Romanticism In Thomas Cole's The Voyage Of Life

The Romanticism art movement praised imagination over reason, emotions over logic, and literature over science. The Romanticism artists were known for replacing the classical 18th century literature heroes with much more complex and passionate characters. Romanticism focuses on self-expression and individual uniqueness that does not lend itself to be defined nor controlled by society. The landscape on Romanticism was commonly displayed in cool rich colors and untamed peaceful surroundings. In Romanticism, nature was used to represent the extension of the human personality, the capability of feeling love, serenity, and sympathy.

What Romanticism tried to do was stir all the way through the Age of Reason so in this case man and nature became fused through participation in the one ‘mighty being’, so that the most elemental natural objects became ‘humanised’.

One major aspect of Romanticism is the obsession of nature. Many Romantic texts convey nature as a healer and harbinger of supernatural events. Mary Shelley throughout Frankenstein addresses nature as a mysterious and unconquerable entity, as the main character, Victor, holds a “fervent longing to penetrate [its] secrets” (Shelley 21). The main character, Victor,

The world has several great poets and many mind-blowing works, each with its own way of portraying its own message and some the same ones. Jane Flanders wrote the poem named “Cloud Painter” she shows the world from an artistic way, using a painter and his canvas to help the reader picture the true meaning behind the words and images created. Robert Frost takes on the same idea but uses a less complex example so that it makes his work easy to understand while not revealing the real meaning of the poem. Frost and Flanders are just two of the many poets that use nature as a way of explaining the very lessons in life. Each poet has a different way of presenting similar images but from a different perspective.

“Those scenes of solitude from which the hand of nature have never been lifted, affect the mind with a more deep-toned emotion than aught which the hand of man has touched.” This quote by Thomas Cole explains nature and transcendence from art, Thomas Cole was an important figure in american history because his art showed peace and tranquility.

The beautiful blossoms that bloom in Californian spring, the summer daisies alongside the cooling lake, long after the summer the trees have lost their leaves entering autumn to fresh white snow out in the mountains. Nature is able to show us its true beauty without any falseness and modifications. After all, is it not ironic how people go to museums to look at paintings of colorful flowers, green hills, and clear water streams; those are beauties that can easily be observed in real life outside of the urban environment which are surrounded by them, or how people buy recordings of the calming sounds of nature, similar to what you would listen to at night in the woods or smell nature aromas of the candles. What we are doing is trying to mislead our minds and pretend to think that we are in the woods but are instead cornered inside our small, well-furnished, and full -with-technology apartment.

The Romantic Period had a gigantic impact on Marry Shelly's composition of the novel, Frankenstein. The Industrial Revolution in England in the late 1700's was a period of extraordinary change. The masses was moving into urban areas, and individuals were baffled by the awe of nature and the living conditions in the urban communities. In light of this bafflement, individuals began to imagine the world uniquely in contrast to they had, some time recently. They considered nature to be all wonderful, capable, and great.

Cole focuses on the American landscape and mixes idealism and realism into his paintings to really get viewers to admire nature and its beauty. He believed that landscape painters needed to have strength determination, and courage to overcome Mother Nature’s more turbulent side.

However, the new “romantic” movement did not entirely replace the Puritan concept of nature but instead relaxed the previous hatred to the wilderness and created a climate in American where nature could be appreciated. An "appreciation arose with the association of God and wilderness" in that God created all nature (Nash 45). Romanticism revealed beauty through wild nature, not only in the "comfortable, fruitful, and well-ordered" (Nash 45). Moreover, Romantics sought the natural setting as an escape from society “filled with beauty and majesty” (Nash 61). The wilderness provided opportunities for freedom and

We get these amazing feelings because we have a connection with nature, after all through the eyes of a romanticist, we belong in nature. Today, we still enjoy nature, but in a different way. No one has the time to sit and relax like the Romanticists did in the past. The once beautiful large fields that used to bring happiness have been concreted over for dark man-made buildings and unnecessary new housing

Nature has an undefinable meaning as the theme is utilised in literature, and it has been a topic of reflection within the Romanticists since the beginning of the era. Romanticism and nature and inextricably linked ideas. Poets; Emily Dickinson and Walt Whitman wrote during the romantic era, and both drew heavily from aspects of nature in their work. Nature can be paralleled against several things, including humanity and the idea of life and death. The contrast between the natural world and the artificial world, and what this means for society, is also strongly eluded to in Dickinson and Whitman’s poems. Each poet uses nature as the backbone to their poetry in several instances. Dickinson’s, “Hope is the Thing with Feathers”, (Dickinson, 19) and “My Life Has Stood A Loaded Gun”, (Dickinson, 69) are strong examples of this. Whitman’s, “Song of Myself”, (Whitman, 29) and, “When Lilacs Last in the Dooryard Bloom’d”, (Whitman, 255) are also poems that show the connection between nature and romanticism. Poets, Dickinson and Whitman engage with romanticism in a creative and constructive manner through the utilisation of the natural world.

Webster's dictionary states the definition of Romanticism as "a movement in literature and art during the late 18th and early 19th centuries that celebrated nature rather than civilization". Romanticism was a movement that helped generated other movements, but brought a new form of literature that was well embraced during the 18th and 19th centuries.

In American Literature many authors write about nature and how nature affects man's lives. In life, nature is an important part of people. Many people live, work, or partake in revelry in nature. Nature has received attention from authors spanning several centuries. Their attitudes vary over time and also reflect the different outlooks of the authors who chose to discuss this important historical movement. A further examination of this movement, reveals prevalence of nature's influence on man and how it affects their lives.

Romanticism can be used to describe a time period when poets, painters, essayists and composers increasingly came to view nature itself as the greatest teacher (Sayre 177). Romantic artist believed that the past Classical values of dominance were over. Romanticism believed by a new way of living one where emotion and feeling can into play. Romantics had a very deep and passionate feeling for the beauty of nature and how it corresponds to life. The emotion of the new view of an individual creator, whose creative spirit is more important than strict adherence to formal rules and traditional procedures in romanticism (Britannica). I feel that people felt a time of relief when painting they did not need to feel like they were subject to a certain

One of the most popular themes for Romantic poetry in England was nature and an appreciation for natural beauty. The English Romantic poets were generally concerned with the human imagination as a counter to the rise of science. The growing intellectual movement of the 18th and 19th centuries placed scientific thought in the forefront of all knowledge, basing reality in material objects. The Romantics found this form of world view to be restrictive. They felt that imagination was crucial to individual happiness. The imagination also provides a common human bond; a means of sympathy, of identification. However, the absence of imagination, the Romantics felt, would lead