Roles Of Women In The Arabian Nights

Gender roles have been a hotly debated topic in the most recent years, especially the role of women in society. Women have had set expectations that they are believed to conform to, which is shown in many pieces of film and literature. The Great Gatsby by F. Scott Fitzgerald describes the life of a man in the upper class in the 1920’s, as well as women in the 1920’s. The movie The Princess Bride, written by William Goldman, visually explains the treatment and expectations of women, and especially focuses on the “damsel in distress” stereotype.. Roxane Gay’s “Bad Feminist” explains the stereotypes against women and ways women can come together and fight these constraints. Based on these sources, societal expectations take away from each individual’s identity, forcing women to conform to society's standards. In order to fight against these expectations, women have banded together and formed movements against these standards.

In Western genre, women are repeatedly portrayed as either the helpless damsel in distress or the wild saloon girl. Most Western movies have elements of a gunfight,rivalry, redemption, and/or romance written into the script. A large percentage of the stereotypes of the American West comes from these exaggerated characters and storylines. Very rarely do western films present a strong female lead. When they do, there is frequently a subplot of romance written into it. Few Western genre and cinema portray the true nature of what women in the West were like.

Throughout the times women have proven to themselves as well as people around them that they can take on roles just as important as men. This paper will begin by detailing the work experience and cultural barriers of Hatshepsut, the queen that reigned in Egypt during 1479- 1458 B.C. Followed by the impact she had on gender roles and issues. Next the cultural challenges and obstacles faced by women in Saudi Arabia will be addressed. These women have had many years of restrictive traditions placed upon them and now they have the chance to get a higher-level education and become professionals in their society. Lastly, the paper will discuss the impact the women who worked in factories during World War II had on gender roles. As well as what their culture thought was meant to be all they accomplished during their lifetime.

From a plethora of many authors and compilations over many centuries comes the fourteenth century The Thousand and One Nights, a Middle Eastern frame story during which there are as many as four implanted stories. In the outermost frame of this tale, a king who is betray by his wife vows to take a new wife each night and kill her the next morning in order to prevent further unfaithfulness. The main inner frame are stories from one of his wives which she continues each night to keep the king interested and thus postpone her death. Through these stories, the reader can examine the role of men and women in this time, specifically how women function in conjunction to men in the text. The reader may assume the men are superior while the woman are inferior, but through close reading of the text, the reader will discover that women in the text are only treated subordinately by men in the story but are revealed to the reader as the more powerful of the sexes. Authors reveal the power of women by their prowess at trickery or “women’s cunning” (The Thousand 1181), and their ability to force the actions of male counterparts. The reader can examine men’s attempt to stifle this power, which further acknowledges the women’s merit, through the excessively frequent occurring instances of men treating the women as insignificant, as well as instances when women are turned to ungulate animals, such

In The Thousand and One Nights translated by Husain Haddawy, there is an emphasis on the role women play in and how their characters affect the male view on the rights and freedom women are entitled to. The value of women in the tale vanished after King Shahzaman’s wife had committed adultery with one of his palace workers. In the East during the time of this tale, there was little to no value for women, which gave men the power to use them as sex slaves and be able to throw them away after they have been sexually fulfilled. One day, when the vizier’s daughter Shahrazad volunteers to calm the raging king by telling him many tales and distracting him from his sexual acts and killing spree. The tale of The Thousand and One Nights was believed to be misogynistic, and presented women to be adulteresses who caused the downfall of men (Blythe). This tale was written in ancient Middle-Eastern civilization where women did not have rights or freedom within their societies and were victimized to be seen as the root of all evil and that “women are not to be trusted” (609. Haddawy). This tale will be evaluated based on the traditions placed in the ancient Middle-East, the modern-day observations of how women are treated in westernized countries, and the changes perceived.

For many years, women have been oppressed and treated as property. The opinion of a woman did not matter, being obedient to her husband was all that is required. Even if they were obedient to their husbands, women were property and only for the pleaser and likening to the husband. Mariam did all the her husband required of her, however there was one thing should could not. Which was give her husband, Rasheed, a son or any child. In the novel A Thousand Splendid Suns by Khaled Hosseini, Hosseini reveals the social issue of physical abuse and mental abuse by his use of imagery, diction, and dialogue.

During the time that The Thousand and One Nights was written, polygamy, a man having multiple wives at the same time, was a very common practice for men. According to “Connor Prairie Interactive History Park,” despite this being such a common practice, women did not always agree with the practice of polygamy and often had horrible disputes with other wives. Because of these sometimes unruly disputes, women were thought of as sinful and promiscuous (Hartman). King Shahryar in The Thousand and One Nights upheld the standard role of men during that time, but Shahrazad rejected the cultural standard placed on her by practically forcing the king to live a monogamous lifestyle.

In recent years, America’s attention has been gripped by stories of women who have escaped from the Middle East. Each has a unique story, but they all have the same themes of oppression, abuse, and domination. Americans rushed onto the scene ready to “save” Middle Eastern women and many of the activists are now been highly praised for the influence they made in the region. Others, however, have come to question whether the Muslim women in the Middle East really needed the U.S. to rescue them from Islam. *Insert Thesis*

The Role of Women in The Thousand and One Nights and Shikibu’s The Tale of Genji

To each society, there is its own set of rules. Many of these rules separate the women from the men or the children from the adults by creating certain duties for each individual. There are many comparisons between the women of Islamic and Roman societies. The roles that are given to these two groups of women show what is expected of them as a wife, the mother of the family, and where they stand politically.

The 18th Dynasty of Ancient Egypt was a chiefly patriarchal society. It was a civilization in which femininity and power were not even considered remotely connected, because women were not viewed as equals to men (Cooney 227). Consequently, women lived very restricted lives, because it was thought that their place was in the household, away from the public eye and even elite

In the Islamic Medieval world, the role of women is inferior with that of man. They are supposed to be submissive and adhere to the wishes of their husbands – as their masters. Generally, the stories of in the book comprised of women struggling in the world of the men, where the women are the oppressed while the men are the oppressors. The main story of Shahrazad and the rest of the women that are put to death daily due to the angst of the king is one of the primary examples of this situation. In the Islamic world, indeed the position held by women in the society is that under the authority of men.

The women of Saudi Arabia have been oppressed by the men of the country for generations due to the ignorance of the people, their Islamic faith, and the government. They have no rights and they must receive permission from their husbands or fathers to work, travel, and receive medical attention. The memoir Princess: A True Story of Life Behind the Veil in Saudi Arabia by Jean Sasson, is an excellent example of the oppression of women in Saudi Arabia and the literary devices of characterization and setting help to bring the oppression to life.

Gender role goes beyond biological sex, it is more based to identify leadership as masculine and feminine gender stereotypes. In the middle east, women viewed as housewives, they can not be open with men, and they are not freely to wear what they want. That is because of the tradition, the culture, and the religion that everyone takes very serious. The patriarchy is well known in the Arab World It is getting better over time, but very slowly. Leadership, the final dissections, and all the power belongs to men. They have the freedom to do anything at any time. In the books of Season of Migration to the North and Miramar, genders play an important role in both of the novels.

In Shakespeare’s time, the role of women were if they were property to their husbands. They were only to be at their house doing everything a wife should do, like clean, cook, any duties that had to be done, they were usually married early 20’s. They were to do whatever to please their husbands, which was mostly in sexual ways. In twelfth night, Orsino says “For women are as roses, whose fair flow’r, being once displayed, doth fall that very hour.” (page 41) With this quote, it was saying that women were just seen for their beauty at a young age, but once aging, they would lose it all. Viola states “Alas, our frailty is the cause, not we, for such as we are made of, such we be.” (page 30) Which was explaining how the women are emotionally and