Roles Of Women In Beowulf

A further example of Wealctheow being treated as a sexual object is right before Beowulf fights Grendel. If Beowulf kills Grendel, then Hrothgar will reward him with prizes. Hrothgar says to Beowulf, “If you destroy my Grendel for me, she’ll be yours forever and ever and ever.” The king is going to reward the hero with his precious horn and his precious queen. Wealctheow is clearly treated as an item in this situation. Later when Hrothgar commits suicide, the queen is passed on to Beowulf. She goes from king to king like an object. Wealctheow would be nothing without a king. As she gets passed along, the queen becomes a pawn and becomes more and more detached. Her resistance dies down as she is passed from king to king. When Beowulf is king, she acts very gloomy the younger woman tells Weachtheow, “What happened to us? Too many secrets.” Also, Weachtheor’s expression and tone of voice is very disconnected. Her resistance to Hrothgar ends up being useless because she still doesn’t gain equality at the end of the movie. The queen looses power because she isolates herself from the king and society.

Beowulf is an epic tale written over twelve hundred years ago. In the poem, several different female characters are introduced, and each woman possesses detailed and unique characteristics. The women in Beowulf are portrayed as strong individuals, each of whom has a specific role within the poem. Some women are cast as the cup-bearers and gracious hostesses of the mead halls, such as Wealhtheow and Hygd, while others, Grendel's mother, fulfill the role of a monstrous uninvited guest. The woman's role of the time period, author's attitude, and societal expectations for women are evidenced throughout the poem.

“[Grendel’s] mother had sallied forth on a savage journey,/ grief-racked and ravenous, desperate for revenge” (Beowulf, 1276-1278). Her desire to avenge her son is carried out, but it ultimately leads to her death. Beowulf’s desire to garner fame and respect overpowers all of the raw emotion and anger felt by Grendel’s mother. She serves the purpose of showing the purest form of revenge, and how its blindness can lead to one’s demise.

Women have had many different roles in the history of European literature but have generally been restricted to the roles assigned to them in a largely patriarchal society. As a result of this society, these roles have often been powerless ones. This calls into question the constitution of a powerful woman in literature: in Beowulf, being a powerful woman means becoming the bond between families and alliances; in Lanval, power comes from assertion and control-- a powerful woman is a woman in charge. The primary difference between the representation of women in Beowulf and Lanval is that the latter transcends overarching patriarchal boundaries, and the former does not; the reason for their respective representations lies in the literary time periods in which the stories were written. From this, one can see that the introduction of romance as a central theme gave way to new representations and roles of women in predominantly heteropatriarchal English literature and gives new meaning to the analysis of stories like these.

Beowulf is a classical epic poem which describes Beowulf’s heroic deeds and his acts towards bringing justice and peace to the Scandinavian society by eradicating Grendel. The original manuscript (700-1000A.D.) and the modern film (2005) reveals significant differences between the characters’ traits and descriptions, an important quotation, descriptions of places, motives, a character’s presence and events that have taken place. Thus, this modern adaptation, Beowulf and Grendel, of an ancient text, Beowulf, is significantly flawed as any modern adaptation of an ancient text will be.

In Beowulf, varying treatment among each gender is common. Therefore, mistresses are not allowed to perform actions that men were permitted and are required to enact based on society’s standards. Females are not retained from doing heroic deeds because of the structure of their body or the estimated weightlifting qualifications. However, the weakest of males are expected to excel through rigorous parts in their life to represent heroic traits they possess within unearthly powers as men of the Gods. Savage animals were not figurative in the passage, but were viewed just as real as a man’s sword. Without these monsters, the men could not have slain enough to be seen as inhumanly or superior compared to the average man. Males were constantly competing against each other in order to have a place among the Gods.

Although traditional Anglo-Saxon society emphasizes on patriarchal views, women play significant roles in “Beowulf”, challenging the masculinity presented. This is portrayed through Wealhtheow, Hildeburh and Freawaru, and Grendel’s mother through their hospitality, their peace weaving, and their anger. In contrast to the stereotype of women being submissive and compliant, “Beowulf” brings new light to the idea of women. An example of hospitality is when Wealhtheow, queen to Hrothgar, is a hostess for people in the hall, allowing all the nobles there to drink and have an appropriate celebration for the event.

Beowulf immediately sets out to track the “she-wolf”, as she is referred to in the poem (574), while the other warriors show cowardice. Beowulf shows great courage and dares to face the evil that no man has ever faced before. During the battle with the ferocious mother, conventional tactics prove to be useless. Beowulf’s sword hrunting could not pierce her skin. On the contrary, Beowulf seems to be relying more on equipment than previously as shown in the epic, “She welcomed him with her claws, clutched at him savagely but could not harm him, tried to work her fingers through the tight ring-woven mail on his breast, but tore and scratched in vain.” (578-582). This shows that Beowulf is growing more towards the old and wise king that he later becomes. The battle concludes when Higlac’s follower uses a magic sword that “appeared” on the wall to defeat Grendel’s mother. His trophy here is Grendel’s head, of which he brings back to the king to show the people that the battle has been

As the poems of Beowulf and Sir Gawain and the Green Knight show, women have always had power, yet not as overt a power as wielded by their masculine counterparts. The only dynamic of women’s power that has changed in the later centuries is that the confines and conditions in which women have wielded their power has become more lax, thus yielding to women more freedom in the expression of their power. The structure, imagery, and theme in the excerpts from Beowulf (lines 744-71) and Sir Gawain and the Green Knight (lines 2309-30) support the concept of more power in the later centuries, by contrasting the restriction of Wealhtheow and the power she practices in Beowulf with the Lady’s more direct assertion of power in Sir Gawain

Beowulf is known for displaying the importance of male heroism via Beowulf, but what about the significance of the women in the poem? The significance of women in Beowulf is overshadowed by the great heroism of the character Beowulf, but the women each have a reason for participating in the epic. The ideal woman was someone who was a noble, a mistress and loyal. An ideal woman is described in Maxim I: “at mead drinking she must at all times and places approach the protector of princes first, in front of the companions, quickly pass the first cup to her lord’s hand”. The significance of women in Beuwolf is a minor detail in the epic, but proves to be vital to Beuwolf. The epic of "Beowulf" illustrates three major roles for the women in the society: the hostess, the peacemaker, and the monster. Five women in Beowulf play the major roles throughout the epic: Wealhtheow, Freawaru, Thyrth, Grendel's Mother, and Hildeburh. These women entertain, bring peace, and contradict societal expectations of the female gender, either directly or indirectly.

In view of the significance of male valor in this poem, the essentialness of women is limited. Nevertheless, women assume principal parts. Wealhtheow, Hildeburh, Freawaru, Thyrth and Grendel's mom embodies the female characters in this

The epic poem Beowulf is best known for it’s peek into the Anglo Saxon life and Beowulf’s battle with the nefarious monster Grendel. Few people ever think about how the women in the poem were more instrumental characters than Beowulf himself. Most of the women in the poem go unnamed and have minimal acknowledgement throughout the story. The few instrumental women in Beowulf are the Female Mourner at Beowulf’s funeral, queen Wealhtheow, her daughter Freawaru, and Grendel’s mother. The mourner had a moving scene in the end of the poem and the queen had more power than the author gave her credit. Freawaru was used as an bargaining tool to create peace between her father Hrothgar and an enemy ruler. Grendel’s mother, though she was evil and ultimately killed, had an important role in the poem as one of Beowulf’s opponents. The roles of women as insignificant as they may seem are very instrumental in Beowulf’s story and show what power they truly had in his time period.

Beowulf, the hero of Anglo-Saxon epic, had many adventures, and many companions and fellow-warriors are mentioned throughout his story. Some of them seem noble and courageous, truly living up to the standards of their culture; some seem cowardly. But all have gained immortality in the words, many times transcribed and translated, of the famous epic. However, the women of the time are rarely mentioned in Beowulf. Still, even from those few women who are mentioned and from other documents of the era, it is possible to see the position of women in of Anglo-Saxon society. In many cases, they enjoyed more rights than women in later Medieval cultures.

She was such a kind and gently young woman. In Hygd’s first appearance “Heareth’s daughter had moved through the spacious hall with mead cups, for the people”. Those two women had a very big influence in politics. During their celebration of Grendel’s death, Wealhtheow had addressed her speech to Hrothgar, and then to Beowulf. In her first speech she urges Hrothgar to “be gracious towards the Geats” but not to make Beowulf here of the kingdom.

Another female character in the poem is Wealhtheow, and without a doubt we notice that she is a female who is respected and admired, being the wife of King Hrothgar, Queen of the Danes: “Applause filled the hall./Then Wealhtheow pronounce in the presence of the company” (1214-1215). There is a great contrast between Grendel’s mother and Wealhtheow.