Rollercoaster of Arts and Architecture Brought About by Napolean Bonaparte

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Rollercoaster of Arts and Architecture
Before the 1800’s, Europe went through many trials of major events, both good and bad, that gave people new outlooks on the world and changed many of their lives. In particular, the way art was developed and appreciated changed dramatically in most part because of the rule of Napoleon Bonaparte. Soon enough art would become a way for people, (even those without high-level education) to express themselves. The new styles of architecture and visual arts that Napoleon introduced in France sparked new eras of art like Romanticism that he used to make himself popular; it caused Napoleon to be noticed, not just because of his military conquests, but also because of his artistic vision and innovation.
The
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Rollercoaster of Arts and Architecture
Before the 1800’s, Europe went through many trials of major events, both good and bad, that gave people new outlooks on the world and changed many of their lives. In particular, the way art was developed and appreciated changed dramatically in most part because of the rule of Napoleon Bonaparte. Soon enough art would become a way for people, (even those without high-level education) to express themselves. The new styles of architecture and visual arts that Napoleon introduced in France sparked new eras of art like Romanticism that he used to make himself popular; it caused Napoleon to be noticed, not just because of his military conquests, but also because of his artistic vision and innovation.
The rule of Napoleon Bonaparte was spectacular because of his elaborate and for a long time infallible military successes. Napoleon made art an important part of his legacy. Whenever he would defeat neighboring countries, he would often plunder the art and literature of the country and bring it back to France. Also, he made a big deal of using propaganda to increase his public image. The type of propaganda he would use would deal with the paintings he’d have made of him, the buildings he’d make to honor himself, and the things he’d have carved out of his image. Napoleon took his propaganda very seriously, and when he found Antoine-Jean Gros, an artist that he really liked, he hired him to become his battle painter. Gros was a French painter in
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