Romantic And Romanticism In Emily Bronte's Wuthering Heights

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There is nothing more important than a good, safe, secure home” .There’s no question that the Victorians were advocates of this viewpoint. Creating a safe and righteous home was one of their most important social values that took precedence over anything else. However, this moral belief falls short in comparison to Bronte’s Wuthering Heights. The novel generates irony and unfamiliarity because of all that attention given to the two houses. One would expect the novel to be only about devotion to home and that the focus is on domesticity, when in fact it was absent. The Heights, a house which opens to the living room ,suggests that the novel’s main concern is managing a well ordered home while it turns out to be at odds with the domestic ideals.

2- Emily Bronte spent her early years in the Romantic period, and adulthood
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The novel reveals elements of realism and romanticism which qualifies it as a hybrid. There are many features in that novel that exemplify the Romantic period like the settings and the characters. Despite the fact that the novel did not indicate a happy ending, it still delivers a romantic story that deals with a strange, yet original love story of underlying human passion and untamed human nature, which is a conspicuous Romantic effect. As we all know Romantics appreciate nature to a great extent, and nature / landscapes in that novel are exclusively given the central scope of symbolism, where the settings carry expressions of themes and emotions. Wuthering Heights in its gothic setting alone is a feature of Romanticism. Whether it was the Moors, the Grange or even the Heights, each setting was described explicitly in relation to the inhabitants and their feelings towards those places. For example Catherine rejecting a Christian heaven and her longing to inhabit an earthly one which is Wuthering Heights exhibit the significance of nature in terms of
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