse"(I, iii, 375). Iago had been convincing Roderigo that money can buy him anything, even Desdemona's love. Roderigo believes him, blinded by his love for Desdemona, and sells his land to get money for gifts. Iago had been using Roderigo for his money and none of the gifts and jewels Roderigo gave Iago to give to Desdemona actually reached her. Roderigo who is crazy about Desdemona gets so carried away with himself that he is too late to realize that he had been tricked and used for his money. Roderigo is deceived by Iago whom he trusted so dearly

Roderigo is a co-conspirator with Iago but is not equal in developing a web of lies and jealousy designed to ensnare others. “Thus do I ever make my fool my purse (Shakespeare)”. Iago takes advantage of the desperate former suitor of Desdemona and controls his emotions like a puppeteer pulling strings. With the line, “But for my sport and profit”, it is clear that Iago sees enriching himself off Roderigo’s envy as an amusing task with such an easy mark (Shakespeare 1473). Roderigo is a simple-minded fool who believes that by giving money to a lowly ensign he can win the love of Desdemona, have her marriage to Othello dissolved, and restore her virtue.

A victim of the villainous Iago, Roderigo was jealous of Othello’s marriage with Desdemona and tried to break it up by hiring Iago. His jealousy is seen taking its toll on Roderigo after he reacts to the confession of Desdemona’s love for Othello in front of the Duke and Brabantio. After hearing this, Roderigo feels as though all hope is lost and expresses his despair to Iago saying,

In this scene, Roderigo is sceptical of Iago’s plan and puts a sword to his throat. Iago swiftly maneuvers out of this situation by telling Roderigo how his judgement is brave and now he believes that Roderigo will do whatever it takes to get Desdemona’s love. Iago says that if Roderigo does not complete the plan, then he cannot try to kill him. The fooled Roderigo is shocked and is now completely loyal to Iago who barely got out of this bad situation using his manipulation skills. Later in the play, Roderigo finally recognizes that Iago has been taking advantage of him saying, “O damned Iago! O inhumane dog!” (5.1.74). As seen by his constant manipulative actions and dialogue, Iago reveals himself as a sociopath.

Iago makes a complete fool out of Roderigo. In fact, as play starts Iago is taking advantage of Roderigo. Roderigo remarks, "That thou, Iago, who hast had my purse as if the strings were thine." [Act I, Scene I, Line 2]. Throughout the play, Iago leads Roderigo by the collar professing that he "hate(s) the Moor" [Act I, Scene III, Line 344] and telling Roderigo to "make money" [Act I, Scene III, Line 339] to give Desdemona gifts to win her over. During the Iago keeps the gifts that Roderigo purchases for Desdemona for himself. Roderigo eventually begins to question Honest Iago, saying "I think it is scurvy, and begin to find myself fopped in it." [Act IV, Scene II, Line 189]. When faced with this accusation, Iago simply offers that killing Cassio will

In Shakespeare’s play, Othello, several incidents occur that portray the purpose of Roderigo’s character. If one event is isolated from the rest, the thematic desire is lost. It is only when the events are looked at as a whole that the actual theme is obtained. Roderigo is a minor character who carries out a vital role in the play. Although Roderigo has very few lines, he plays a crucial role on a thematic level.