Romanticism In Sense And Sensibility

The Romantic era began in 1770, with its peak being from 1800 to 1850. With emphasis on the imagination and emotion, Romanticism emerged as a result of the Enlightenment period, which heavily placed values upon reason and order. Thus, Romanticism depends heavily on “the practical accomplishments of the prior un-Romantic era— a relationship between material wealth and scientific knowledge on one hand, and personal, spiritual, or emotional transcendence on the other, that twenty-first century Americans continue to manage.” The simplest explanation for what is Romantic is “‘anything but the here and now’ or whatever is not realistic” (“Romanticism”). The

The time of Romanticism brought upon many trends extending from the idea of individualism as a rebellious separation from the classics, an idealistic outlook and finally to a strong religious base. Most of the writers of the Romantic period followed Pantheism "God is everything and everything is God ... the world is either identical with God or in some way a self-expression of his nature" (Owen 1971: 74). The idea of Pantheism was that everything in the world worked in unity. In some of the works of the Romantic period the expression of nature and humans are not separate entities, but one in the same. Even though in reality it did not work this way Pantheism was the ideal of most these writers and idealism in itself was yet another trend

Throughout history, relationships between people have been questioned based off what people have heard or seen. Jane Austen writes the love story of two sisters, Elinor and Marianne, that have conflicts when it comes to their relationships caused by miscommunication. In Sense and Sensibility, Jane Austen reveals the danger of making judgements on insufficient information through relationships between the characters. Miscommunication creates confusion and a mix of emotions from the characters.

Jane Austen's groundbreaking novel Sense and Sensibility is a relationship-driven account of female protagonists. Sense and Sensibility shares much in common with other novels by and about women. Themes like autonomy versus independence and the role of women in a patriarchal society are explored in Sense and Sensibility. Using two sisters to symbolize the different directions the female spirit can be pulled, Austen shows the variable ways women respond to political, social, and economic oppression. The women of Sense and Sensibility are both trapped by, and breaking free from, the conventions of marriage and motherhood. Marriage and motherhood are portrayed ironically as the natural course of women's lives, but also as the chain that prevents their self-fulfillment. The social norm of patrilineal inheritance leaves Elinore and Marianne Dashwood, and their mother, penniless and dependent on distant male family members. Marriage and motherhood are restrictive roles for women, and yet Austen never provides a satisfactory alternative for Marianne. Marianne seems willing to break free from patriarchal social norms, but she ends up being a slave to heterosexual romance. The message in Sense and Sensibility ends up being rather bleak: women remain socially, economically, and politically oppressed because they cannot envision or enact suitable independent alternatives.

One major aspect of Romanticism is the obsession of nature. Many Romantic texts convey nature as a healer and harbinger of supernatural events. Mary Shelley throughout Frankenstein addresses nature as a mysterious and unconquerable entity, as the main character, Victor, holds a “fervent longing to penetrate [its] secrets” (Shelley 21). The main character, Victor,

Sense and Sensibility was first published in 1811, by Jane Austen, Sense and Sensibility represents the neoclassical, dualistic moral world where values and exclusion values will ultimately be successful in a painful, romantic feeling. Not only that, he was making serious cynicisms of society's eighteenth centuries in which the aristocrats were praised and indirectly influencing young people's minds, not the love of love but to betray it just for Wealth. In the novel, Lucy and Willoughby symbolize this kind of people of society

Sense and Sensibility by Jane Austin was a moralistic novel depicting the two main forms of attitudes at that time; the neo -classics and the romantics. The period in which it was written, nineteenth century England, was laden with social etiquette and customs imposed on people of that time; and thus the characters of Jane Austin's novels. The novels' two main protagonists; Elinor and Marianne Dashwood, exemplify the Neo classical era and the romantic era, respectfully. Jane Austin instils Neo-classic and romantic ideals in Elinor and Marianne as to present a view of each attitude and to further enhance the discrepancies of social nineteenths century England.

The novel Sense and Sensibility by Jane Austen explores many aspects of everyday and long term life. There are many characters that show different emotions and ideas, and cause the book to become real in the mind, because of the similarities found between the character’s lives and others. These people such as Marianne, Elinor, Willoughby, and Lucy all present different personalities and contribute differently to the composure of the book, and the way the storyline was made. One major aspect of the book is love with its benefits and downfalls, and is arguably the heart of the book, as this is almost constantly a present topic.

The Classical Period had lasted from around 1750 -- 1820, and was itself a revolt against the previous Baroque era. The arts moved away from the heavily ornamented styles of the Baroque to a cleaner, uncluttered style, thought to be reminiscent of Ancient Greece, and many people interested in music were now the aristocracy rather than the church or monarchy. The social upheavals of the latter part of this period challenged these ideas, and the Age of Reason became the age of the individual, and the beginnings of Romanticism, with its non-rational and disordered reasoning, became predominant.

Often, two people who have endured similar life experiences and share an unmistakable parallel in lifestyles can be viewed as duplicates of one individual. In Sense and Sensibility, the two main characters, Elinor and Marianne Dashwood can be seen as two extensions of the same character. The sisters are relatively close in age, grew up with the same social expectations of the same time period and household, and they evidently experienced similar childhood and family trauma and problems. Although it could be argued that they are the same character, these young women are very different from each other, in respects to their roles and practice of responsibility, their display of emotions, and openness to love. Jane Austen has cleverly titled

When Charlotte Bronte said of Jane Austen’s novels ‘I should hardly like to live with their ladies and gentlemen, in their elegant but confined houses’ she was referring to the physical confinement of an interior versus an exterior setting. This confinement of the setting mirrors the social confinement of a woman versus a man in the societal structure at the end of the 18th and beginning of the 19th century. While Austen studies the societal position of women in most of her novels, her early work Sense and Sensibility, is perhaps the most interesting to take into consideration when reviewing the issue of confinement. In it Austen juxtaposes the freedom of the countryside exteriors with the confinement of the city’s interiors. These settings serve as a backdrop for the exploration of two female characters whose social status has been set back as a result of the primogeniture of the time.

Love comes in many shapes and forms, whether it’s an inanimate object or a person you want to spend the rest of your life with. Jane Austen’s novel, “Sense and Sensibility”, revolves around two sisters who try to find true love, while requiring a balance of reason and emotion. Elinor and Marianne Dashwood are viewed as two completely different people. Elinor is known to represent “sense” while Marianne represents “sensibility.” In the novel, Jane Austen emphasizes two common women’s characteristics, and shows us how Elinor and Marianne both find love and happiness only by overcoming their struggles and learning from one another’s actions and mistakes.

Artists and paintings can have a significant influence over the general attitude of a time period by spreading a certain sentiment throughout their paintings, and overall these artists played a major role in the spread of romanticism during the late eighteenth century. The romantic movement defined Europe by shifting the focus from rationalism and classicism of the Enlightenment towards emphasizing the expression natural human emotions and imagination in art. Romanticism in general can be characterized as a sort of rebellious reaction to the Enlightenment and Neoclassicism, and the movement produced a new aesthetic form of art based around addressing human nature. In this way, romantic works successfully stood as sort of refreshing contrast to the overdone impressions of classicism. In the late eighteenth century, romanticism would continue to emerge as a literary, artistic, and musical movement throughout Europe.

In order to fully understand how supernatural themes played such a large role in Romanticism, we must further explore what Romanticism really is. This spiritual and artistic movement rejected rationalism, and emerged as a reaction against ‘the age of enlightenment’, which put strong emphasis on reason and logic. Thus, for the Romantics, literary creation was what the artist produced after reconstructing or developing a new interpretation of the world around him. It was the offspring of imagination applied to the writer’s impressions of real life. Authors such as Coleridge, Blake, and Shelley, believed that literary creation was the product of transforming reality into something beyond reason, but not beyond the

Despite its name, Romantic, the Romantic age had only a few things that was related to the real meaning of romance known now, however, love had been the main subject of most of the age's art. The age was actually a great achievement of art and philosophy that resulted in the western societies to change the way they thought about themselves and their surroundings as mentioned in the article "Romanticism" Adapted from A Guide to the Study of Literature. Differing from the classical age the romantic age has given artists of that period more freedom and creation. Music for instance was of great value in terms of the way it expresses. Composers of the age used music along with freedom in expression to express nationalism and hence proving their