Role Of Women During Greek Literature

Penelope was left behind when Odysseus left for the trojan war, but he didn’t come back after that. Penelope had to take care of their son, their estate, and their servants for 20 years. On top of all of that she had suitors demanding her attention. In all of this she stayed strong and independent, and despite the pressure of the suitors she stayed loyal to Odysseus, even when she didn’t even know if he was alive or not. Penelope’s character is also very clever and sly. She told the suitors that she would remarry after she finishes her weaving project, but each night she undoes everything she did that day. When the suitors find out about it they demand she choose someone to remarry. Penelope uses her intelligence and slyness again as she tells them whoever wins an archery contest using Odysseus bow, which only he could use, she would marry. Penelope is also very kind, which we see when she interacts with the servants and her son. Penelope is a very well portrayed character and she is needed in the story to be someone Odysseus could always be someone to come back

In the first section of Odyssey, mortal women are presented to us as controlled by the stereotypes and expectations of the culture of the day, and it is only within that context that we can consider the examples Homer provides of women to be admired or despised. He provides us with clear contrasts, between Penelope and Eurycleia on the one hand, and Helen and Clytemnaestra on the other.

      Penelope and Helen are the real human women who can steal men's hearts with their own feminine ways and they never let their man go.  Helen stole the heart of Paris and later married Menelaus-the love that Paris had for Helen began the long Trojan War.  Even with her shaded past, Helen is able to live her life as a proper adjusted middle-class matron.  Penelope and Odysseus were only together for a few years before he was sent off to war and, while he was gone for over twenty years, his love for her lasted.  Penelope is the symbol of marital fidelity, of trust, honor  and devotion.

In Homer's composition, The Odyssey, the roles women play are very significant. The best examples of the true nature of women occur when Odysseus encounters Circe and Calypso. These two characters illustrate the thoughts and feelings of how women how a woman feels and how they think. As the quote states, Circe and Calypso illustrate how women really can be crafty, intelligent, sneaky, disloyal, and cruel. In contrast to battles with men, Cyclops, or animals, sexual battles with women are sometimes much more difficult to win.

Unlike Odysseus Penelope is confined by the gender roles of her time and cannot use physical strength against the suitors or even direct verbal rejection, instead Penelope resorts to her emotional resilience and wit in order to challenge the suitors. She wrongly reassures the suitors that once she finishes weaving a gift for Odysseus’s father, she will choose someone to marry her, “’Young men, my suitors, let me finish my weaving, before I marry’…every day she wove on the great loom but every night by torchlight she unwove it.” (II. 103-104, 112-113) Penelope’s actions are strategic and well calculated. Her main goal, like Odysseus, is to successfully overcome her situation. She understands that she may not be able to physically fight the suitors but she can trick them until Telemachus or Odysseus are able to. By crafting a lie that delays the suitors from marrying her immediately, Penelope restrains the suitors from seizing Ithaca, her household, and posing a threat to Telemachus or Odysseus. Her lie gives Odysseus a crucial advantage in the physical fight against the suitors as he comes back to a city and household where Penelope

The #MeToo movement has brought the most recent revelations of misogyny in modern society. Sexism has been present throughout history, and the Greek society in Homer’s The Odyssey is no exception. It tells of the hero Odysseus’ journey back to his wife, Penelope, and his son, Telemakhos, on Ithaka, including his delays by the nymph, Kalypso. Throughout the epic, Homer portrays that society’s perceptions of female inferiority lead to harsher expectations of and stereotypes for women, as shown by the powerlessness, sexual double standard, and seductive stereotypes of women.

For this informative report I will attempt to point out the roles women and how they are viewed in ancient Greece. I will then show how these views are present in Homer’s "The Odyssey." How are women, goddess or mortal, conveyed in "The Odyssey?"

     Many people regard Homer’s epics as war stories—stories about men; those people often overlook the important roles that women play in the Odyssey. While there are not many female characters in the Odyssey, the few that there are, play pivotal roles in the story and one can gain a lot of insight by analyzing how those women are portrayed. Homer portrays the females in contradictory ways: the characters of Athena and Eurykleia are given strong, admirable roles while Melantho, the Sirens and Circe are depicted in a much more negative way. Penelope—the central female character—is given both negative and positive attributes.

The literature composed during the era when the Odyssey was written was directed by men. Woman characters were valued but the only participated in affairs when they had the permission of men. The men, for the most part, directed the women's lives. The themes used in literature were on the subjects that men would be interested in; combat; warriors, and rulers. Domestic affairs, for the most part, were not noted. There is a immense contrast between the Odyssey and other epic poetry of the period. There are several women characters in the Odyssey. All of them add to plot in significant ways and they are also treated with admiration. The women of the poem change the lives of the gods and men, and how they link in significant ways to one

Greek Woman was considered to be submissive which means once you are married to a woman, then she is in your full control. The woman in ancient was not allowed to own the property, in one way we can also relate that the woman had fewer rights than the man because they could hardly express their feeling. The woman was not considered as the citizens.

The patriarchal nature of ancient Greece, especially in The Odyssey, is talked about by scholars globally. Despite this prejudice, reading The Odyssey, multiple strong women are revealed, both antagonists to the hero Odysseus and his helpers, sometimes both in one.

In The Iliad and The Odyssey, Homer has different portrayals of the roles that women play in each epic. These differences are so striking that some readers have even argued that there is a possibility that a woman could have created The Odyssey, modeled after Homer’s Iliad. In The Iliad we see women represented as war prizes and slaves, vulnerabilities to men, and in positions of limited power. In The Odyssey however, we see women capturing men and keeping them as prizes, rising from a status of limited power to dominating their household, and breaking free of the constraints of the “typical” household woman stereotype. We even see them making their own decisions and challenging their husbands. By comparing and contrasting these epic women

Women in ancient Greece had very few rights in comparison to male citizens. Women were unable to vote, own property, or inherit wealth. A woman’s place was in the home and her purpose in life was to rear children. Considering this limited role in society, we see a diverse cast of female characters in Greek mythology. We are presented with women that are powerful and warlike, or sexualized, submissive and emotionally unstable. In many myths, we encounter subversive behavior from women, suggesting, perhaps, the possibility of female empowerment. While produced in an ostensibly misogynistic and oppressive society, these myths consider the possibility for a collapse of male power and the patriarchal system. In Homer’s epic poem The Odyssey,

The role of women in ancient Greek life was insignificant compared to that of Greek men. A woman's job was to take care of the children and to cook and clean unless she had servants or slaves that would do it for her. Yet, in Greek mythology, women were often written as major characters. Well-known Greek plays contain many well-written, complex, female characters. Female individuals in Greek mythology were often seen as very powerful and fierce and were depicted by “her wits, her beauty, or her bad deeds.”

The stories that as a whole make up the body of ancient Greek mythology have treatedthe complex subject of women in various ways. Although women are generally considered to beweak and subordinate to their husbands, there exist some examples of strong, even heroic womenin certain myths. Such “extraordinary” women include Deianeira, Phaedra, Medea, Penelope,and Clytemnestra, among others. This discussion of women will focus on the latter two,comparing and contrasting them and addressing the ways in which the former is often considereda “good” wife and the latter a “bad” wife. The comparison of Penelope and Clytemnestra willultimately show that, in certain ways, the line between “good” and “bad” wife is rather blurryand the distinction between husband-killing monster and devoted, faithful wife is not as clear-cutas one might expect.The major works in which Penelope and Clytemnestra appear are Homer’s Odyssey andAeschylus’ Oresteia, particularly the Agamemnon. One of the first things to notice about theseworks is that they were both written by men, for men. Given the ancient Greek context, this is arather obvious observation, but it deserves to be pointed out because it should be expected thatmen would have a biased view of women. Hesiod’s Theogony and Works and Days describe thecreation of Pandora, the first of “the race of women”, as a gift and punishment from the gods.While she is made to “look like a goddess immortal, / having the lovely, desirable shape of a