Role Of Nobility In Othello

As a character, Othello is tough, noble, and virtually fearless. He is recognized for his hard work as a soldier but at the same time manages to remain humble. Shakespeare makes him out to be a hero from the start of the play. For example, in Act One, Othello says, “Let him do his spite./ My services which I have done the signiory/ Shall out-tongue his complaints” (1.2.17-19). I think that this quote displays that Othello is confident enough with his value and importance to the city of Venice that he really is fearless of getting in trouble for marrying the one he loves, Desdemona. As the play progresses, Othello’s humility comes to the surface via the words he elects to use in order to explain his marriage to Desdemona. In Act One, Scene

To begin, one factor that causes Othello’s downfall is that he is characterized by gullibility. Firstly, Othello is tricked by Iago, who leads him to believe that Desdemona is having an affair with Cassio. After Iago tells Othello about Cassio’s dream, Othello says, “Oh, monstrous! Monstrous!" (Shakespeare. 3. 3. 427). Othello trusts and relies on Iago too much; he believes Desdemona is truly having an affair with Cassio. His gullibility makes him become very vulnerable in Iago’s revenge scheme and gradually becomes increasingly jealous. When jealousy takes over Othello, his mind and judgment are disturbed. Furthermore, when Emilia tells Othello about the death of Desdemona, Othello admits to murdering his honest wife Desdemona but says that he killed her because she is untrue to him. After Emilia tells Othello that his thought is untrue, Othello replies: “Ay, ’twas he that told me first./ An honest man he is, and hates the slime/ That

Shakespeare is universally revered for his characterization of flawed and psychologically unstable protagonists. Hamlet is a crazed, murdering prince, Lear is narcissistic, senile, and a verbally abusive father, and Macbeth is a murderous traitor to his king and country. These unfavorable and evil attributes serve Shakespeare's main characters by presenting them as realistically written men, and there always seems a degree, however small, of sympathy associated with their respective downfalls and tragedies. Othello, however, is an anomaly.

There are many opposing views to the way that Othello is defined within Shakespeare's The Tragedy of Othello. Some suggest that Othello is a savage "Moor," and at no point is he the noble "Venetian" he attempts to portray himself as. Others suggest that Othello is the noble "Venetian" he portrays himself as, and his ultimate demise stems directly from Iago being a savage. Yet some agree that Othello is both the noble "Venetian" and the savage "Moor," unable to fully interpolate himself into the "Venetian" paradigm, but becoming, rather, a "noble savage."

The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.

These instances heighten his nobility as a character. He is in great demand by the duke and senate due to his honorable qualities. This is evidenced by Cassio's comment that the senate "sent about three several quests" to look for Othello (I.ii.46). Othello is a noble man who is well known and respected for his position as a general. He is experienced in battle and shows great courage and demonstrates high levels of dignity. Othello shows immense respect for his fellow man, we see this in his initial relationships with Casio an Iago. Othello's valiant personality is a major part of his success in the military as well as with his marriage, to Desdemona. Because of his exotic qualities, he is able to woo his wife in an art of story telling, reflecting his nobility and honor. Such a storey seduces Desdemona, causing a strong bind to Othello made from a mixture of love and lust. The Venetian government trusts Othello enough to put him in full martial and political command of Cyprus; indeed, in his dying speech, Othello reminds the Venetians of the "service" he has done their state (V.ii.348). However noble or revered by his peers Othello may be, it is his honor, aided by his naivety and insecurity that lead to his destruction.

In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character

Othello was living a successful life, but he had one flaw: jealousy. As a result of his jealousy, his life begins to get chaotic because he no longer trusts his wife. Slowly Othello's sanity and status become questioned, and he is no longer seen as important. The last straw is drawn, and Othello murders his beautiful wife only to find out that she did not deserve to die. Othello was a good man, but he was a tragic hero because of his flaw that

The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high state of being to a low state or death. The tragic hero’s downfall, said Aristotle, was brought upon by some error of judgement. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in

    Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.

When first introduced to the play, Othello, I had been told that Othello was a tragic hero driven insane by a villain. The person who described him to me had led me to believe that Othello was a victim. However, when reading the play Othello, I did not feel he was a victim at all. On the contrary, Othello demonstrates all of the classic signs of a wife abuser:, interference in the relationship between his loved one and her family, prior use of violence, elevating his loved one to an unreasonable standard, unreasonable jealousy, and the use of physical force against his wife. Taken together, these factors highlight that Othello is not a tragic hero, but simply a wife-abuser.

The traits of the tragic hero lead the audience to feel compassion for the helpless victim. However, for Othello this is not the case. His demise was of his own doing. The moment he showed violence towards Desdemona, the audience lost interest in comforting Othello. Instead, they blame him for his own ultimate ruin.

In Shakespeare?s play Othello, Othello himself is the tragic hero. He is an individual of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single person, but is rather the consequence of a wide range of feelings, judgments, misjudgments, and attempts for personal justification revealed by the characters.

William Shakespeare presents the character Othello as an excellent leader in the play, Othello. The hero has strength, charisma, and eloquence. Yet Othello cannot reason. The battlefield and Senate are, at least in Othello, depicted as places of honor, where men speak truly. In addition, the matters of war and state are relatively simple; no one lies to Othello, all seem to respect him. He never even has to fight in the play, with the enemy disappearing by themselves. This simplistic view does not help him in matters of the heart. His marriage is based on tall tales and pity and his friendships are never examined; he thinks that anyone who knows him love him. Thus the ultimate evaluation of

Othello is a military hero, widely respected and admired by most. Even his enemies have a grudging respect for him. He has taken the loveliest lady as his bride, and has a seemingly great life. He is seen as a very good man, as proven by the words of the Duke of Venice: “..If virtue no delighted beauty lack, your son in law is far more fair than black.”(Page 47, Line 285-286). Despite all this, Othello does have a fatal