Romeo And Juliet Film Analysis

Love plays a crucial role in telling the story of Romeo and Juliet, clearly shown in the appropriated Luhrmann film. Using film as a new medium, cinematic techniques explore the love between Romeo and Juliet. The balcony scene is a clear example of how Luhrmann expresses this. To show his love for Juliet, Romeo decides to sneak into the Capulet mansion to confess his love for her. When Romeo sees Juliet through his window, light shines around her and he describes it as, “ the sun.” This suggests that Romeo is calling Juliet the brightness in his life. Luhrmann decided to portray Romeo

The Tragedy of Romeo and Juliet is one of the greatest love stories ever told. This is evident in today’s society, with the story being retold again and again in theatre productions, books, and movie spinoffs. The story is of two lovers, whose love was doomed from the start due to their disputing families, the Capulets and Montagues, who would never see a marriage between the two. Romeo and Juliet eventually take their own lives, ceasing their families’ fighting. William Shakespeare, the playwright who wrote Romeo and Juliet and likely the most famous playwright ever, uses light and dark imagery within the story to highlight the lovers’ affection for one another against the backdrop of their lives. The motif of light and dark is used, with

Kenneth Branagh’s interpretation of Hamlet emphasized different importance's of the play. His version differs from that of Zeffirelli’s because; he makes use of the entire text from Shakespeare’s original work. Branagh also does not hold the time period authentic. Although his version of the play was not altered as much as Zeffirelli’s, he is still able to hold the attention of modern critics and viewers. However, by transfiguring the play into a Victorian background, Branagh’s film completely alters the mindset and feel of a true Shakespearean play.

Lots of music, fast cuts, fantastic cinematography and superb sets and costumes make it the lively tale it was meant to be. These features also make the film somewhat cartoon-like with a lot of heightened realism. Don't expect to see British people prancing around in tights when you rent this one. Luhrmann creates a world where gun-toting youths sport Hawaiian shirts and beachfront brawls are an everyday event.

In the Petrol Station scene, William Shakespeare’s important theme of violence is amplified and discussed through Baz Luhrmann’s filmic interpretation. The theme of conflict between the Montagues and the Capulets is a constant and crucial idea throughout the play. Baz Luhrmann has highlighted the traditional Shakespearean language by modifying the setting to a modern context, therefore the audience is able to relate to the text. Furthermore, the setting choice of a petrol station provides the film with the ability to effectively enhance the dramatic language revealed in the play. Irony and contrast are also really essential in drawing the audience’s attention to the violence in Romeo and Juliet. Tybalt states, “What, drawn, and talk of

Romeo and Juliet, written by William Shakespeare, is a tragic love story about two young lovers who are forced to be estranged as a result of their feuding families. The play is about their struggle to contravene fate and create a future together. As such, it was only a matter of time before Hollywood would try and emulate Shakespeare’s masterpiece. This had been done before in many films. Prominent among them were, Franco Zeffirelli’s 1968 “Romeo and Juliet” and Baz Luhrmann’s 1996 “William Shakespeare’s Romeo & Juliet.” Both films stay true to the themes of Shakespeare’s original play. However, the modernised Luhrmann film not only maintains the essence of Shakespeare’s writings, Luhrmann makes it relevant to a teenage audience. This is

Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.

It is not terribly odd to see directors adapt Shakespearian plays to a different era. In fact, contemporary elements in films like Baz Luhrmann’s Romeo and Juliet and the most recent Much Ado About Nothing by Joss Whedon have definitely bring valuable new readings to the text. Embracing this trend, Richard III (1995) by Richard Loncraine shifts its background to 1930s Britain. Starring Ian McKellen as Richard, the movie makes an undeniable connection to Nazi Germany; very details include costume design, set and prop, and cinematography choices all closely relate Richard to Hitler, an equivalent villain from modern history. The choice of blending Hitler into Richard puts viewers now into the shoes of audience from Shakespeare’s time to

Act III, scene i of Romeo & Juliet is the climax of the story, in which two fights are portrayed, one between Mercutio and Tybalt, and one between Romeo and Tybalt, which lead to the deaths of both Mercutio and Tybalt. When portrayed in film form in Zeffirelli’s 1968 version, and Luhrmann’s 1996 version, there are many differences, and similarities. While these two films are telling the same story, it is the differences between the two that lead to Luhrmann’s 1996 version being superior. Due to its more dramatic settings, and character interactions and actor portrayals.

‘Romeo and Juliet’ is a tragic play about two star crossed lovers written by Shakespeare in 1595. The play is a timeless teenage tradgedy. “The play champions the 16th Century belief that true love always strikes at first sight,” (Lamb 1993: Introduction) and even in modern times an audience still want to believe in such a thing as love at first sight. Act II Scene II the balcony scene displays that romantic notion perfectly.

Romeo and Juliet is a timeless story about two ill-fated lovers. Originally written by, Shakespeare, this story has been adapted by different directors who all commonly try to add their own unique twist to it. Two of the most prevalent adaptations of Romeo and Juliet have been done by Franco Zeffirelli and Baz Luhrmann, who have taken this love story to the big screen. Franco Zeffirelli’s movie, which was produced in 1968, is extremely authentic and stays true to Shakespeare's vision, whereas, Baz Luhrmann’s version produced in 1996, is contemporary and appeals more to younger audiences. There are various differences and a couple of similarities between Zeffirelli’s and Luhrmann’s movie versions such as the costumes, their interpretations of

“Romeo and Juliet” by William Shakespeare has been read in schools around the world ever since schools have existed. One of the characters in the play is Friar Lawrence, who makes many influential decisions that affect the story. Friar Lawrence marrying Romeo and Juliet causes more problems than it solves. Also, Friar Lawrence’s plan for Juliet to fake her death is one of the worst decisions in the play that leads to terrible tragedy. Finally, Friar Lawrence had the chance to save Juliet from killing herself after she awoke, but he gave absolutely no effort. Shakespeare used Friar Lawrence as a major driving force in the tragedy.

Hamlet, one of the most intricate and influential plays by Shakespeare, debatably of all time. It has inspired not only appreciative readers and writing critiques but continuous generations of people. The inspiration led to the fabrication of many great movies, which wasn’t achievable until the 20th century. Before cinema was the prevalent method of sharing appreciation and spilling emotion for a specific subject, art portrayed what would fly through our minds such as the many interpretations of Ophelia’s death. With the imagery put into motion we can try and pick apart how certain people might view the play being portrayed and choose what best suits our expectation of this tragedy. Other things that only film has been able to present to

Through history, dozens of renditions of Shakespeare’s classic tragedy Romeo and Juliet have been created by dozens of different directors, each with a unique twist on the play’s famous storyline. Baz Luhrmann provided an interesting angle to the story of Romeo and Juliet, choosing to depict it in the modern era rather than in early modern Verona. Luhrmann’s rendition of a particularly famous scene, the first kiss shared between the eponymous lovers, uses a variety of techniques to reflect on the true nature of their romance. These include a dynamic soundtrack representative of their rapidly changing situation, metaphors alluding to the cramped and claustrophobic nature of

Shakespeare’s work in The Tragedy of Romeo and Juliet is outstanding in that it presents the audience with a very compelling and forbidden relationship between two people. The highs and lows of this play are a rollercoaster for the audience’s emotions and it can make the experiences ever so involved. One of the scenes that can really affect the audience and their emotions is the scene when Romeo and Juliet have their first kiss. In this short writing, I will analyze a clip from the 1968 version of the play by Paramount Pictures, as well as the 1996 version by 20th Century Fox, and in doing so I will closely look at what the director was trying to accomplish through the use of music, lighting, camera angle, and actor choices. This will allow