Romanticism in Tintern Abbey and The Thorn Essay

Question 1: William Cullen Bryant’s “Thanatopsis” fits the definition of Romanticism as it expresses the ideas of individualism and nature. Bryant writes “And, lost each human trace, surrend’ring up / Thine individual being, shalt though go / To mix forever with the elements” (24-26). In this, the author writes about individualism by stating that whenever a death occurs, one returns to their true self emotionally and physically as well. This is because, as Bryant states, one will return to the Earth “To mix forever with the elements.” Romanticism is also depicted into this poem by using extensive diction to capture the full extent of nature’s beauty. Bryant states that, “The hills / Rock-ribb’d and ancient as the sun,‒the vales / Stretching

Wordsworth stood on the cliff 'not only with the sense of 'present pleasure'; (63) but he joyfully anticipated the moments 'for future years'; (65). He came back to reality and began to analyze the situation after his reminiscing. Wordsworth realized that he had lost some guidance and was searching for the presence of nature when returning to the Wye. He remembered when he used to wander and roam as free as a roe but as he matured he felt content with tapping into his memories of his youth because as Wordsworth stated, 'That time is past? other gifts have allowed; for such loss, I would believe, abundant recompense'; (83-88). He realized that he was involved with more mature things in life because he had become more intelligent through the years and saw nature in the light of his intelligence. Yet, he insisted that he was 'still a lover of the meadows and the woods, and the mountains; and of all that we behold from this green earth'; (102-105) but indeed, in a more composed way.

The second and final work I am critiquing is from a book entitled, ‘The Life of William Wordsworth: A Critical Biography’ written by John Worthen. I have selected a chapter which pairs nicely with article mentioned above. The chapter features both Wordsworth and Coleridge as well. However, it is not as critical as the article, it is more biographical and informational which is to be expected in a biography. The chapter focuses on the years 1806 to 1807. It begins with the mention of the death of Wordsworth’s brother, John. According to Worthen, this deeply effected Wordsworth and he had little success with the poetry he was writing during this time. Worthen then, points to ‘Elegiac Stanzas’ which confronts his late brother’s death, displays a new sense of reality, and again redeems him as a poet. Worthen states, “The poem makes the narrator 's youthful state of ecstatic, thoughtless love for the natural world — ‘of lasting ease, / Elysian quiet, without toil or strife’ — utterly unreal, in contrast with the realities of life as he now knows them. A ‘fond delusion of my heart’ he calls that old love, ‘to be pitied’ not believed in” (328). The author implies that the death of his brother drastically changed his worldview. The bleak reality of a world without his brother led to Wordsworth becoming more mature and wise after experiencing loss. The author then shifts to discussing ‘Tintern Abbey’ and his reflections during a time of youth. I believe that the author mentions the

William Wordsworth’s poem, “Composed A Few Miles Above Tintern Abbey, On Revisiting The Banks Of The Wye During A Tour. July 13, 1798” (also known as simply, “Tintern Abbey”), was included in the book Lyrical Ballads, with a Few Other Poems. This was a joint effort between himself and author Samuel Taylor Coleridge. “Tintern Abbey” remains one of Wadsworth’s most famous poems, and at its printing, the book was completely sold out in two years. The name of the poem reflects the inspiration Wadsworth felt upon visiting the ruins of an old church called Tintern Abbey, with his sister Dorothy.

He talks about the fruit in the plots on the ground that will not become ripe, and as I can see in the painting the fruit is dead and not riping. He talks about the shrubs growing all over and I can see that in the painting. To me the words are showing sadness for the way it looks and I can feel the sadness just by looking at the painting. He talks about no animal life being around and in the painting there is no animals. He talks about the mountains and cliffs. Life, hills, rivers, and his love of nature is also mentioned and in Constables paintings there are hills, rivers, trees and animals , as Wordsworth has mentioned about nature. Wordsworth loves nature and all three paintings show nature at its finest and lowest of nature. In my opinion Wordswoth wanted to show how he felt about nature by showing how upset he feels about the abbey and his poem just happens to have some similarities to constables paintings also. I believe he did a wonderful job showing his view on

William Cullen Bryant’s “Thanatopsis”, fits the definition of Romanticism because it talks about not only human emotions, but Cullen’s poem also refers to nature. Cullen expresses, “she has a voice of gladness, and she glides into his darker musings with a mild and healing sympathy” line 4-7. Cullen is speaking about human emotions while really connecting with nature.

One of Wordsworth’s most famous poems is Tintern Abbey, which was published in 1789. The poem tells the story of a man going to the Banks of the Wye with his sister Dorothy, which was also Wordsworth’s sister’s name, for the first time in five years. Memory is important throughout this poem as the

Lastly, the Romantic Era blended human emotions with nature. The interfacing of emotion and nature was emblematic of Romantic poetry, whether it engrossed the idea of bequeathing human emotions to an innate article like a river or connecting the scenery to the temperament of the writer. (James, 491) This kind of beauty that is

In "Lines Composed A Few Miles Above Tintern Abbey", Wordsworth uses imagination to help him and others to live in the physical world peacefully. He recalls playing in Tintern Abbey, a forest nearby there and played in it when he was young. Now he comes back for different reasons. He escapes the world which is individualism and goes to the forest to get away from all the burden. He tells his young sister that she can always come here to get away from her problems as well. In the poem, Wordsworth uses nature to solve problems in life.

Qualities of "reality," the divine, or divinities may be reflected in nature in Romanticism and we can sense God or the gods through our sensing of nature.While in Neo_classicism there is a concern for "nature"--or the way things are (and should be). This relates back to the distrust of innovation and inherent conservatism of neoclassicism. The artistic rules of old, for instance, Pope describes as having been "discovered, not devised" and are "Nature methodized"; so too, "Nature and Homer" are "the same" (Essay on Criticism 88ff., 135). This belief in "nature" implies a conviction that there is a permanent, universal way things are (and should be), which obviously entails fundamental political and ethical commitments. The focus on natural feeling over conventional rules led to an emphasis on the self over the earlier neoclassical emphasis on society. The individual becomes the source of wisdom and morality, displacing the received set of rules and norms given by society. As a result, emphasis is paced on understanding the individual's subjective state, especially as it relates to the outside world. Works ranging from Rousseau's Confessions and Reveries of a Solitary Walker to Wordsworth's Prelude, Coleridge's «conversation» poems, «Dejection», «Frost at Midnight», «Lime Tree Beauty» are examples of the romantic exploration

“In Tintern Abbey, Wordsworth fears the loss of his genial spirit and seems to be worried about his poetic ability. Similarly, Coleridge, in Dejection, admits that his poetic originality is at stake” (Magnuson 15). In the forth stanza, Wordsworth writes, “Nor perchance / If I were not thus taught, should I the more / Suffer my genial spirits to decay” (113-115). Likewise, Coleridge, in the third stanza, writes, “My genial spirits fail” (39). Actually, both Coleridge and Wordsworth admit that they have been facing problems with nature. In the beginning of the third stanza, one can feel the sad tone of Wordsworth’s poem. The poet tells us how he lost part of his feelings toward nature. His ideas become “dim” and “faint.” He writes, “And now with gleams of half extinguished thought, / With many recognitions dim and faint, / And somewhat of a sad perplexity” (59-61). He cannot feel nature the same way he used to do as a child. Describing the way he was as a child, the poet says, “I cannot paint / What I was then” (76-77). Similarly, Coleridge asserts that he used to view nature differently as a child. In the beginning of the sixth stanza, he says, “There was a time when, though my path was rough, / This joy within me dallied with distress, / And all misfortunes were but the stuff”

Romanticism is a style of art or literature during the late 18th and early 19th centuries that emphasizes a love for nature, distrust of society, organized religion, celebration of the child or individual, and emotion over reason. In William Wordsworth’s “The World Is Too Much with Us” Wordsworth speaks about how society is so materialistic while speaking on the significance of nature. Ironically the title of this sonnet exemplifies one of the Romantic ideas and expresses one of Wordsworth’s main points regarding nature. Wordsworth uses a connection to nature as well as religion to emphasize Romanticism in his work.

How does William Wordsworth's poetry fit into the literary tradition of Romanticism? Q. How does William Wordsworth's poetry fit into the literary tradition of Romanticism? A. Romantic poetry was an artistic movement of the late 18th and early 19th century. It dealt with nature, human imagination, childhood and the ability to recall emotional memories of both happiness and sadness.

The major writers in Romanticism are Percy Shelly, Lord Byron, John Keats, William Blake, William Wordsworth, and Samuel Taylor Coleridge. I will be examining two second generation Romantic poets Lord Byron, Percy Shelly, I have chosen to examine the poems; She walks in beauty, and A Lament based on the ideas most valued by Romantic poets; Love and beauty, and youth and inevitable death.

Lines 79-84 represent loss and decay and are another set of themes in this poem. These lines show that his poem itself is a memory; memories can never contain the original content of an experience as it did the first time. Wordsworth's intense emotional pain is displayed throughout these lines. A particular line is: "That time is past/And all its aching joys are no more". The poet clearly tells his reader's that he is extremely upset at the fact that he no longer feels that joys he has felt before, and even though he hears in nature the still, sad music of humanity, he still prefers memory and the sense of nature over intellect and actuality. Wordsworth senses his mortality and realizes that nature ("their colours and their forms...") can not renew his pleasant spirits as much as he wants them to. "Tintern Abbey" also presents the poet to an exploration of identity and self understanding; Wordsworth is in conflict with the natural landscape that is painted in front of him and his mental landscape, two major different forces, and he is trying to find an equal path to both forces so that he can find his self or his destiny. Another explanation of these lines could be that Wordsworth comprehends the way nature functions --the death and renewal of all things– and that nature will one day also play a part on him. He is accepting that one day that, like his memories, he will fade and pass