Role Of Zora Neale Hrston In The Harlem Renaissance

It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than

Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature

     Zora Neale Hurston was a phenomenal woman. At the height of her success she was known as the “Queen of the Harlem Renaissance.” She came to overcome obstacles that were placed in front of her. Hurston rose from poverty to fame and lost it all at the time of her death. Zora had an unusual life; she was a child that was forced to grow up to fast. But despite Zora Neale Hurston’s unsettled life, she managed to surmount every obstacle to become one of the most profound authors of the century.

First, The Harlem Renaissance was a cultural movement throughout the 1920’s and 1930’s. The purpose of the Harlem Renaissance was that it created a new black cultural identity (Beth Rowen and Borgna Bower 2007).Next, this era was a time for people to find their identity in music, writing, plays, and much more.This was also a way for African - Americans to find their identity as individuals. This is where the African - American authors came to get their names known. The purpose of the Harlem Renaissance was to help the African- American culture find their identity as an individual instead of being labeled by other people’s opinions ( Rowen and Borgna , 2007 ). Because of all of the opportunities that Harlem presented, Zora Neale Hurston was able to leave a legacy during this era . Between 1920 and 1930: 750, 000 African- Americans migrated from the South to the North because of all the job opportunities and

Harlem Renaissance was undoubtedly a cultural and social-political movement for the African American race. The Renaissance was many things to people, but it is best described as a cultural movement in which the high level of black artistic cultural production, demanded and received recognition. Many African American writers, musicians, poets, and leaders were able to express their creativity in many ways in response to their social condition. Until the Harlem Renaissance, poetry and literature were dominated by the white people and were all about the white culture. One writer in particular, Langston Hughes, broke through those barriers that very few African-American artists had done before this

Zora Neale Hurston contributed to the Harlem Renaissance by writing several works of literature, contributing to the acceptance of African Americans, and by helping to preserve folklore and African American culture. Hurston contributed to the Harlem Renaissance by writing several works of literature. Her literature presented a writing style that wasn't usually used during this time.her writing also showed African American culture as well as lifestyle. Zora Neale Hurston contributed to the acceptance of African Americans. Hurston did this by making her work reachable to white Americans in the forms of plays and novels. Last but not least Zora Neale Hurston contributed to the preservation of folklore and African American culture. Zora Neale Hurston helped preserve folklore and African American by collecting the information on it during her expeditions to the south, Bahamas,Haiti, Jamaica, and other

Who was involved? Langston Hughes, W. E. B. Du Bois, Wallace Thurman, Zora Neale Hurston, Jessie Redman Fauset, Countee Cullen, Claude McKay, Jean Toomer, and Walter White are just a few of the literary contributors of the Harlem Renaissance (Richard Wormser, pbs.org). These people, through their writings, offered a better understanding of what it meant to be African American during this time in history. Louis Armstrong, Billie Holiday, Paul Robeson, Florence Mills, Cab Calloway, and Billy Pierce are just a few of the musical contributors (bio.com).

A reflection of the truth. The Harlem Renaissance is real. It is identified as a spiritual re-awakening, a rebirth in culture, a sense of pride and self awareness. However, African Americans were not always allowed this prodigious freedom. Prior to the Harlem Renaissance African Americans were slaves; considered a piece of property who had no rights whatsoever. Despite, their harsh history, Civil Rights were enforced, this helped bring them out of their misery; which is why the harlem renaissance is such an important era for the African American culture. Zora Neale Hurston plays a very critical role in the identification of Harlem Renaissance. She was born in Alabama on January 7, 1891. Both of her parents were former

Zora Neale Hurston was born in 1901. She was raised in Eatonville, Florida. Zora went to Howard University and progressed on to Barnard College. Zora’s work reflected the use of African American legends in her short stories. Zora Hurston is a vital figure who composed stories and plays during the Harlem Renaissance in the 1920s and 1930s. She was committed to telling the stories of many cultures to allocate their social legacy with deference and love with an end goal to beat the unrefined stereotyping of the period. In 1925 during the Harlem Renaissance, Zora wrote a story called “Spunk”. In the story “Spunk”, Zora used the literary terms like character, setting, and

Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and

The Harlem Renaissance was a cultural movement in the 1920s that led to the evolution of African-American culture, expression through art, music, and literary works, and the establishment of African roots in America. Zora Neale Hurston contributed to the Harlem Renaissance with her original and enticing stories. However, Hurston’s works are notorious (specifically How it Feels to Be Colored Me and Their Eyes Were Watching God) because they illustrate the author’s view of black women and demonstrate the differences between their views and from earlier literary works.

African Americans who move to the north no longer have to live the lives of poor agriculturalist, but can now move up in social stature. The concept of moving up in social ranks amongst black people introduces the statuses of the folk, the bourgeois, and the proletarians, to African American society and literature. The writers of the Harlem Renaissance produce work that focuses on ideas like race, class, marriage, and identity. African American writers who migrated now have something more to write about than just the “poor Negro.” These writers are now able to add depth to their characters and give them the opportunity to achieve the stereotypical American dream. Zora Neale Hurston is famously recognized as one of the original writers of this time to do so. Hurston spent her childhood in the first fully functional all negro city of Eatonville, Florida. She lived with her mother and father and was child six out of eight. Hurston’s ideas differed from her family’s traditionalist ideals. She did not want to conform to society’s standards of what a woman should be. Despite her father’s wishes, she wanted to be a writer. Hurston grew up to do just

Zora Neale Hurston was an African-American folklorist, novelist and anthropologist. She was born in 1891 and lived in the first all-black town in the United States, Eatonville, Florida. Her 1937 novel, Their Eyes Were Watching God and played a vital role in the literacy movement the Harlem Renaissance is what she is best known for. Zora Neale Hurston depicts racism in her writings and has contributed greatly to African-American literature. Her work became more popular posthumously.

Zora Neale Hurston was born on January 7, 1891 in Alabama. She is known to be one of the most influential novelist of the twentieth century in African America literature. Hurston is described to be a very opinionated woman that stood for what she believed in; which reflected in some of her works. In addition to her many titles such as, being an anthropologist and short story writer, she was closely related and heavily focused on the Harlem Renaissance. Zora Neale Hurston and her political opinions placed her at odds with important figures during that time which I wholeheartedly believe played a part in the undeniable attraction that most people have towards her works. Being that Hurston was such a unique writer, to understand the ethics and themes of her and how she contributed to African American literature comes with an understanding of the background and childhood she had.

At the beginning of the essay Hurston opens up with the statement that she is colored and that she offers no extenuating circumstances to the fact except that she is the only Negro in the U.S. whose grandfather was not an Indian chief. She presents a striking notion that she was not born colored, but that she later became colored during her life. Hurston then delves into her childhood in Eatonville, Florida an exclusively colored town where she did not realize her color then. Through anecdotes describing moments when she greeted neighbors, sang and danced in the streets, and viewed her surroundings from a comfortable spot on her porch, she just liked the white tourists going through the town. Back then, she was “everybody’s Zora” (p. 903), free from the alienating feeling of difference. However, when her mother passed away she had to leave home and