Romanticism in The Scarlet Letter

Nathaniel Hawthorne, in his bold novel, The Scarlet Letter tackles a variety of themes that include: sin, guilt, redemption, postfeminism, and organized religion's abuse of power. Hawthorne spoke in a somber and grim tone, designed to arouse a sense of suspense for his readers. The audience in which he was addressing would have been conservative Christians and women suffragettes, all of whom reflected the ideologies during this time period. By instilling clever diction, Hawthorne exposes hypocrisy in Puritanism and objects against the religion's superfluous punishments; which force individuals to endure unnecessary and extreme suffering.

The Scarlet Letter is a well known novel written by Nathaniel Hawthorne. The novel is composed and written in Salem and Concord, as well as Boston, Massachusetts in the late 1840's. The narrator of the novel is in an omniscent state, meaning he knows more about the characters than the characters know about themselves. Although the narrartor is omniscent, he also makes sure to include his ideas and opinions on situations, making him also greatly subjective. Being subjective, as well as omniscent, historical fiction along with a story displaying constant symbolism is evident.

The settings in The Scarlet Letter are very important in displaying the themes of the novel. The settings in this novel are almost characters, for they are an important part in developing the story. The scaffold, the forest, the prison, and Hester’s cottage are settings that show sin and its consequences result in shame and suffering.

Nathaniel Hawthorne is one of the greatest American authors of the nineteenth century. He published his first novel Fanshawe, in 1828. However, he is widely known for his novels The Scarlet Letter and The House of Seven Gables. His novel, The Scarlet Letter, can be analyzed from historical, psychological and feminist critical perspectives by examining his life from the past, as well as his reflections while writing The Scarlet Letter. In order to understand the book properly, it’s necessary to use these three perspectives.

Nathaniel Hawthorne’s The Scarlet Letter expresses various themes of dark romanticism using symbolism. One of the more obvious symbols is that of the scaffold, which is present throughout the story. Upon in-depth exploration, I discovered this use of symbolism relates both literally and metaphorically to the dark romantic themes present in Hawthorne’s tale. First, let me discuss the scaffold and its constant presence in the story. The townspeople, Hester, and Dimmesdale use the scaffold on numerous occasions; most often, its use is to shame, harass, and isolate Hester Prynne so that she will confess the name of her child’s father. However, at times, the scaffold is used as a sanctuary and a confessional for others.

Nathaniel Hawthorne portrays the ideology of Puritan society in the novel the Scarlet Letter; however reader also get to witness his characters being an illustration of hypocrisy and victims to their own guilt. In the Scarlet Letter, as in many of Hawthorne’s shorter works, he makes profuse use of the Puritan past: its odd exclusionary belief, its harsh code of ruling, its concern with sex and witchcraft. The Scarlet Letter is a story that is embellished but yet simple. Many readers may view this novel as a soap opera due to the way Hawthorne conveys this Puritan society’s sense of strictness and inability to express true emotion along with the secrecy and how deceiving the characters are being. As the story unfolds the main character Hester Prynne is bounded in marriage at an early age. She engages in an adulterous affair with an unknown member of their small village. Hester soon becomes pregnant and with her husband’s absence the chances of this child belonging to her husband are slim. The towns’ people know that she has committed a sin and imprisons her for her crime.

In contrast to the first scaffold scene, the second one happened during the night, completely unseen by the other villagers. Again, we see Dimmesdale and Hester (and Pearl), but this time, the lovers appeared to be both on the platform of shame. In this passage, Dimmesdale finally decided to act upon his guilt since he “had been driven hither (to the scaffold) by the impulse that Remorse which dogged him everywhere” (132-133). This scene symbolizes a moment of great insight for the minister because he started to understand a way to repent himself. As Dimmesdale touched his little girl’s hand, he experienced “[an]other life than his own, pouring like a torrent into his heart and hurrying through all his veins, as if the mother and the child were communicating their vital warmth to his half-torpid system” (137). The miserable sinner, who lived in utter darkness and despair for such a long time, at last began to grasp his responsibility towards Hester and Pearl and his role in the redemption of all three characters. However, Dimmesdale’s insight was not complete because he was still bounded with fear. When Pearl asked him to expose his sin to the public and admit her as his legitimate child, his courage

The Romantic era, occurring roughly from the early to mid 1800’s, was the period of reformation that shaped the society into one that valued latitude over order; this contrasted from the rigid, legalistic Puritan society that had been prevalent prior to the Romantic era. Through the newfound freedom of expression that was introduced during this period, many literary pieces that reflected these ideas began to surface. Nathaniel Hawthorne’s The Scarlet Letter and James Russell Lowell’s The First Snowfall exemplify the romantic element of reverence for nature through the depiction of a placating snowfall and the isolating outskirts of society; these enhance the themes of romanticism by suggesting that reverence for nature may liberate one from his/her nostalgic griefs and suppressed emotions.

In the third scaffold scene, Hester, Pearl, and Dimmesdale reunite together on the scaffold. As others recognize who her secret lover is, the community perceives Hester as a sympathetic figure. When Hester is standing with Dimmesdale on the scaffold, he confesses his immoral actions and shows his version of the scarlet letter on his chest. After seven years the Reverend proclaims, “In the name of Him, so terrible and so merciful, who gives me grace, at this last moment, to do what---for my own heavy sin and miserable agony---I withheld myself from doing seven years ago, come hither now, and twine thy strength about me!” (226).

     In Hawthorne's revered novel The Scarlet Letter, the use of Romanticism plays an important role in the development of his characters. He effectively demonstrates individualism in Hester to further our understanding of the difficulties of living in the stern, joyless world of Puritan New England.  It is all gloom and doom.  If the sun ever shines, one could hardly notice.  The entire place seems to be shrouded in black.  The people of this society were stern, and repressed natural human impulses and emotions than any society before or since.  But for this reason specifically, emotions began bubbling and eventually boiled over, passions a novelist

Both Hester and Dimmesdale share the same sin, but cope with it in two different ways. Hester follows the laws of human nature by openly expressing her sin, but Dimmesdale contains it within himself. As a result, Hester’s approach allows her to be stronger by comparison. Dimmesdale addresses her strength when they are in the woods as he says, “‘Be thou strong for me!’ answered he.

In The Scarlet Letter three main values that all played a part in the beginning of America; Romanticism, Rationalism, and Puritism. Throughout The Scarlet Letter all three of these influences play a part in the story. They collide, argue, and cause many problems. Which one of these is the most dominant in this book, Puritism. Puritism controls people's lives and no matter how they try, they cannot escape it.

Hester Prynne’s ability to sustain her stability and strength of spirit is the express result of her public guilt and penance. She was Arthur Dimmesdale’s partner in adultery, but she is used by Hawthorne as a complete foil to his situation. Unlike Dimmesdale, Hester is both strong and honest. Walking out of prison at the beginning of the novel, she decides that she must “sustain and carry” her burden forward “by the ordinary resources of her nature, or sink with it. She could no longer borrow from the future to help her through the present grief” (54). Hester openly acknowledges her sin to the public, and always wears her scarlet letter A. In the forest scene, she explains to Dimmesdale that she has been truthful in all things except in revealing his part in her pregnancy. “A lie is never good, even though death threaten on the other side” (133). Even Dimmesdale himself realizes that Hester’s situation is much healthier than his own when he states, “It must needs be better for the sufferer to be free to show his pain, as this poor woman Hester is, than to cover it all up in his heart” (92-93). This life of public shame and repentance, although bitter, lonely, and difficult, helps Hester retain her true identity while Dimmesdale seems to be losing his.

Cited Hawthorne, Nathaniel. The Scarlet Letter. USA: W.W. Norton & Company, Inc, 1988 Katz, Seymour. ""˜Character,' "˜Nature,' and Allegory in The Scarlet Letter"� Rept. in Nineteenth Century Fiction. Ed. Blake Nevius. Vol. 23 #1. USA: University of California Press, June 1968. 3-17.

Romanticism writing started in the early 1800’s, and it expressed seven elements of American Literature, ranging from the value on individualism to the supernatural. Two pieces of writing that developed during this time were,“The Scarlet Letter” by Nathaniel Hawthorne and “Civil Disobedience” by Henry David Thoreau. “The Scarlet Letter” is a novel about a woman, Hester Prynne, who committed adultery with the minister, Arthur Dimmesdale and has to proceed with her life by being shamed. In “Civil Disobedience,” Thoreau discusses how individuals should not let government overpower and have unjust laws. Therefore, romantic writers use the elements of value on individualism and the reliance on instinct through irony and metaphors to show how members of high society, who break their own rules, inflict their hypocrisy on others.