Women must be granted freedom from stereotypical gender roles in order to achieve dominance over their own lives. This is exemplified in the various romantic relationships in Othello. Immediately in the first act, Brabatio accuses Othello of being a “foul thief, where hast [Othello] stow’d [his] daughter” (I.ii.62) classifying women as a property that can be traded amongst other men. This suggests that women are in the possession of their father before wedlock and of their husband prior to. In addition, Desdemona is passive, failing to contribute her own ideas in a dispute between the two men. As a result, she sacrifices the control she has over her own life and contributes to empowering men. In contrast, Emilia is a stronger female persona
Within the William Shakespeare tragedy Othello we find a full spectrum of loves and self-loves. Let’s put these under the microscope in this essay.
Throughout the play “Othello” you can see how communication can ruin relationships. The play “Othello” demonstrates connections between friends and lovers being destroyed over not communicating which results in disaster.
The meaningful term “love” can be applied to differing relationships in Shakespeare’s tragedy Othello. In this essay let us examine under a microscope the “love” that we find throughout the play.
n Shakespeare's play Othello many issues are undertaken and explored. The three women play a vital role in this. Only one of the women in this play survives. All the women have no separate identity within the play; all three are married or associated with a male character. Bianca is the mistress of Cassio, Emilia is married to Iago and Desdemona is married with Othello. According to the time that the play was written in and the general hierarchy within Venetian society men hold all the power and women are considered to be of low intellect. Yet it is the women that speak the most sense throughout the play and it is also the women that are able to trust other characters in the play. Each woman represents a different social level, Desdemona
Love and lust are both universal and are constantly being applied in the lives of people
Out of all the female characters in the play, Desdemona is most consistent despite her company. However, there is still a difference in her personality while with Emilia and while with a man. For one, her tone changes. While with men she seems to speak lightly, her intelligence is
We see Desdemona as a young beautiful white female, madly in love with a powerful black man. She is strong inside but doesn't tend to show that side of her as much as she would want to. She tends to play the peace-maker in her marriage and is always trying to understand Othello. Throughout the play she struggles to prove her loyalty and respect to her husband, no matter what it takes she tries to be a
Women in the sixteenth century were commonly dominated by a patriarchal society. Meaning their loyalty and respect lay amongst the men in their lives with little choice for opposition. In Othello by William Shakespeare, he portrays the role of women in a way typical to their representation in Elizabethan and Venetian society. While the women may be presented as mentally stronger than their male counterparts, the language given to these female characters suggest that they have internalized society 's expectation of them. Apart from moments of private conversation and Emilia 's reaction to Desdemona 's death, the women behave in a submission that is expected of them, believing it to be the natural way, as the men continue to downgrade and treat them as secondary citizens. Shakespeare represents this status of women through the traditional views of the male characters, moments of submission from the females, and how the women internalize this society.
As a woman in both Elizabethan and Victorian eras, not only do they face being a man’s property, but it is also evident that they are only necessary in order to benefit a man’s social standing. Women in Othello, such as Desdemona, are praised for being the ideal Elizabethan women, beautiful, fair and reticent. Which is why Othello, a man of colour, one that many do not consider part of society quickly manages to elope with Desdemona without permission. Furthermore proving that besides treating her like a possession, he understands Desdemona is a high class women and so if he marries her many will respect him even further now. This is why Brabantio questions the roots of the relationship when he states “Of years, of country, credit, everything-/to fall in love with what she fear’d to look on!” (1.3.97-98). This is evident in proving that Desdemona marriage with Othello is extremely questionable, and it happened only to benefit Othello's social standing. Thus making the fact that men not only wanting women is important, but them being desired for beauty and class makes one women better than another. In Frankenstein, it is conspicuous that men marry women for a better social standard, as Elizabeth is already
Feminism is and has always been a prominent focus in society. Specifically during the Renaissance, when Shakespeare’s Othello was written, were women thought of as subordinate to men. Shakespeare portrays women as merely FOIL characters to their male counterparts throughout the play. They help shed light on the men’s dark sides as well as their true faults. Their roles include wives, prostitutes, and even messengers. The women in the play are disrespected and treated as lesser beings. Although there are imperative female characters in Shakespeare’s Othello, many of them are treated as tools or objects and are disrespected by the men, specifically Iago, Othello and Cassio.
In ‘Othello’ Shakespeare portrays the main three female characters as being quite inferior to the other male characters such as Othello himself, Iago and Casto. Because during that time of which Shakespeare was writing these plays in the Elizabethan era. Society was in which religion was as at the very most top and after was men being the second part of the social ladder and later come women and rule justified women's subordination as the natural order because women were thought to be physiologically and psychologically inferior to men women were expected to be silent, chaste, and obedient to their husbands, fathers, brothers. Even education during the Elizabethan era was only for smart men, and not for women, the women were only allowed to work as cleaners and being mothers. Which makes them inferior to the male sex, we see this in
Infatuation Have you ever fallen in love? Such a vague question to ask, do you not think? After months and years of learning about a person on a personal level, you cannot help but realize you have fallen in love with who they are and who they will be. You fall in love with the birth mark they have on their side or the way their eyes light up when they talk about something they are passionate about.
However strong the emotional attitude of prejudices may be in Othello, Love is the most powerful emotion and ironically the emotion that leads to the most vulnerability. Loves of all kinds are tested in the tragedy and ultimately all fail to rectify the horrible situation. Marital love for Othello and Desdemona serve as both a heaven and a hell on earth. As Othello portrays by saying,
Desdemona can easily be seen to embody an example of the perfect women in an Elizabethan society, being beautiful, obedient, and high born. Her submissive nature is often seen through her own lines in the play, for example “I am obedient” (III.3.89) and her statement in act 4 when Othello tells her to go to bed she replies with “I will, my lord” (IV.3.9). She continues to comply throughout the play, and even in her last moment she lies for her husband saying that she took her own life. Emilia is the female character who’s strength is more obvious than the rest, shown by her open willingness to betray her husband even though she is aware of that it is not the proper thing to do. “Tis proper I obey him, but not now” (V.2.195). However she
Arguably, some modern day women's activist critics consider Desdemona to be a disgraceful exemplification of the female gender. Suffice it to state, there is a vast assortment of proof to corroborate this stance. Desdemona herself announces that 'I am devoted' (III.3.89). With no hesitation she obeys Othello’s requests from the early "cheerful" period of their relationship through to the later phases of his desirous ravings. Even when he