Romantic Rivalry Between Women Backfires

“Roman Fever” is successful in revealing a darker side of interpersonal interactions and the lust for the role of the superior in relationships. It conveys this message by showing the transfer of

Parallelism that Empowers Gender plays a significant role in both Jasper Fforde’s The Eyre Affair and in Charlotte Bronte’s Jane Eyre. The protagonists in each of these novels contradict the expected roles of men and women through similar methods. Many parallels can be drawn between Jane Eyre and Thursday Next, exposing the true strength of these women in the face of society’s expectations of them.

Roman Fever" is an outstanding example of Edith Wharton's theme to express the subtle nuances of formal upper class society that cause change underneath the pretense of stability. Wharton studied what actually made their common society tick, paying attention to unspoken signals, the histories of relationships, and seemingly coincidental parallels. All of these factors contribute to the strength and validity of the story of Mrs. Slade and Mrs. Ansley.

The tale of forbidden love binds itself within many famous works of literature in order to provoke the human mind into situations similar to those of Adam and Eve of the Bible. The “forbidden fruit” plays an important role in the books of Ethan Frome and Jane Eyre in the form of unattainable but beloved women, where two men, Ethan Frome and Mr. Edward Rochester, share common distinguishable attributes. Their serene sensitive nature soon explodes into a passionate cause, later revealing a bare, desperate soul that longs for their beloved “forbidden fruit.”

Set centuries apart, Arthur Milller’s The Crucible and Katherine Howe’s Conversion, seem to reflect follow similar plot lines of rebellion, scandal, and sex. Both follow the lives of teenage girls who face similar problems despite the fact they are based centuries apart. The time of adolescence in a woman’s life is an extremely influential period when one either stands out as a dominant leader, or falls in line as a follower. Though The Crucible and Conversion are based over three hundred years apart, both focus on similar motifs regarding female adolescence including rebellious lust, and the desire for attention and one’s individual identity.

Edith Wharton’s “Roman Fever” and Kate Chopin’s “The Story of an Hour” are the result of two “realistic” writers wishing to change the perspectives of how women should be viewed and treated. In “The Story of an Hour,” Chopin writes about Mrs. Mallard who is a woman desperate for her own thoughts and identity, at the time this concept was untraditional and not accepted. Like Chopin, in “Roman Fever” Wharton calls emphasis to the hidden secrets and feelings held by women at the time. In her writing, Chopin uses various literary devices to play an important role in conveying her message, these devices are also used by Wharton in “Roman Fever.” Irony is a predominant literary device used in both of these works, for example when Chopin states “When the doctors came they said she had died of heart disease—of joy that kills” (1611). This is ironic because the reader knows she didn’t die of joy, but rather from seeing the glimpse of her husband and knowing she had lost the freedom she so desired. The first sign of irony Wharton uses is in the title, “Roman Fever,” which is an old name for malaria. However, that’s only the surface meaning as the deeper meaning symbolizes Mrs. Slade’s disease-like jealousy she has hidden for years over Mrs. Ansley. Both Edith Wharton and Kate Chopin were very influential authors of the time and brought out suppressed issues in their works to be acknowledged and challenged by society.

Presenting literature to the public that is meant to be a commentary on social or political issues, masked under the guise of entertaining and fictional, is a tool implemented by authors and activists for centuries. While not all satire is as overt as Jonathan Swift’s suggestion that we eat the babies, it does not diminish the eyebrow raising suggestions that are conveyed once the meaning has been discovered. In Aphra Behn’s The History of the Nun and Eliza Haywood’s Fantomina, the established expectations of the female role within society are brought into question then directly rejected. These expectations establish that women should be deferential to men, morally unblemished, and virtuous at all times. Men, however, are not held to these expectations in the same way. The masculine roles assumed by Isabella and Fantomina demonstrate a private rebellion against the established patriarchal society as it warns against the under-estimation of women and proves that women exist independently.

In “ Roman Fever”, Mrs. Slade represented determinism in the duration of the story through her jealousy and similar emotions. Her thoughts and actions in the story towards her lifelong friend has traces of jealousy and bewilderment throughout the story. For example when reminiscing on the days of their youth in Rome, she realized that, “ There was no one of whom she had less right to think unkindly than of Grace Ansley. Would she never cure herself of envying her!” (Wharton 6). Mrs. Slade talks about how her life is boring and now that her husband has passed away, her life is even more dreary. She envious of the type of daughter

James' manipulation of appearances in Daisy Miller as well as other character's notions of these appearances provides us with a novella of enigmatic and fascinating characters. Daisy, the most complicated of these ambiguities, is as mysterious as she is flirtatious. James gives her a carefully constructed enigmatic quality that leaves the reader wondering what her motivations were and who she truly was. He structures the novella in such a way as to stress the insights that the supporting characters provide into Daisy's character, weather accurate or erroneous. Despite their questionable reliability, they allow James to make commentary on both European and American cultures and social class.

Hannah Webster Foster’s The Coquette (1797) and William Hill Brown’s The Power of Sympathy (1789) are epistolary novels that outline the inevitable perils and consequences (for women) of carelessly becoming a victim of male seduction. These provocative novels allow readers to enter a sexual private sphere of society, one that may have been deemed taboo, through letters depicting the art of seduction. Women were expected to subscribe to the societal expectations of appropriate female behavior. In addition, literacy was at transformative state at the staging of both novels; morals lessons (within the household) could now be found in non-biblical mediums of literature. The divergence from reading for devotion to reading for entertainment and intellect was pivotal. The perceived dangers of this, however, were that “novels which expose no particular Vice, and which recommend no particular Virtue, to the fair Reader, though she may find amusement, must finish them without being impressed with any particular idea" (Brown, 7). Brown implies that, by misinterpreting seduction novels, women would not be able to perform their political and social role as republican mothers—that these novels would penetrate their moral compass and leave them vulnerable to the powers of seduction. The seduction that befall women in Brown’s The Power of Sympathy and Foster’s The Coquette reinforce the expected role of women in the New Republic, highlight the horrifying consequences that accompany

The short story, “Roman Fever” illustrates the shocking relationship between two women, Mrs. Ansley and Mrs. Slade, by a chance meeting in Rome. As the story opens the two women are sitting on the terrace of a Roman restaurant that has an astonishing view of the Colosseum and other Roman ruins. While the women sit in silence and enjoy the tranquil view from the terrace they notice their daughters down below running off to spend a romantic evening with two young men. This triggers Mrs. Slades memories of her and Mrs. Ansley’s quixotic adventures in Rome as young adults and their first encounter with “Roman fever”. Wharton uses the term Roman fever to illustrative the women’s past relationship that is embedded with destruction,

The story “Roman Fever” by Edith Wharton starts off with two wealthy American women who spent some time in Rome when they were young girls. These women would later on in life take their daughters to the same part of Rome to hopefully find their daughters some husbands like they had. Both the women in this story had many similarities their daughters were the same age they lived beside each other they might have both even been with one of their husbands.

“Roman Fever” is a short story written by Edith Wharton in 1934. The story is about two old friends Alina Slade and Grace Ansley reconnecting. Alina and Grace run into each other while on a trip to Rome with their daughters. The two women grew up in Manhattan and were childhood friends. A romantic rivalry led Alina to get feelings of jealousy and hatred against Grace. In the first part of the story, the two women talk about their daughters and each other's lives. Eventually, Alina reveals a secret about a letter written to Grace on a visit to Rome long ago. The letter was addressed from Alina’s fiancé, Delphin, inviting Grace to meet at the Colosseum. Alina had written the letter, to get Grace out of the way of the engagement by disappointing her when Delphin didn’t show up. Grace is upset at this revelation, but reveals that she was not left alone at the Colosseum. She had responded to the letter, and Delphin went to meet her. Alina eventually states that Grace shouldn’t pity her because she won by marring Delphin while Grace had nothing but a letter Delphin didn't even write. Then, Grace reveals that she had Barbara, Grace’s daughter, with Delphin. “Roman Fever” uses a lot of dramatic irony and has many events that contribute to thematic conflict. Wharton uses the letter Alina writes to Grace to trigger all the deception between them, which shows readers that when people are being deceitful with one another nobody wins. Alina sends the letter to Grace to get her out of the picture, but it gives Grace the chance at Delphin that she wouldn’t have gotten otherwise, and Grace takes advantage by writing back to Delphin without Alina’s knowledge. Both characters are keeping secrets about their relationships with Delphin and they both think that they won when neither of them did.

“Roman Fever”, written by Edith Wharton, is a short story with an unpredictable ending. Two “middle aged” widows, Grace Ansley and Alida Slade, have come across each other unexpectedly in a Roman restaurant. The outcome of envy and jealousy on each other began with wanting to conquer one man, Delphin Slade. A conversation has begun once the daughters “leave the young things to their knitting”, later leaving the reader astonished (Wharton 1). In “Roman Fever”, the strained friendship results from the envy and jealousy of one another.

Are you male or female? Depending on your answer which is a 50/50 question, it may determine the amount of money you earn, authority (or respect) you have and the “roles” you take on. Since the beginning of time women have voiced their dilemma in how they are not equal with their male counterparts. Many have questioned where this ideology has come from. The Battle of the Sexes is not only a board game that can be purchased, but a psychological battle that we face that in cases surpasses race and ethnicity issues. The book of Genesis written before 4000 B.C. states “Then the LORD God made a woman from the rib he had taken out of the man, and he brought her to the man” (Genesis 2:22) this quote and this context has been interpreted