Roman Architecture And The Renaissance

Roman architecture was responsible for developing many different building styles and techniques and the creation of various new ones. Ancient Rome expanded quickly from a small town (founded in 753bc) situated on the Tiber River, to an empire with one fifth of the world’s population under its control. This displayed the strength that they possessed, and the control of many different cultures led to the acquisition of a range of typologies. The result of the architectural influence of other nations (mainly the Greeks and the Etruscans) led to many great masterpieces of art and building design. The Romans took many pre-existing ideals and developed them into new technologies and ways of living; architecture is just one of these developments.

The Gothic period, by and large set between the twelfth and fifteenth hundreds of years in Europe, was described by religious workmanship with an attention on design. The Renaissance period, which covers the Gothic period in right on time years, is for the most part considered to have spread over from the late fourteenth century to the seventeenth century, and enormously extended the degree and topic of craftsmanship. In spite of the fact that these two periods have some normal qualities, the Gothic and Renaissance periods have altogether different purposes of core interest.

Many centuries before the birth of Christ, the city of Rome grew, prospered, and developed into a thriving Republic. As in most cultures, Rome's buildings became more elaborate and impressive. They developed fantastic building technologies and ideas. The feats of Roman engineers were groundbreaking, and many structures built by this culture still stand today. With knowledge borrowed from the Greeks, Rome made impressive architectural achievements, these were namely major attributes of buildings, colossal structures, and a legacy that would influence later buildings (Cornell and Matthews 11).

Gothic Cathedral, while most notable for its pointed arches, stained-glass windows, slendered piers, and flying buttresses, is also recognized by its lancets, rose windows, and triforiums, as well as other identifiers. Although most Gothic architects of the great cathedrals are unknown, those that we do know have a sense of fame attached to them and all those who worked on these grand projects. In reference, unlike “Romanesque”, whose name derives from modern architectural historians, the term Gothic was originally used in a derogatory manner by 16th Century Italian architect, Giorgio Vasari who viewed the style as “monstrous and barbarous,” accrediting its ugliness to the barbaric Goths, who are held accountable for the collapse of Rome and the break in classical art and architecture. However, during the 12th and 13th century the term “Gothic” was never used to describe the style of the time, instead it was quickly referred to as “opus francigenum” meaning “French work” or simply “opus modernum” meaning “modern work.” While Giorgio’s view resembles that of renaissance artist Lorenzo Ghiberti, of the previous century, most late medieval and modern views consider the Gothic era a high point in history for Western art and architecture.

Many architectural and urban forms and elements that we witness today are largely influenced by how buildings were design and laid in Rome. Not only in terms of its external design that brought upon important messages but the design of interiors and the significance of spatial arrangement of spaces exist within them has created the sense of physical experience in the buildings as well. Rome’s urban development and the rise of architectural movement began during the time of Augustus

A decision was made to reject the traditional Gothic buttresses design, in order to re- intergrade with the classical Mediterranean dome. This architectural decision was one of the first events of the Italian Renaissance. However this decision was extremely contradictory to popular ideas and wants. The construction of such a masonry (stone) dome posed many technical problems.

During the first half of the Early Renaissance Brunelleschi’s architecture incorporated classical influences. In Brunelleschi’s building, he incorporated a longitudinal/ basilica plan and also created a flat ceiling to give it a more human scale. The building includes classical references like coffers and arcade, while also including arcaded columns, which form the side aisles and shallow side chapels. The building was also mathematically designed in a geometric form. The building of San Lorenzo was a starting point, which later evolved when other architects like Alberti came along.

This remarkable improvement in methods indicates the fresh importation of skills from the East and this applies not merely to England but to all Western Europe at that time (“The Flowering” 88). Into three main phases the development of architecture through the period may be divided. The elements of Gothic style and their gradual elaboration over a period of rather more than a century came first at the opening of the 12th century. After the year 1000 there was a fully coordinated Gothic art particularly marked by the invention of windows with baltracy, Jean d’ Orbais probably used it first at Rheims cathedral during the generation following 1211, why the east end was begun. A century followed with classic poise in which an international architecture reached its peak and produce perfect forms of castle and palace, cathedrals enriched with painting patterned tiles, figure sculpture and stained glass (“The Flowering” 92).

The Italian renaissance was a time period that lasted from the fourteenth century to the sixteenth century. Some of it's roots go back as far as the 1200s, but for the most part began in the 1300s. The word Renaissance comes from the French word Rinascimento which translates to Rebirth in French. Therefore the renaissance was a time of great change, or rebirth, for Italy, and many other European nations. Everything from art to theater to architecture was affected.

As the Renaissance was the rebirth of Greco-Roman culture, the architecture in Italy was based off of Classical Roman examples. In that era, an architect’s journey to Rome was required to study the buildings and ruins. Italian architecture was created through pillars, columns, arches, domes, and entablatures. Renaissance architecture is one of the most appreciated in the world. Humanist architects wished to construct structures that would connect with people through emotions and reason. Marcus Vitruvius Pollio’s architectural writings also helped the Italian architects create a sense of beauty.

In this essay, I will not only be discussing at the connections between Renaissance architecture and cosmology as well as music, but also the what Renaissance architecture is and how it played a key part in architectural design today. The Renaissance period took place during the early 15th century to early 17th century, the age of Leonardo, Michelangelo, and Raphael. Architects of the time took inspiration from classical Roman architecture. This means it is an analysis of architecture in the ancient world, especially ancient Greece and Rome. What the Renaissance learnt from the Romans has how they used the space, looked at the form and had somewhat accurate measurements. And so, they copied elements and modified it, for example, many columns having a slightly intruded appearance on walls to give decoration to the building. They loved looking at the design and proportions and the mainly thrived in Italy during the early semester. It wasn’t until the latter years where Renaissance architecture started to spread throughout Europe, where many architects were fading from the gothic style previously used. However, large numbers of buildings incorporated a mixture of Renaissance and Gothic styles. A famous building built during the Renaissance period is St Peter’s Basilica, made in Rome, which was designed by many

Il Pantheon (Pantheon) “pan” means all, “theon” means God. It is a preserved intact Roman Empire building, located in the centre of Rome, Italy. It was built in 27-25 BC by Marcus Agrippa, and Emperor Hadrian rebuilt it in 125 AD.

When one thinks of Roman architecture, many things come to mind, such as arches, columns, statues, and richly covered surfaces in marbles. One must stop to think that this empire, which gained power and influence in the first century BC, must have been influenced from the thousands of years of cultures preceding them in order to create their masterpieces of ingenuity. This phenomenon can be seen in our borrowing of ideas of ancient Greece and Rome for the construction of our capitol buildings in the United States. The Romans surely considered design principles of other cultures when developing their buildings, since daily conquests of new lands opened Roman soldiers’ eyes to innovations from the great vastness of their empire. This

The Dark Ages were the entire period between the fall of Rome and the Renaissance; they were in fact the start of universities and scientific foundations. During medieval times, mainly right after the fall of Rome, society had a fairly hard time; trying to figure out what to do, many peasants started to farm. Society prospered from what they could personally grow and harvest, and whatever animals they could use, both for hard work and for food. All of this went relatively well, until the plague, or Black Death, happened in all of Europe, especially England. Millions of people died and those who survived were badly scarred. However, during the time of the plague, the Catholic religion flourished. Thus creating the second bright spot during the Dark Ages. Priests prayed for the well being of both the sick and the healthy, and many people converted to Catholicism as well. Additionally, during the dark ages, education for peasants was hard to come by since it was reserved for royalty, and church hierarchy. However, towards the end of the thirteenth century the Church started offering education for children from common homes as well. Plus, many scientific foundations came in the twelfth and thirteenth centuries. In fact some scientists, such as Aristotle, helped find new discoveries, and medicines for disease. As one can see the "dark ages," were not dark, but the start of something bright, that no one during that time would ever forget for years to come.

As the saying goes “Rome wasn’t built in a day,” however long it took to build the capital, the days, months, years, centuries of work can be viewed as a long lasting landmark which paved the way for new and challenging architecture to come (How Roman architecture influenced modern architecture [sa]). According to Tony Rook (2013: [sp] ch.2) the typical Roman temple shows the Etruscan tradition combined with the Greek one. Although some of their premature concepts were acquired from the ancient Greeks and Egyptians, Roman architects transformed the body of architecture for all time to come, offering buildings and structures that has never been before, along the side of public buildings and infrastructure that could be used by