Rogier Van Der Wayden Crucifixion Report

Once upon a time, in a far off land lived a man named Jesus. Jesus was the Son of God. His mother was named Mary, and his earthly father was Joseph. Joseph was of the line of King David, whose line of heritage was traced back all the way to Adam and Eve. Jesus had the power to heal the sick and paralyzed, give sight to the blind, speech to the mute, and life to the dead. This may very well sound like a fairy tale, but all of this was as true and real as you and me. Jesus was the living proof of God, and was literally God on earth. Jesus was perfect in every way, and was without sin; yet the Pharisees did not like what Jesus was preaching and accused him of blasphemy. This of course was not true; because God is inerrant, and Jesus was the living and, the human version of God, he speaks no lies, nor commits any crimes. Because of the charges against Him, and the Roman Empire convinced that He was causing trouble, He was sentenced to a crucifixion. The crucifixion of

The art piece that I selected for my analysis is called The Triumph of Divine Love by Peter Paul Rubens. The artwork is an oil painting on canvas, circa 1625. This piece of art was commission by Isabella Clara Eugenia, Infanta of Spain and Portugal. The Triumph of Divine Love was one of eleven art pieces in a series portraying the Eucharist cycle, an important issue in the Catholic-Protestant strife. Its purpose was to aid in the Catholic Reformation and the artwork was to be displayed at the Convento de las Descalzas Reales in Madrid. (Ringling Museum n.d.)

The ominous figure in the centre of the foreground - Jesus Christ hanging lifeless on the cross, in Luca di Tommè’s ‘The Crucifixion’, primarily catches the eye. The symmetrical arrangement of lamenting figures around the cross, as well as the gilded background, highlight him as the focal point of this artwork.

The centerpiece of the piece is obviously Mary, though she is on the right side of the painting. In one hand she holds an open bible, and she holds her other hand up in prayer while she is looking down with her eyes almost completely shut. She has a halo surrounding her head as gold rays shine down on her

2. There are many people included in the artwork. I can see about twenty one people and some of there faces. There are two people in the middle and their names are Jesus and Judas. They both appear to be kissing. Judas's arms are around Jesus's neck. There is a soldier next to them. There is a guy in a pink robe pointing at Jesus and Juda.There are people surrounding them with sticks and some had torches. Since they are carrying fire it is safe to say that it is night time. Some of those people are followers and others are enemies of Jesus. They are all wearing robes. There is one person blowing on a white horn. All of the people in the painting are bare foot. Some of their expressions on their faces are anger. On the guy the guy on the left who is wearing blue is Peter. A

painting. This is a painting in which Jesus is the center of the movement in the work everything

For My Museum Essay, I have chosen Rogier van der Weyden’s “St. Luke drawing the Virgin” (c. 1435-40). First of all, this painting is an extraordinarily beautiful piece of art, with both meticulous details and true to life emotional state of the figures portrayed. And it intrigued me even more when I found out that there is a very compositionally similar painting by Jan Van Eyck (“Madonna with Chancellor Rolin”).

This painting consists of two small panels in which one panel depicts the crucifixion of Jesus and the other portrays scenes that associate themselves with the Last Judgement. In the first panel you can see a crowd surround Jesus during his crucifixion. In the background, you can see a clear picture of Jerusalem. On the bottom you can you see five people that appear to be

A painting is a scene, frozen in time. Artists can bring them to life. Catching the emotions of whatever is depicted. The bible is full of memorable scenes, with thousands of years of art to capture the intensity of the stories.

My favorite part of the painting could possibly be a fluke. The canvas is textured using the technique called impasto. The interesting part of the canvas is where there are distinct lines running through the painting. These lines are predominately on the people in the painting and especially on the shirtless man that is unable to walk without help. I feel that these raised lines signify the whippings that the slaves received. Seeing these raised lines on the shirtless man, who was also injured, hurt my stomach. It was a compelling piece to the story. I would be very interest to know if these raised lines were supposed to be part of the story or if they were from the painting

Atwood is alluding to Jesus’ crucifixion as it is believed by many christians that Jesus died to pay for their sins and allow them an eternal life.

Christ with Symbols of the Passion by Lavinia Fontana is a small but interesting piece. It depicts Christ being supported by two wingless angels between two wingless angels carrying the cross and two wingless angels holding the column that Christ had been tied to after his arrest. At Christs feet are the other symbols of the passion: The crown of thorns, the whip, and the stones that were cast upon him. In the hand of one of the angels carrying the column are the nails that were used to pin Christ to the cross. At the bottom left corner is a what looks like a gravestone or a carved tablet signed and dated by the artist. They appear to be on a path entering a wooded area and a mountain can be seen in the far background. The subject of the piece is “a scene that does not occur in the Christian Scriptures” (The plaque accompanying the piece) but what makes this piece so interesting is the style of which it was painted. It can’t be stated as a full manneristic piece, but it can be said to have mannerisms main features of unnatural proportions, affected poses, spatial ambiguity, contextual ambiguity, compositional complexity, unnatural palette, and high anxiety varying degrees.

When looking at the paintings that were created throughout the Renaissance art period, there are multiple paintings that depict religious stories. The best of these paintings has Jesus depicted within them. The majority of these paintings were created by those who had a large impact on the art “world” today. One of the most famous paintings that reveals religion within it is The Last Supper by Leonardo da Vinci, which is similarly to The Wedding at Cana by Paolo Veronese. When analyzing these two pieces of artwork, they are often confused for the other due to the fact that they are both based on biblical stories as well as how they are organized. There have been multiple discussions about which painting has more impact based on their physical effect. Based on the color and imagery depicted in the painting, The Wedding at Cana, it is one of the most influential and inspiring stories ever told in a religious painting.

When I see the painting the shape is symmetric in the sense that there are the same amount of people on both sides of Jesus. The genre of this painting is Christian art.There are also four panels on both sides of the walls. In my opinion, the target audience that this painting was intended for are those who are believers of Christ. I feel this way because I think that this painting portrays the event that is talked about in the bible in the scripture Matthew 26, verse 21 where Jesus says “…"Truly I tell you, one of you will betray me.". He then continues in verse 23 saying, “The one who has dipped his hand into the bowl with me will betray me”. In the painting, you can clearly see the man two seats away from his right reaching for the bowl at the same time as Christ. This event lead to the Holy Eucharist, also known as communion or the Lord’s Supper where Christ takes the bread which was to symbolize his body and wine which was to symbolize his

The painting I choose to write about is “Tower of Babel” by Gillis van Vlackenborch. I choose this painting because, as I walked around the Grohmann Museum and looked at all the paintings, the “Tower of Babel” caught my eye by being a very large, detailed, and involved painting. The painting looked very interesting and it had a lot of things