Romanticism In The Minister's Black Veil

Nathaniel Hawthorne’s short stories are strongly developed around his unique and powerful use of physical setting. Often the location and the time of day of the story speak as much -- if not more -- of the plot, giving a deeper meaning then just the outside world. However, this emphasis on the physical setting is not always present, as in “The Minister’s Black Veil.” Instead, Hawthorne here used primarily the psychological setting of the characters (and most of all with Parson Hooper) to create this masterpiece work that creates just as much an impact - if not more so -- than any physical setting could ever achieve. Hawthorne’s gift as a writer who knew the power of darkness is evident in his short story “The Minister’s Black Veil”.

When one has to grope for, and fumble for, the meaning of a tale, then there is “failure” in the work, as Henry James says. This unfortunately is the case of “The Minister’s Black Veil.” It is so ambiguous in so many occasions in the tale that a blur rather than a distinct image forms in the mind of the reader. The Norton Anthology: American Literature states in “Nathaniel Hawthorne”:

"The eyes are the window to your soul," In not being able to see Mr. Hooper's eyes, the congregation becomes distressed and uncomfortable. The eyes make it possible for others to discern your feelings and emotions. Mr. Hooper creates an impenetrable solitude that makes it impossible for people to relate to him. The body is but a shell; the eyes are the gates to the real self. From the first day of the veil dropping over the minister's face people's opinions changed of him. He becomes a mystery, unreachable and feared. In reality the minister hadn't changed at all. He is the same gentle man with

In The Minister’s Black Veil by Nathaniel Hawthorne, the author seeks to convey that although all individuals are sinners, members of society will condemn those who seek to confront their own faults. This conclusion was drawn from the many motifs which relate to Puritan society, particularly the superstitions and Christian ideologies of many New Englanders during the 18th century. In this tale, Mr. Hooper’s donning of the black veil is viewed as a change which alters his countenance indefinitely; from the moment it is introduced, those who view it are awestruck. The mere sight of Mr. Hooper even acts as a “signal for the bell to cease its summons”. As murmurs spread throughout the congregation, Mr. Hooper preaches of “secret sin, and those

During the period of American Gothic literature, authors, such as Nathaniel Hawthorne and Edgar Allan Poe, incorporated the sinister perspective of the human nature in their writings. Both Hawthorne’s symbolic short story, “The Minister’s Black Veil”, and Poe’s violent fiction, “The Tell-Tale Heart”, demonstrate separation and symbolism throughout the course of each story. In Hawthorne’s story, the protagonist, Minister Hooper, decides to wear a black veil over his face and vows to never remove it. This vow continues to the point of his death. Mr. Hooper’s decision to wear the black veil consequently separates him from society. Hawthorne uses the veil to symbolize the human psyche and efforts to hide sins. In Poe’s story, the narrator is the caretaker of an old man with a blind eye. He describes his internal discomfort when he sees the eye, and later devises a plan to murder the old man. His separation from humanity due to the uneasy feeling of the old man’s pale, blind eye are shown through his efforts to commit murder.

Mr. Hooper has an effect on people by wearing the veil and he uses it to express his original purpose. Everyone on Earth has sinned, “for the Earth, too, had on her Black Veil.” This shows that Mr. Hooper believed that sin is a part of nature and it is a natural thing to be sinners. Even Earth, His own creation, is hiding her secret under a black veil. Hawthorne says this to show Mr. Hooper’s point that people have an inborn sinful nature and it is not always represented by literally wearing a black veil. In other words, he says that even people who do not wear a black veil equally have secret sins, “If I hide my face for sorrow, there is a cause enough…and if I cover it for secret sin, what mortal might not do the same?” People hide their real self to prevent being criticized by society and because they are ashamed of what they have done. He pays a high price in the attempt of teaching society the nature of sins. The people who used to admire him are now afraid and confused so he is forced to live a lonely live. Following this further, he influences people to believe the moral lesson behind his decision of wearing the veil. He wants people to

Nathaniel Hawthorne utilizes the color of the veil, Mr Hooper’s speech to the townspeople, and the contrast of the bad veil in good events to once again showcase his views on the everlasting effect of guilt and sin. While it may be a harsh concept to comprehend, when one comes to terms with this, it leaves a feeling of ease. Once one knows that there is no time of the day where they can be freed of the feeling of guilt is when they can truly love themselves. Remember that sin is like a convenience store, it is open 24/7, and everyone has to take a trip there once in awhile, so there is no reason to be

In "The Minister's Black Veil," Mr. Hooper, the village minister, begins daily wearing a black veil for mysterious reasons. While a veil typically symbolizes mourning and sorrow, the villagers saw the veil as representing so much more though they were unsure of what. The veil both terrifies the villagers and makes them feel drawn to Mr. Hooper. As the story progresses, we learn that Mr. Hooper used the veil to symbolize the evil natures that all human beings try to hide.

The Minister 's Black veil is a Romanticism. A romanticism is a movement in the art which sprung during the eighteenth and nineteenth century.Romantic is used to describe literature. It is defined as a depicting emotional matter in an imaginative form. As well as the imagination and emotion and the freedom embraced are all focus points of romanticism. Characteristics Of this literature piece would include subjectivity and an emphasis on individualism. Solitary life rather than life in society. The beliefs that imagination is superior than the reason and devotion to beauty, the love and worship of nature as well as the fascination with the past.

In the short story The Minister's Black Veil Nathaniel Hawthorne is explaining how mankind is afflicted by the seven sins. The officer of the church is ring the town bell calling all the people of the village to church, when the church sexton sees Mr. Hooper leave his house he stops ring the bell. The people of the town don't like the Hoopers change in appearance they think that he has lost his sanity and no one walks on the side of the street he lives on. Later in the story the their is a funeral for a young woman and the town people think that's why Hooper is wearing the Black veil “for his own secret sins”. The young minister asks Hooper to remove the veil as Hooper is dying. Hooper is brought to his grave, “Many years pass, and grass

In Nathaniel Hawthorne's "The Minister's Black Veil," Mr. Hooper, a Reverend in the town of Milford, surprises his parishioners by donning a conspicuous black veil one Sunday. The town is visibly spooked, yet still curious, about his eerie appearance and profoundly affected by his sermon on secret sin. "A subtle power was breathed into his words. Each member of the congregation, the most innocent girl, and the man of hardened breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought" (2432). The parishioner's expect that Hooper will only don the veil for one day and then remove it, having used the visage to make his point on secret sin, but they are taken aback to

Hawthorne’s writing style in the “Ministers Black Veil” reveals his view on humans nature through symbolism of the black veil. Reverend clark and other men encircle the minister and question why he must never take off the vail. Right before the ministers death he gets aburst of energy and proclaims, “When the friend shows his inmost heart to his friend…, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a black veil!”(Hawthorne 882). Everyone has secrets that they do not want to tell even their closest companions because they feel guilty and ashamed. The minister tells the clergyman that everyone wears a black veil over their face. Hawthorne writes this intending for the veil to be a symbol of man’s secret sin therefore showing that his outlook on humanity is that people are secretly sinful.

“The Minister’s Black Veil” was first published in 1832 and was written during the American Romantic time period. Romanticism was a time period where emotion and beliefs were valued over reason and facts. Nathaniel Hawthorne can be seen as a writer of “Dark Romanticism,” a sub genre of Romanticism with a fascination with horrific themes and the exploration of the psychological effects of sin and guilt, and where the writers focused on judgement, punishment, and self-destruction. Hawthorne’s use of this style of writing sets the tone of the work as a observation of the nature of sin.

If we take “The Minister’s Black Veil” as a horror story, it leads us to certain conclusions about the nature of the veil and Hooper’s refusal to take it off. If horror is something that centers upon the horrifying or macabre, especially concerning the supernatural, one can see that this story could belong. Hooper never divulges the exact nature of the veil, and we are left to speculate about what it could possibly mean. Several possibilities present themselves if we think of this story as a horror story; it could be that the veil is covering Hooper’s face to be a constant reminder to his congregation and all who see him of secret sin. It seems that the idea that he could possibly know someone’s secret sin is terrifying to the townspeople. Indeed, this veil does give Hooper “awful power over souls that were in agony for sin” (943). Sinners fear him, because they feel that the black veil is a reference to their own personal secret sins. And the veil gives him an association with the dead and ghostly qualities; after the girl’s funeral at the beginning of the story, one woman remarks that she thought she saw Hooper walking hand in hand with the ghost of the dead girl. Such things would not have been imagined if he had never donned the veil.

The black veil brings up confusion and interest to the Puritan society because everyone has a different view as to why Mr. Hooper is walking around with his face covered with a veil. To the townspeople, Hooper’s veil is a clear sign that he is trying to atone for a grave sin. “There was but one thing remarkable about his appearance. Swathed about his forehead, and hanging down over his face so low as to be shaken by his breath, Mr. Hooper had on a black veil. On a nearer view it seemed to consist of two folds of crape, which entirely concealed his features, except the mouth and chin, but probably did not intercept his sight, further than to give a darkened aspect to all living and inanimate things” (Hawthorne 369). Although Hooper identifies the veil in a different manner, the townspeople use the veil to focus exclusively on Hooper’s sinfulness because, deep