Role Of Creon In Antigone

In the play Antigone by Sophocles there is more than one tragic hero. In the story the tragic hero of this play is Creon which is the king of Thebes. Creon’s flaw is his pride and stubbornness. He expressed these traits when challenged by his niece Antigone, and even his own son, through many different ideas, actions, and words.

In the play Antigone, Creon starts off as the loyal king of Thebes. He is loyal to the gods and loyal to the welfare of Thebes. However, over the course of the play, Creon degenerates into a tyrant. His degeneration is showing his character development. Creon’s pride about the human law also develops throughout the play, creating conflict with the divine law. When Antigone rebels against his law, he becomes stubborn, and makes myopic decisions and grows into his hamartia. Besides his hamartia, Creon’s position as the king makes him a power hungry man. His power madness degenerates him into becoming a ruthless and vindictive man, even to his family. However, over the course of the play, Creon begins to see that because of the laws of men, he was being blinded of what’s

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

When Creon passes his law, it is used to protect Thebes from being betrayed again. But Creon betrays the gods’ law and does not bury Polyneices, his nephew. As a result Tiresias, a blind prophet approaches Creon and says that if Polyneices, that “before you have surrendered / one of your born flesh and blood, / a corpse for a corpse given in return”(1183-1185). Shortly afterward, Creon realizes that his authority has overstepped into his family and now will go honor his family, by going against his own law. But little did Creon know things were not going to be that simple. When Creon and Haemon arrive at Antigone’s tomb, they are greeted with a hanged Antigone. As a result Haemon lunges at his father and kills himself after he misses. Creon’s authority led to his son ending his own life because he saw the woman of his dreams, hang lifelessly due to his father's action. Creon realizes that Tiresias was correct about the prophecy, but it was too late. Shortly afterwards, Creon finds out his wife, Eurydice, had also killed herself because of her son’s recent suicide. This would lead Creon alone without any family members except his own law to comfort him. He then realizes that “the guilt is all [his]” and he must repent (1442). Creon’s authority led to him being alone without any other family members to comfort him,and also lifetime of guilt

Creon knows in his heart that he will be doing the right thing by letting Antigone be free. Although Creon wants Antigone to pay for breaking his law, the family ties with her prove to be stronger than his devotion to the law. As Creon orders the Choragos on what weapons to bring, he says, “I buried her, I/ Will set her free” (Scene v. 236). Creon realizes that his family means more to him than his stubborn sense of

“Tell me briefly—not in some lengthy speech— were you aware there was a proclamation forbidding what you did?” (503-505). The actions, context of Antigone’s words, and also the ideas she proposed, very indepthly contrasted with Creon’s character. Thus resulting in there being a verbal confrontation between the two characters. The conflict between the two caused conflicting motivations such as stubbornness, disrespect, and anger to be projected with Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by portraying that he knew, the decisions he made were of error, and the character interactions advance the plot by causing conflict throughout the play. Creon had also begun to change throughout the play,

Lastly, Creon was a tragic hero because he realized his flaws too late in time. Referring back to the prophecy of Tiresias, after the prophecy of Thebes was declared and Creon denying it, it soon came to pass. The chorus leader cries “My lord, my lord, such dreadful prophecies- and how he's gone..Since my hair changed colour from black to white, I know here in the city he's never uttered a false prophecy” (Antigone line 1220). Creon then replies to him by acknowledging his wrong and the effect of his wrong in the situation. “Aaii- mistakes made by a foolish mind, cruel mistakes that bring on

In the play, Antigone by Sophocles, at first glance readers assume that Antigone is the tragic hero. However, this is not the case. Although Antigone does display some characteristics of a tragic hero, I believe that Creon is the true tragic hero. For many readers, it may be a challenge to see Creon as the tragic hero; however, when you take a second look at the play, you can see that Creon displays every quality of a tragic hero. Creon’s power and pride as well as going against the gods all lead up to his downfall which in return helps him to become a tragic hero.

“Am I to rule this land at someone else’s whim or by myself?” (Lines 836-837) says Creon, angrily to his son Haemon, who is attempting to reason with him about the execution of his fiance, Antigone. This causes an uproar between the two and brings out Creon's selfish intentions. Throughout the story the conflict with the ideals and motivations between the two change the theme of the story from love and loyalty to hatred and betrayal. This not only contributes to Creon’s characteristics of a tragic hero, but also to the suicide of both, Antigone and Haemon.

In the Greek tragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of the play Antigone, because of his superiority in his society, his nobility, and his tragic flaw, self-pride.

Creon 's human flaws and emotions such as pride and arrogance lead to his ultimate downfall, which ties into him being the tragic hero. Creon 's ego prevents him from listening to any advice given to him. He states "My voice is the one voice giving orders in this city". Creon is not willing to listen to anybody, because he believes that going back on a decision will somehow destroy his pride. In an intense discussion with the prophet Teiresias, he warns Creon "a good man yields when he knows his course is wrong. The only crime is pride"(Literature for Composition. Scene 5. Page 459. Line 35). Creon however, does not heed to the warning and is too late in his attempt to reverse the watershed event that he has created. Creon 's pride is the flaw that leads to his downfall.

In addition, Creon also has an inaccurate view of his place in relation to the gods. He believes that man’s laws are more important than the laws of the gods. Antigone tries to defend her decision to bury her brother by proclaiming, “I do not think your edicts have such power that they can override the laws of heaven…If I transgressed these laws because I feared the arrogance of man, how to the god’s could I make satisfaction” (line 408)? Creon’s hubris causes him to think that he must put Antigone to death because she chooses to follow the god’s laws over his.

King Creon’s tragic flaw is hubris. He does not listen to advice given to him by the blind prophet Teiresias. When Teiresias tells Creon, “Give in to the dead man, then: do not fight with a corpse- what glory is it to kill a man who is dead? Think, I beg you: It is for your own good that I speak as I do. You should be able to yield for your own good” (Antigone 36-40). King Creon does not like the fact that the prophet believes he is wrong and should do what everyone else has so far advised him to do. He accuses Teiresias as giving him such a prophecy because of bribery from others and a hunger for gold. Hubris is also revealed from King Creon in Scene III. Creon’s son, Haemon, tells Creon that the people of Thebes believe they have never seen a girl die such a shameful death and that the people live in fear of Creon. Haemon tells Creon he also believes Antigone should have been allowed to bury Polyneices and should be set free. King Creon responds with, “You consider it right for a man of my years and experience to go to school to a boy?” (Antigone 95-96). This shows that Creon does not believe a man of such age, “wisdom”, and “experience” should listen to anyone or change because of anyone else’s

Even if he believes he is right and his son should obey him, he doesn’t show an ounce of sympathy for Haemon, who loves Antigone. Creon details his thoughts on the importance of the rule of law over other loyalties, and his belief that to allow any anarchy or, seemingly, freedom would threaten the state. Creon’s method of executing Antigone is interesting. By entombing a living person, Antigone, and denying burial to a dead person, Polynices, Creon’s laws seem to go against common sense, tradition, and nature itself. Creon does not keep a cool head, as a wise leader should, or look for a way to compromise. He is as stubborn as Antigone, as if this were a street fight, he feels he could never back down.

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his