Romantic Art Response Essay

The Romanticism art movement praised imagination over reason, emotions over logic, and literature over science. The Romanticism artists were known for replacing the classical 18th century literature heroes with much more complex and passionate characters. Romanticism focuses on self-expression and individual uniqueness that does not lend itself to be defined nor controlled by society. The landscape on Romanticism was commonly displayed in cool rich colors and untamed peaceful surroundings. In Romanticism, nature was used to represent the extension of the human personality, the capability of feeling love, serenity, and sympathy.

I grew as an artist this semester because I learn a lot techniques that I can use for the future like screen printing or using objects that I already have and putting them together as an art piece. I improve on drawing realistic objects like animals. Last year, I had a hard time drawing realistic objects like my landscape painting. I improved from that and learned a lot from my teacher.

This artwork appears to be an abstract piece made from magazine clippings to create a collage. The artwork is a vertical piece that measures approximately 17 x14. It focuses in on the subject of a girl who is created out of neutral colors. She stands out against the rainbow background. In the background each clipping has a different element and pattern, but they all work in unison creating a rainbow background.

Work of art from the Romantic time period shares many similarities with work that is seen in the modern world and today’s audience can relate greatly to art from that time. There is a strong sense of emotion and erotic response in art in the modern age and people react strongly to that. Art from romanticism brings out the same emotion and response.

Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to

Imagine a candle-lit dinner on a starry night in Paris, the Eiffel Tower just in view with dazzling lights shining into the night. This image is probably what you think of when you hear the word “romantic,” correct. However, this image is a stumbling block when people think of the “Romanticism Period” in literature. Where “romantic” means having a lovely time with the person you love the most, “Romanticism” is a piece of literature written with key themes in mind. Those themes tend to be a strong emotion, imagery or worship of nature, and individuality and subjectivity. The peak of inspiration for these pieces was in the years 1800-1850, and there are famous poems that are well loved today from this period. Many of the poets that you enjoy reading and know are, in actuality, Romanticism writers, and instill the themes above in our minds.

Romanticism was an art movement that developed in the late eighteenth century and lasted for about one hundred years. Romanticism is a rejection of the traditional values of reason, order, and objectivity that characterized Classicism and Enlightenment, in particular Neoclassicism. For the romantic artist, Neoclassical principles hindered the artist’s vision and creativity. Rather, the romantic artist emphasized and valued intuition, juxtaposing emotions, and imagination. Generally, Britain and Germany were seen at the forefront of romanticism. The British Industrial Revolution initiated a disillusionment in rationalism and materialism, consequently rejecting classicism.

There are few eras with as distinct an artistic evolution as that of the Romantic Era. The style of this time developed between 1775 and 1850. ‘Romanticism,’ as it was called, first came to be in England and Germany, then in the post revolutionary France and North America, “Its leading exponent was a Madame de Staël, whose book entitled De l’Allemagne, was published in Paris in 1814. This literary work was to become a bible for the Romantics. It veered away from classicism (which de Staël viewed as a transplanted literature), towards more indigenous literatures such as those of the Germanic people. She wrote: ‘The word romantic has been lately introduced in

Awh nature! It has many colors, green, blue, red, and purple. It shines bright, but it can be dull. Nature has emotions just as humans do. Romanticism is based on nature and how it inspires a person’s creative thinking. The Five People You Meet in Heaven by Mitch Albom and “The Tide Rises, The Tide Falls” by Henry Wadsworth Longfellow are two pieces of romanticism that contains the use of imagination, learn moral and spiritual lessons from nature and concern with individual freedom.

Romanticism was a natural outcome of transcendentalism; romanticism and nature went hand in hand during the Romantic time period from approximately 1800 to 1850. Romantic ideas centered on art, poetry, drama, literature, and philosophy; art rather than science. Creative artistic techniques aroused psychological states, grandiose beauty, feelings of wonderment, immensity, and a power beyond human knowledge. Ralph Waldo Emerson’s Nature published in 1836, depicts the joys felt in the simplicity of being emerged in nature. In the painting by Durand, there is also a sense of the two men being awed and inspired by the beauty of nature in front of them. These two Romantic mediums depict

To the Romantics, the imagination was important. It was the core and foundation of everything they thought about, believed in, and even they way they perceived God itself. The leaders of the Romantic Movement were undoubtedly Samuel Taylor Coleridge and his close friend, William Wordsworth. Both were poets, and both wrote about the imagination. Wordsworth usually wrote about those close to nature, and therefore, in the minds of the Romantics, deeper into the imagination than the ordinary man. Coleridge, however, was to write about the supernatural, how nature extended past the depth of the rational mind.

The way these paintings appeal to mythology and idealization of the subject matter is central to the Romantic

Romanticism is an artistic revolt that originated in Europe in the 18th century. It rejected the rationalism, logical thinking, and societal norms associated with the Age of Enlightenment. Rather, it embraced ideals that came out of the French Revolution. The works of art focused on promoting free-thinking and provoking feeling from its viewers. To further explain Romanticism, poet and critic Charles Baudelaire once wrote that "romanticism is precisely situated neither in choice of subject nor in exact truth, but in way of feeling." Various paintings throughout the 18th and 19th century helped to define this time in art history. During the Romanticism era, it was through the emphasis on emotion, freedom, and the everyday life that the Romantic principles of the sublime and the picturesque were expressed.

Artists and paintings can have a significant influence over the general attitude of a time period by spreading a certain sentiment throughout their paintings, and overall these artists played a major role in the spread of romanticism during the late eighteenth century. The romantic movement defined Europe by shifting the focus from rationalism and classicism of the Enlightenment towards emphasizing the expression natural human emotions and imagination in art. Romanticism in general can be characterized as a sort of rebellious reaction to the Enlightenment and Neoclassicism, and the movement produced a new aesthetic form of art based around addressing human nature. In this way, romantic works successfully stood as sort of refreshing contrast to the overdone impressions of classicism. In the late eighteenth century, romanticism would continue to emerge as a literary, artistic, and musical movement throughout Europe.

Romanticism was an art movement in the 18th century that focused on imagination, inspiration, and emotion. Eugène Delacroix and Gustave Courbet, french painters, both specialized in the painting of meaningful things. Gustave’s self- portrait titled The Desperate Man was a painting filled with uncertainty and worry. His portrait of Jo, the Beautiful Irish Girl was also an awe inspiring painting that contained such an intimate setting. Eugène’s painting Orphan Girl at the Cemetery is a true inspiration. It consists of a girl with a face full of emotion and mystery. Both paintings inspire so much emotion. His painting Greece on the Ruins of Missolonghi contains war and passion. It depicts wonder and loss as well as mystery. Both painters have similar styles and methods, but they many differences in their choices as well. But what makes Romanticism and its painters different from any other art movement? Is it the precise and smooth, meaningful strokes or the characters portrayed in the scene? Is it the attention to detail or the faces full of emotion? What makes this art movement so significant? Are Eugène Delacroix and Gustave Courbet the reasons for Romanticism’s popularity?