Role Of Bathroom Graffiti In The Novel

She has found purpose in this paper. Indeed she cannot be understood by anyone except the woman in the yellow wallpaper. Her creeping about is symbolic of her hiding, sometimes in broad daylight, from a world that looks at her as an outcast because she doesn’t want to be a typical domestic ornament. Perhaps the yellow wallpaper acted as a mirror for our narrator. As she peered into the wall’s secrets night after night her vanity gradually became insanity. She knew she could not free herself in the world she lived in.

It is difficult to discuss the meaning in this story without first examining the author’s own personal experience. “The Yellow Wallpaper” gives an account of a woman driven to madness as a result of the

    "The Yellow Wallpaper" takes a close look at one woman's mental deterioration. The narrator is emotionally isolated from her husband. Due to the lack of interaction with other people the woman befriends the reader by secretively communicating her story in a diary format. Her attitude towards the wallpaper is openly hostile at the beginning, but ends with an intimate and liberating connection. During the gradual change in the relationship between the narrator and the wallpaper, the yellow paper becomes a mirror, reflecting the process the woman is going through in her room.

Having to go through sexual assault and then a year of bullying made Melinda speak up. Melinda went down a rough road in her life. Through all this Melinda grew strength and wisdom. At the school Melinda warned the girls about what Andy is capable of doing. She told Rachelle to watch out and to be careful around him. In Melinda’s later years she began writing her about story to help her express her feelings. She began warning others what sexual assault can do people and the harms of bullying. Even tho Melinda’s experience harmed her in many ways it gave her a story to help

The vivid descriptions in “The Yellow Wallpaper” help to bring the reader along in the narrators decent into a kind of psychosis. It starts mildly, with her describing the color of wallpaper as “repellant, almost revolting; a smoldering unclean yellow” (Gilman 528). As more time passes she begins to see more things in the paper such as “a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes start at you,” and for it have “so much expression in an inanimate thing” (Gilman 592). As the pattern and descriptions get more twisted, we get visual clues of the madness that is slowly consuming the narrator. The color of the paper even begins to become a physical thing she can smell descried as, “creep[ing] all over the house...sulking...hiding...lying in wait for me…It gets into my hair” (Gilman 534). In the end we get a graphic visual representation of her full psychosis

As the reader is introduced to the main character in the story, she is heard talking about strange things happening around her. She secretly wrote her thought in a journal but her husband was against it and never wanted her to do anything. The nameless narrator in her madness sees a woman in the pattern of the wallpaper. In addition, she sees the woman struggling against the bars of the paper and this is a symbol for the struggle of women who attempt to break out from the infringing rules of the society. The woman the narrator sees caught in the wallpapers also parallels her virtual imprisonment in an isolated estate away from her child by her mean husband.

‘The Yellow Wallpaper’ is centred in the writer’s narration, by setting the narrator to be not entirely reliable and an oppressed woman. The character are showed to be feeling trapped and unhappy with

“Graffiti Moon” by Cath Crowley is about a teenage girl’s adventure trying to find a mysterious graffiti artist over one night. Truthfulness is optimal to form a deep bond between two people. Romantic relationships, friendships and personal honesty are great for a person to have. But all need honesty to survive.

There are various components of Walls’ traumatic autobiography that are significant. To begin with, throughout her narrative Walls uses the trauma she has gone through to show that she has learned to take nothing for granted and is appreciative of what she does have. This is a significant portion of Walls’ autobiography because it shows that a traumatic upbringing can either cause a person to fall into the same patterns that brought on the trauma, such as falling back into poverty, or the person can rise above the challenges in their lives and become determined to change their future. Another significant portion of her narrative includes different incidents when Walls and her siblings go to extreme measures to simply survive. A specific incident of this occurs when Walls describes how at lunch, she would hide in the bathroom stall with her feet up and girls

She wanted to be a role model for her children and at the same time, she wanted to become friend with them. Helen valued education, and she wanted Julie to go to college and have a successful life. However, after she found out that Julie had secretly being together with Tod, the poor, unambitious man. She was disappointed, betrayed, sad. Julie moved out of Helen’s home. Later, when Helen found out that Julie and her husband Tod had nowhere to live, she let them move in with her. She is a permissive parent, yet, she cares about her children, provides them as much support as she can. Helen stayed calm when Gary told her he wanted to live with his dad for a while. I can see her heart was bleeding when she heard her son’s words. She gave Gary his father’s phone number anyway, and Gary talked to his dad over the phone and figured out the cruel fact that his dad didn’t care for them anymore. Helen wanted to comfort Gary but he refused to talk. I felt Helen’s guilt and desperation at that moment. After she broke into Gary’s room and found out that Gary was carrying the bag that contains pornography, she immediately asked Tod’s help to talk to Gary. She had a chance to talk to Tod and had learned that Tod came from a broken family. She had a better idea of who Tod was and his help to Gary gained Helen’s respect. Helen supported Tod and helped her daughter Julie overcame the tough situation in marriage. Helen

Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, which is also her doctor, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness. Everyday she keeps looking at the torn yellow wallpaper. While there, she is forbidden to write in her journal, as it indulges her imagination, which is not in accordance with her husband's wishes. Despite this, the narrator makes entries in the journal whenever she has the opportunity. Through these entries we learn of her obsession with the wallpaper in her bedroom. She is enthralled with it and studies the paper for hours. She thinks she sees a woman trapped behind the pattern in the paper. The story reaches its climax when her husband must force his way into the bedroom, only to find that his wife has pulled the paper off the wall and is crawling around the perimeter of the room.

During art class with Mr. Freeman, Melinda was finishing up her project and when she finished she decided it was time to tell him about what happened. Mr. Freeman: “Time’s up, Melinda. Are you ready?”... Mr. Freeman: “No crying in my studio. It ruins the supplies. Salt, you know, saline. Etches like acid.” “…You get an A+. You worked hard on this.” He hands me the box of tissues. “You’ve been through a lot, haven’t you?” Melinda: “… Let me tell you about it.” (Anderson 198) The protagonist starts feeling a sense of relief because she’s not the only one that thinks Andy Evans is bad. “GUYS TO STAY AWAY FROM. Andy Evans. He’s a creep. He’s a bastard. Stay away!!!!!!!!!!!!!!!!! He should be locked up. He thinks he’s all that. Call the cops. What’s the name of that drug they give perverts so they can’t get it up… Disprosomething (Anderson 185-186) After Melinda saw what other girls wrote about Andy Evans, she felt a sense of alleviation. “I feel like I can fly.”(Anderson 186) Opening up to someone releases how Melinda feels, which is vital because then that someone will help the protagonist get past the event that

The mood of the story shifted from nervous, anxious, hesitant even, to tense and secretive, and shifts again to paranoid and determination. Her anxiousness is evident whenever she talks to John. She always seems to think for lengthy time when attempting to express her concerns about her condition to him. The mood shift from anxious to secretive is clear when she writes “I had no intention of telling him it was BECAUSE of the wall-paper.” (9). She wants no one to figure out the affect the wallpaper has on her and she wants to be the only one to figure out its pattern. The final mood shift to determination is obvious when she writes “But I am here, and no person must touch this paper but me – not ALIVE!” (11). She is steadfast in attempting to free the woman from the wallpaper. She even goes as far as to lock herself in the room to make sure that she is not interrupted. The major conflicts of this story are the narrator versus John over the nature of her illness and its treatment and the narrator’s internal struggle to express herself and claim independence. During the entire story her and John’s views about her treatment conflict with each other, especially when it comes to her writing. He even makes her stay in the room upstairs instead of in a prettier room downstairs that she would prefer. She often keeps her views to herself or writes them down in

As the protagonist suffers from her “nervous condition”, the isolated environment causes her to only get worse. Being trapped in the bedroom with yellow wallpaper contributes her emotional distress to become overpowering. The inability to verbally express her feelings of loneliness causes her to write in a more creative way about her relationships with objects in the room, specifically the yellow wallpaper. She begins to write about the yellow wallpaper as if it is suppose to have some sort of significance, in which it does. In the beginning of the narrator’s isolation, her attention is focused on the details of the yellow wallpaper’s pattern that are “dull enough to confused the eye in following, pronounced enough constantly to irritate and provoke study” (438). The wallpaper’s characteristics become hard to

A trait that stands out in the book is the symptom of bodily memories. In Melinda’s case, during a frog dissection in her science class, she remembers the opening up and even says, “She doesn’t say a word. She is already dead. A scream starts in my gut – I can feel the cut, smell the dirt, feel the leaves in my hair.” (81). One of the other symptoms that Melinda has is self-harm. The first time that this is shown in the book, Melinda says this, “I open up a paper clip and scratch it across the inside of my left wrist. Pitiful. If a suicide attempt is a cry for help, then what is this? A whimper, a peep?” (87). Melinda also has a hard time talking to her parents about the rape to which she says, “How can I talk to them about that night? How can I start?” (72). Some victims recover from such a traumatic experience, while others don’t and live a lifetime of depression and must undergo intense therapy. In Melinda’s case, she finds redemption by talking to her parents and the guidance counselor, and putting her faith into her teachers, friends, and her art project at school. Because rape can affect anybody anywhere, everyone should be aware of the circumstances, and how to deal with it.