Roman Art Observation Paper

In this essay, I will compare and contrast two different sculptures from two different contexts of art. The first being an Olmec Colossal head (monument 1), from the context of “Art of the Americas,” and the second sculpture being ahead from Rafin Kura. The head from Rafin Kura comes from the context of “Art of Africa.” Both sculptures come from two different time periods and parts of the world. They also are both made with natural materials and have their own symbolic meaning.

This Etruscan- Roman piece of art is detailed all around, but also ideal as depictions look influential throughout the generations from the living patrician man holding the lifeless portrait busts of the two very distinct ancestors. The surface of the marble used to carve the male figure, and the portrait heads is very smooth and pale in colour, as the natural agent simulates’ realistic complexion through the veins present within the marble creating a three- dimensional illusion of meticulous naturalistic rendition of the human anatomy engraved with relief detail all around. The function of the portrait sculpture was to have a permanent documentation motivated by the realistic commemoration of one’s ancestors in a religious and ritualistic funeral use of death masks, that would have been cast from the face of the deceased. This became an obvious style of presenting recognizable prestige that conveyed the significance of

comparing Greek and roman visual arts are hard to compare I decided to pick the temple of aphasia vs. Maison career. First a major point that shows a huge difference between those two artifacts is the pediment wherein the temple of aphasia there is no top there is one on the top of the Maison Carrie, second the columns, the columns in the temple of aphasia are in Doric order which is well known to be a Greek type of column, on the other side looking at the columns in in the mason career they are more of a composite type of columns linking it to the roman ages. Last but not least a huge way to determine which artifact is Greek and which is roman is the elements that each artifact consist of, were in elements of a Greek temple we have the stereo

Greek art, especially sculpture, was a common way to explore and reach past the confines of mankind’s natural appearance be it through penises, huge muscles, or generalized unrealistic body standards. Hercules and the Hydra, a sculpture by Mathias Gasteiger, presents an image of masculinity through the expressive posture and form of Hercules once you look past those gleaming bronze pectorals, and into the intricate details of the piece.

The Greek period, ca. 900-30 BCE, was famous for its developed ideals of human beauty, the concept of ideal heroic male nudes and what they depict, and progression from symbolic works to naturalism. Using the discussion of the following artworks, the (Anavysos)Kouros, the Kritios Boy and the Spear Bearer (Doryphoros), I will discuss their symbolic and naturalistic characteristics.

Both the Statue of Menkaura and Queen Khamerernebty II and the Marble Statue of a Kouros depict an idealized type of art that focuses on the ‘wanted’ physique of men during these time periods. Both Menkaura and Kouros portray a man ‘standing at attention’ as if they were giving commands to those below them. From a military stand point, this stance shows others dedication, and allows the surrounding men to be commanded by their leader easier. Both men are standing forward, almost as if they are looking into the lives of those within their community. Both statues lack facial expressions, allowing the viewer to question why the artist portrayed them this way. As a viewer, the facial lack of facial expressions between the statues allow us to gain

Late Roman Empire Art only lasted for a short extent of time. During which many changes occurred in art, predominantly changes to sculpture. This change was a moving away from sculpture being meant for a particular person to sculpture being for the people of the Roman Empire.

The study of Greek sculpture is a complex relationship of Roman sculpture. And a large number of Roman sculpture, especially in the stone, survives more or less intact, it is often damaged or piecemeal; life-size bronze statues are much more rare, because as most have been recycled for their metal. The

The form of art has been around for thousands of years. There has been many different types of art form found from the ancient greece times. These time are the earliest times that are recorded and are placed in museums. These early art forms teaches us a little bit about the human race and how they were back in the roman times. There are some painting and sculptures that represents different people from their time lines. These art form can explain how they were back in their times and with the statues you can see how far they were allowed to do.

What did it feel like to be in Ancient Rome? How did the Romans live? Ancient Rome was located on central Italy's Tiber River into an empire that at its peak encompassed most of continental Europe, Britain, much of western Asia, northern Africa and the Mediterranean islands. Most of the Romans’ lifestyle were Jobs, Armies, War, Food and Religion.

The Roman Republic is famous for many events, people, and histories. In fact, there have been numerous excavations in which a variety of pottery, paintings, mosaics, statues, and coinage have been discovered from the Republic era of Rome. These numerous items have been analyzed and written about for the purpose of identifying their beauty and creation during the time in which they were made. However, there use as and influence as propaganda has not been fully analyzed. While there might be slight hints in artwork created during the republic area, it is not an area on which many historians have addressed in great depth with specific artworks. (explain why they should and how it would help with the greater overall standing of Roman history / Republic)

As we have seen, the epigraphic sources are not a faithful representation of the whole society of the Roman Era since not all the social groups had the same degree of prominence. Also, the different geographical distribution and the preservation problems add more bias to the epigraphic sample.

The Colosseum is one of the finest example of Roman history. Built at around 70 A.D, the Roman Colosseum has been the site of celebration, sporting events and bloodshed (“Colosseum”). Located just east of the Roman Forum, it is at the center of Rome. The Colosseum, showcasing Rome’s advance engineering skills, is a symbol of Rome’s society, culture and life. With its many tunnels and pulley system, it showcases Rome’s finest engineering's at work (“Purpose of the Colosseum”). The Colosseum is a large amphitheatre built in the first century under the Roman emperors of the Flavian dynasty: Vespasian, Titus and Domitian, as a gift to the people of Rome to maintain popularity and support. Construction of the Colosseum started in 70 AD by Emperor Vespasian and finished ten years later by his son Titus. Built as a gift to the people, the Colosseum was used to host public entertainment such as gladiator fights, wild animal hunts and public executions. Standing at 157

     "The arts of the western world have been largely dominated by the artistic standards established by the Greeks of the classical period" (Spreloosel 86). It is from the Greek word theatron, meaning a place for sitting, that we get our word theater. According to James Butler, "The Greeks were the first people to erect special structures to bring audiences and theatrical performers together" (27). "The theaters were normally located near a populated area at the bottom of or cut out of a carefully selected, sloping hillside overlooking a seascape, a plain, or a city" (Butler 30). "They eventually with few exceptions consisted of three distinct parts: theatron

Greek culture is the source from which many of the characteristic elements of Western culture derive. Their explorations and innovations in art have both fascinated and inspired other civilizations for centuries. For this assignment I chose two Greek sculptures viewed at the Getty Museum. The first is Kouros circa 530 B.C. made of Dolomitic marble from Thasos and is approximately 200 cm (80 in) in height. The second is Cult Statue of a Goddess, (most likely Aphrodite) South Italy, 425 - 400 B.C. made of Limestone and marble. It stands at a height of 220 cm (86 5/8 in). There is some dispute to the authenticity of the Getty Kouros